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| sent on August 09, 2023 (21:28) | This comment has been automatically translated (show/hide original)
Hello Marcello, did you also take the XS 20? I've had it for a month and I still haven't figured out if I like it or not. I would love to know your impressions. Ciao Marcello, hai preso anche tu l'XS 20? Io ce l'ho da un mesetto e non ho ancora capito se mi piace o no. Mi piacerebbe sapere le tue impressioni. |
| sent on August 09, 2023 (21:56) | This comment has been automatically translated (show/hide original)
Hello Silvia, yes: the one with fuji is a love-hate. Had several Fuji models then resold.
The S20 combines prerogatives of previous series (sensor) and current series (processor). I was also interested in the video side, very well developed on this model.
Premature to express a judgment, on paper and for those 4 photos I took it seems good ... This summer I will use it a lot and I will be able to tell you.
Why don't you express yourself yet? Disappointed or doubtful about something in particular? Ciao Silvia, ebbene si: quello con fuji è un amore-odio. Avuto diversi modelli Fuji poi rivenduti.
La S20 fonde prerogative di serie precedenti (sensore) e di serie attuali (processore). Mi interessava anche il lato video, molto ben sviluppato su questo modello.
Prematuro esprimere un giudizio, sulla carta e per quelle 4 foto che ho fatto mi pare buona...questa estate la utilizzerò parecchio e ti saprò dire.
Come mai tu ancora non ti esprimi? Delusa o dubbiosa per qualcosa in particolare? |
| sent on August 09, 2023 (23:10) | This comment has been automatically translated (show/hide original)
I find it very difficult to manage the colors, perhaps because it has too many settings. With my old bridge, FZ300 I never asked myself the problem.
The colors change a lot passing from the sun to the shade even being careful to always have a correct exposure.
I also have the impression that the shadows are too closed. I am full of doubts and the paper manual is too concise, while the one on the Internet is very complex.
Hi I'm trying film simulations, but sometimes they are fine sometimes not depending on the light, for example the greens in shadow pull to blue. Trovo molto difficile gestire i colori, forse perché ha troppi settaggi. Con la mia vecchia bridge, FZ300 non mi sono mai posta il problema.
I colori cambiano molto passando dal sole all'ombra anche stando attenti avere sempre una esposizione corretta.
Ho anche l'impressione che le ombre siano troppo chiuse. Sono piena di dubbi e il manuale cartaceo è troppo sintetico, mentre quello su Internet è molto complesso.
Ciao sto provando le simulazioni pellicola, ma a volte vanno bene a volte no a seconda della luce, ad esempio i verdi in ombra tirano al blu. |
| sent on August 11, 2023 (7:43) | This comment has been automatically translated (show/hide original)
Co are many tutorials on youtube, as you know fuji has a lot of following just for film simulations. In fact, it has an excellent jpeg, made even more versatile by the large amount of adjustment parameters. As soon as I find it I send you a nice link on how you can get many film simulations with simple settings 8-) Co sono molti tutorial su youtube, come sai fuji ha molto seguito proprio per le simulazioni pellicola. Difatti ha un'ottimo jpeg, reso ancora più versatile dalla gran quantità di parametri di aggiustamento. Appena lo trovo ti mando un bel link su come puoi ottenere tante simulazioni pellicola con semplici settaggi |
| sent on August 11, 2023 (8:38) | This comment has been automatically translated (show/hide original)
Thanks, but what do you use? I tried Velvia but saturated too to my taste.
They seem better Astia,classic chrome and pro neg
H.I have to try to modulate them.
I looked as site Fuji x weekly, but are really too many settings.
Do you use capture one for Raw? Grazie, ma to cosa usi? Ho provato Velvia ma satura troppo a mio gusto.
Mi sembrano meglio Astia,classic chrome e pro neg H.
Devo provare a modularli.
Ho guardato come sito Fuji x weekly,ma sono davvero troppi i settaggi.
Per i Raw usi capture one? |
| sent on August 11, 2023 (9:33) | This comment has been automatically translated (show/hide original)
I start from the classic chrome, but I always develop raw with photoshop. Now it demosaics very well, very detail. Then I fiddle with basic parameters, I like the final result I must say. It is a responsive machine, good autofocus, fast burst, useful hdr function: it underexposes you up to 3 stops which then automatically recovers to have high lights never burned. In short, my "hatred" towards Fuji is more on the aesthetics of the s20 than on the functions. Combined with the 15-45 is very compact and lightweight, battery lasts a lot. I also took a lot 17-70 f2.8 and Fuji 10-24 mm. Only a nice fixed light for portraits is missing. Parto dal classic chrome, ma sviluppo sempre raw con photoshop. Ormai demosaicizza assai bene, molto dettaglio. Poi smanetto con parametri base, mi piace risultato finale devo dire. È una macchina reattiva, buon autofocus, raffica veloce, utile la funzione hdr: ti sottoespone fino a 3 stop che poi recupera automaticamente per avere alte luci mai bruciate. Insomma, il mio “odio” verso Fuji è più sull'estetica della s20 che non sulle funzioni. Abbinata col 15-45 è molto compatta e leggera, batteria dura molto. Ho preso anche tamron 17-70 f2.8 e Fuji 10-24 mm. Manca solo un bel fisso luminoso per ritratti. |
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