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| sent on May 27, 2013 (9:07) | This comment has been automatically translated (show/hide original)
I love ...
I would try to pull off the fogliona left front of his face mi piace moltissimo...
proverei a tirar via la fogliona a sx all'altezza del viso |
| sent on May 27, 2013 (13:24) | This comment has been automatically translated (show/hide original)
Beautiful expression of course acquitted told through optimum light ..... single disorder, the leaf on the left, easily removed in PP, hello Beppe
Bella l'espressione naturalmente assolta raccontata attraverso una luce ideale..... unico disturbo la foglia a sinistra, facilmente rimuovibile in pp, ciao beppe
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| sent on May 27, 2013 (16:02) | This comment has been automatically translated (show/hide original)
Thanks for the ride. I wanted to keep the leaf in question, both to help the three-dimensionality that intimacy that expresses the subject.
Greetings
Alberto Grazie del passaggio. Ho voluto mantenere la foglia in questione, sia per aiutare la tridimensionalità che l'intimità che esprime il soggetto.
Saluti
Alberto |
| sent on May 27, 2013 (18:52) | This comment has been automatically translated (show/hide original)
Nice clip, nice post, bravo. Bello scatto ,bella la post,bravo. |
| sent on May 28, 2013 (16:36) | This comment has been automatically translated (show/hide original)
Beautiful portrait, great light I had arrived a thread more on the second eye would have been perfect for me.
Congratulations, hello. Bellissimo ritratto, ottima luce ne fosse arrivata un filo di più sul secondo occhio sarebbe per me stata perfetta.
Complimenti, ciao. |
| sent on May 29, 2013 (15:19) | This comment has been automatically translated (show/hide original)
Great photo with excellent lighting, excellent throughout, beautiful and sweet as a model, good Alberto.
Hello from Kilimanjaro Ottima foto, ottime luci, ottima in tutto, bella e dolcissima la modella, bravo Alberto.
Ciao da Kilimanjaro |
| sent on May 31, 2013 (17:29) | This comment has been automatically translated (show/hide original)
Wonderful, great atmosphere, perfect framing and installation.
Congratulations
Giuliano Meravigliosa, atmosfera eccezionale, inquadratura e posa perfette.
Complimenti
Giuliano |
| sent on June 05, 2013 (17:10) | This comment has been automatically translated (show/hide original)
Thank you very much Julian :) Grazie mille giuliano :) |
| sent on November 23, 2013 (21:12) | This comment has been automatically translated (show/hide original)
Very nice compliments. I would like to know something more 'in post p.!
Bellissima complimenti. Mi piacerebbe sapere qualcosa di piu' nella post p.!
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| sent on November 27, 2013 (16:58) | This comment has been automatically translated (show/hide original)
Get well .. if I can answer you, again! Chiedi pure.. se riesco a risponderti, volentieri! |
| sent on November 27, 2013 (20:10) | This comment has been automatically translated (show/hide original)
These soft colors that I see in your photos, with this sense of veiled! How to get the filters are nik color or photoshop? Questi colori tenui che vedo nelle tue foto, con questo senso di velato! Come l'ottieni sono filtri nik color o photoshop? |
| sent on November 28, 2013 (19:05) | This comment has been automatically translated (show/hide original)
No filters, no PS, just lightroom.
You're not the first to ask me to effect a "veiled." In fact I do not add any filter. The light is as you see it in reality. The only thing I can think of hazy effect, is the correction I do on the rgb curve. Lightroom is not the best to work with curves, but has a minimal tool in this regard. Instead of the classic "S" to increase the contrast, I raise a hair line at the bottom left corner to form a small ... like a "j" making 45 °. If you notice the histogram, you are acting on blacks. Over the longer raise the blacks disappear completely turning gray, and I think this is what you see as a veiled effect. Then I lower the saturation a hair and increase the sharpness of a blade >> only on what is in focus <<. Nothing else. Più the post, was the light of that day to be special. If you want to get similar results, do not try a lot of light. Little, very little, but good. If I were to look for an error in this picture is that the right side is too underexposed. a small panel white would have helped a lot .. but we have done without the aid of anything. nothing flash, nothing panels. : (
If you have any more questions I am here :) Niente filtri, niente PS, solo lightroom.
Non sei il primo a chiedermi di un effetto "velato". In realtà io non aggiungo nessun filtro. La luce è come la vedi nella realtà. L'unica cosa che posso pensare ad effetto velato, è la correzione che faccio sulla curva rgb. Lightroom non è il massimo per lavorare con le curve, ma ha un minimo strumento a riguardo. Invece di fare la classica "S" per aumentare il contrasto, io alzo un pelo la linea in basso a sinistra a formare una piccola curva...tipo una "j" messa a 45°. Se noti l'istogramma, stai agendo sui neri. Più la alzi più i neri spariscono del tutto diventando grigi e credo sia questo che voi vedete come effetto velato. Poi abbasso un pelo la saturazione e aumento un filo la nitidezza >>solo su ciò che è a fuoco<< . Null'altro. Più che la post, era la luce di quel giorno ad essere speciale. Se vuoi ottenere risultati simili, non cercare molta luce. Poca, pochissima, ma buona. Se dovessi cercare un errore in questa foto è che il lato dx è troppo sottoesposto. un pannellino bianco avrebbe aiutato parecchio.. ma le abbiamo fatte senza l'ausilio di nulla. niente flash, niente pannelli. :(
Se hai altre domande sono qui :) |
| sent on November 28, 2013 (19:59) | This comment has been automatically translated (show/hide original)
Nice clip, easy processing, almost absent but high-impact, this kind of shooting I like the character that emerges, very strong and impressive, a bit old, a little film. Bello scatto, lavorazione semplice, quasi assente ma di grande impatto, questo genere di scatto mi piace per il carattere che traspare, molto forte e di grande effetto, un pò old, un pò pellicola. |
| sent on November 29, 2013 (13:23) | This comment has been automatically translated (show/hide original)
Thanks Albertom, you explained very well, I already did some tests I thank you again!
Grazie Albertom, hai spiegato molto bene ho già fatto delle prove ti ringrazio ancora !
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| sent on November 30, 2013 (16:31) | This comment has been automatically translated (show/hide original)
Happy to be useful ;) Felice di essere utile ;) |
| sent on February 06, 2014 (13:26) | This comment has been automatically translated (show/hide original)
intriguing development in this photo, that workflow did you use? thanks intrigante lo sviluppo di questa foto, che workflow hai usato? thanks |
| sent on February 06, 2014 (18:08) | This comment has been automatically translated (show/hide original)
Hello Matthew, nothing more than what I have described two post more about :) Ciao Matteo, nulla di più di quello che ho descritto due post più su :) |
| sent on February 07, 2014 (11:36) | This comment has been automatically translated (show/hide original)
ok sorry my fault! ok sorry colpa mia! |
| sent on February 07, 2014 (11:38) | This comment has been automatically translated (show/hide original)
ah here, you know, I have some presets that raises the curve of blacks as well, but when I try to work it alone can not move across the curve except the extremes that are fixed ... something wrong? ah ecco, capito, ho qualche preset che alza la curva dei neri così, però quando provo a lavorarla da solo riesco a muovere tutta la curva tranne gli estremi che sono fissi... sbaglio qualcosa?? |
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