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| sent on April 22, 2013 (13:05) | This comment has been automatically translated (show/hide original)
Very beautiful! Molto bella! |
| sent on April 22, 2013 (13:15) | This comment has been automatically translated (show/hide original)
Thank you! Grazie! |
| sent on April 23, 2013 (21:26) | This comment has been automatically translated (show/hide original)
I really like the carefree attitude of the bride, excellent composition. Mi piace molto l'atteggiamento sbarazzino della sposa, ottima la composizione. |
| sent on April 27, 2013 (12:00)
beautiful pic , nice colors  |
| sent on April 29, 2013 (10:43) | This comment has been automatically translated (show/hide original)
;-)  |
| sent on May 03, 2013 (0:16) | This comment has been automatically translated (show/hide original)
Very beautiful. ;-) Molto bella. |
| sent on May 27, 2013 (18:23) | This comment has been automatically translated (show/hide original)
Beautiful .. Likes:-P Bella.. Mi Piace  |
| sent on May 28, 2013 (14:19) | This comment has been automatically translated (show/hide original)
Thanks Grazie |
| sent on May 29, 2013 (10:49) | This comment has been automatically translated (show/hide original)
If localizzavo was more blurred the sharp sweet but fine for me ..... lights? this is simply a D4 to 100 iso that even with light to lead allows me to run lights / shadows in an incredible way, here I might have to underexpose an additional stop completely and save the dress .... Se localizzavo lo sharp lo sfocato era più dolce ma per me va bene..... luci? questa è semplicemente una D4 a 100 iso che anche con luce a piombo mi permette di gestire luci/ombre in maniera incredibile, qui avrei anche potuto sottoesporre di un ulteriore stop e salvare completamente l'abito.... |
| sent on May 29, 2013 (12:21) | This comment has been automatically translated (show/hide original)
is known but often that even those who did not exploit it properly, with great resilience I often expose almost always at the edge of the clipping of highlights and I do not care histogram, this often leads to 3 stop underexposure also that 100 iso do not bother me at all with the result of not burn anything, this approach allows these results when you can not do 2 3 shots with different exposures, an approach that not everyone uses and that many question ;-)
si ma noto spessissimo che anche chi la ha non la sfrutta a dovere, con la grandissima capacità di recupero io spessissimo espongo quasi sempre al limite del clipping delle alte luci e me ne infischio dell'istogramma, questo spesso porta a sottoesposizioni anche di 3 stop che a 100 iso non mi preoccupano affatto con il risultato di non bruciare nulla, questo approccio permette questi risultati quando non si possono fare 2 3 scatti con esposizioni diverse, approccio che non tutti usano e che molti contestano ;-)
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| sent on May 29, 2013 (13:31) | This comment has been automatically translated (show/hide original)
Nice attitude
Bella laying
Beautiful the bride
Beautiful place
So beautiful photos.
Compliments. Bello l'atteggiamento
Bella la posa
Bella la sposa
Bello il posto
Quindi bella la foto.
Complimenti. |
| sent on May 29, 2013 (15:12) | This comment has been automatically translated (show/hide original)
Thanks Grazie |
| sent on May 29, 2013 (17:24) | This comment has been automatically translated (show/hide original)
Take this picture, if I sottoespongo not to burn up the dress, which in fact was also burned on the bottom, I had to underexpose further, in her face would become very dark and I would have to apply a great recovery, and I assure you that ' histogram at that point is moved to the left and to the right, which I have done here only in part but I could do better .... in some discussion where it is widely talked about this as I have always claimed and demonstrated to expose to the right is absolutely useless, it only makes sense in the presence of a range of the scene less than the capacity of the sensor and then we move to the right, and the nominal sensitivity the sensor, otherwise no! given a time and a optimum aperture for what you want to photograph, moving to the right we get it only in raising the iso, but this does not benefit the noise, whichremains similar, and reduces the range .... ;-) Prendi questa foto, se io sottoespongo fino a non bruciare il vestito, che per altro è stato anche bruciato nella parte bassa, dovevo ulteriormente sottoesporre, lei in viso sarebbe diventata molto scura e avrei dovuto applicare un grande recupero, e ti assicuro che l'istogramma a quel punto è spostato a sinistra e non a destra, cosa che qui ho fatto solo in parte ma potevo fare di meglio.... in alcune discussione dove si è ampiamente parlato di questo ho sempre affermato e dimostrato come esporre a destra è assolutamente inutile, ha senso solo in presenza di una gamma della scena inquadrata inferiore alla capacità del sensore e allora ci spostiamo a destra, e alla sensibilità nominale del sensore, altrimenti no! dato un tempo e un diaframma ottimale per quello che vogliamo fotografare, lo spostamento a destra lo otteniamo solamente in alzando gli iso ma questo non porta benefici sul rumore, che resta simile, e riduce la gamma.... ;-) |
| sent on November 03, 2014 (23:12) | This comment has been automatically translated (show/hide original)
really beautiful shot, congratulations to both the composition and technique. Totally agree with your reflection on the show.
Fabio gran bello scatto, complimenti sia per la composizione che per la tecnica. Perfettamente d'accordo con la tua riflessione sull'esposizione.
Fabio |
| sent on November 05, 2014 (7:47) | This comment has been automatically translated (show/hide original)
Thanks also for the other, I'm glad you liked the reflection ... Grazie anche per l'altra, sono contento che ti sia piaciuta la riflessione... |
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