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| sent on May 30, 2022 (10:02) | This comment has been automatically translated (show/hide original)
..... for me wonderful....
7 hello Ray Palm .....per me meravigliosa....
7 ciao Ray Palm |
| sent on May 30, 2022 (12:10) | This comment has been automatically translated (show/hide original)
Thank you, for apprezato too good.
Camogli amazed me for beauty, especially in the evening.
Greetings from Marco. Grazie, per aver apprezato troppo buono.
Camogli mi ha stupito per bellezza, soprattutto la sera.
Saluti da Marco. |
| sent on July 18, 2023 (15:15) | This comment has been automatically translated (show/hide original)
Awesome composition!
congratulations Composizione eccezionale!
Complimenti |
| sent on July 19, 2023 (11:21) | This comment has been automatically translated (show/hide original)
Thank you Gionskj,
I'm glad you appreciated.
Best
regards,Marco Grazie Gionskj,
sono felice che tu abbia apprezzato.
Saluti,
Marco |
| sent on April 07, 2025 (21:27) | This comment has been automatically translated (show/hide original)
Very nice composition and camera point.
As much as I don't appreciate the exaggerated recoveries, with photos flattened in the midtones, I still find the lights a bit excessive, in this photo Composizione e punto di ripresa molto belli.
Per quanto non apprezzi i recuperi esagerati, con foto appiattite nei mezzi toni, trovo tuttavia le luci un po' eccessive, in questa foto |
| sent on April 08, 2025 (8:57) | This comment has been automatically translated (show/hide original)
I agree Essezeta, the optics are what they are, I tried to bring out the best.
anyway thanks for the comment.
Regards,
Marco Concordo Essezeta, l'ottica è quella che è, ho cercato di tirarci fuori il meglio.
comunque grazie per il commento.
Saluti,
Marco |
| sent on April 08, 2025 (10:51) | This comment has been automatically translated (show/hide original)
“ I agree Essezeta, the optics are what they are, I tried to bring out the best. „
Look, in my opinion it's not a question of optics, but of shooting mode and subsequent processing.
With a single shot, with a camera not excessively inclined to strong shadow recovery, it is actually not possible to do much more in conditions like these. I would have just used lower iso and longer shutter speeds (unless boats are moving slightly)
In these conditions, to get better results, you must necessarily switch to multiexposures, to more easily manage the excessive brightness gap present in the framed scene " Concordo Essezeta, l'ottica è quella che è, ho cercato di tirarci fuori il meglio."
Guarda, secondo me non è una questione di ottica, ma di modalità di scatto e successiva elaborazione.
Con uno scatto singolo, con una fotocamera non eccessivamente propensa a forti recuperi delle ombre, effettivamente più di tanto non è possibile fare, in condizioni come queste. Io avrei giusto usato iso più bassi e tempi più lunghi (a meno di barche in leggero movimento)
In queste condizioni, per ottenere migliori risultati, devi necessariamente passare a multiesposizioni, per gestire in modo più agevole l'eccessivo divario di luminosità presente nella scena inquadrata |
| sent on April 10, 2025 (7:31) | This comment has been automatically translated (show/hide original)
Great suggestions, thank you.
Ottimi suggerimenti, grazie.
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