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| sent on April 04, 2022 (10:42) | This comment has been automatically translated (show/hide original)
I like this contrast, almost an abstract painting, of lights and shadows Mi piace questo contrasto, quasi un quadro astratto, di luci ed ombre |
| sent on April 04, 2022 (11:10) | This comment has been automatically translated (show/hide original)
Perhaps a central element is missing, a soul, a fire...
I would get away with saying that I'm just proof of a new goal...
But I saw something mysterious, inexorable and ancient... A shot from a piano sequence of Bela Tarr, perhaps... And I published it!
;-) Forse manca un elemento centrale, un'anima, un fuoco...
Me la caverei dicendo che sono giusto delle prove di un nuovo obiettivo...
Però ci vedevo qualcosa di misterioso, di inesorabile e di antico... Un'inquadratura da un piano sequenza di Bela Tarr, magari... E l'ho pubblicata!
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| sent on April 07, 2022 (15:10) | This comment has been automatically translated (show/hide original)
I had to go and see on Wikipedia who Bela Tarr was, and I saw her b/w. They are really suggestive, like this shot of yours. Even without a center, a soul has it. It is a window into the interior, a reflection of what is inside, at the same time Son dovuta andare a vedere su Wikipedia chi era Bela Tarr, ed ho visto i suoi b/w. Sono davvero suggestivi, come questo tuo scatto. Anche senza centro, un'anima ce l'ha. È una finestra nell'interiorità, un riflesso di quello che sta dentro, allo stesso tempo |
| sent on April 07, 2022 (16:37) | This comment has been automatically translated (show/hide original)
You know, Nietzsche went crazy, and, in Turin, he embraced a horse.
To begin with you could see "The Horse of Turin". Which does not expressly concern that story, but, "nicianamente" proposes a sort of "fin du monde" gloomy, without God and without "lantern".
A film where nothing happens, except the desperate and mute end. The epilogue of the human (too human?).
Very slow, with infinite sequence plans.
A black and white that is a very sad poem.
Of sublime charm.
Anti Hollywood par excellence!
Sai, Nietzsche, impazzì, e, a Torino, abbracciò un cavallo.
Per cominciare si potrebbe vedere "Il cavallo di Torino". Che non riguarda espressamente quella vicenda, ma, "nicianamente" propone una sorta "fin du monde" cupo, senza Dio e senza "lanterna".
Un film dove non succede nulla, se non la disperata e muta fine. L'epilogo dell'umano (troppo umano?).
Lentissimo, con dei piani sequenza infiniti.
Un bianco e nero ch'è una straziante meravigliosa poesia.
Di sublime fascino.
Anti hollywoodiano par excellence!
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