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| sent on March 24, 2013 (12:14) | This comment has been automatically translated (show/hide original)
symmetry incredible! =) una simmetria incredibile! =) |
| sent on March 24, 2013 (12:22) | This comment has been automatically translated (show/hide original)
Thanks Leo ;-) composition is my obsession :-) Grazie Leo  la composizione è la mia ossessione  |
| sent on March 24, 2013 (13:17) | This comment has been automatically translated (show/hide original)
Nice, very nice, but I take my symmetry, I think if I cut a quarter of an image makes it better because it make the swan + rpotagonista than reflection. ;) Bello, molto bello, però io toglierei la simmetria, secondo me se taglio un quarto d'immagine rende meglio perchè così rendi + rpotagonista il cigno rispetto al riflesso.;) |
| sent on March 24, 2013 (13:25) | This comment has been automatically translated (show/hide original)
You can be a workable version. I have deliberately not complied with the various theories on the third and so on. building an image waiting to cross the swan arrived at that point. In this way, I think I just eliminated the leadership of the Swan for reducing atmosphere. The loneliness, the swan that is lost in the background in the company of his own reflected image, belonging to Nature, not to the individual. Obviously this is my vision then gives meaning to shoot the beholder, the photographer is just a tool ;-)
Alex Thanks for the ride! Si può essere una versione attuabile. Ho volutamente non rispettato le varie teorie sui terzi ecc. costruendo un'immagine a croce attendendo che il cigno arrivasse in quel punto. In questo modo penso di aver eliminato appunto il protagonismo del cigno riducendolo ai fini dell'atmosfera. La solitudine, il cigno che si perde nello sfondo in compagnia della sua sola immagine riflessa, l'appartenenza alla Natura e non alla sua individualità. Ovviamente questa è la mia visione poi il significato allo scatto lo dà chi guarda, il fotografo è solo uno strumento
Grazie del passaggio Alex! |
| sent on March 24, 2013 (13:51) | This comment has been automatically translated (show/hide original)
I am of the opposite of Alex, do not touch anything, leave everything as it is because it is an image of a terrifying force! ;-) Io sono dell'idea opposta di Alex, non toccare nulla, lascia tutto così com'è perchè è un'immagine di una forza spaventosa!! |
| sent on March 24, 2013 (14:02) | This comment has been automatically translated (show/hide original)
Thanks Walter, each opinion is the source of growth for me ;-) Grazie Walter, ogni parere è per me fonte di crescita |
| sent on March 24, 2013 (14:16) | This comment has been automatically translated (show/hide original)
Beautiful as it is! beautiful ;-) Stupenda così com'è! bellissima |
| sent on March 24, 2013 (14:36) | This comment has been automatically translated (show/hide original)
A framework speccatolare Un quadro speccatolare |
| sent on March 24, 2013 (15:21) | This comment has been automatically translated (show/hide original)
Exceptional!! Congratulations, Ciao.Evelina Eccezionale!!!!! Complimenti,Ciao.Evelina |
| sent on March 24, 2013 (15:43) | This comment has been automatically translated (show/hide original)
Congratulations, really a beautiful composition, and the colors really unusual and azzeccate!
Mattia Complimenti, davvero una composizione stupenda, e le cromie davvero insolite e azzeccate!
Mattia |
| sent on March 24, 2013 (15:51) | This comment has been automatically translated (show/hide original)
Great shot, a unique delicacy and refinement.
Compliments
Christian Bellissimo scatto, di una delicatezza e raffinatezza unica.
Complimenti
Cristiano |
| sent on March 24, 2013 (16:16) | This comment has been automatically translated (show/hide original)
Beautiful.
Marco. Bellissima.
Marco. |
| sent on March 24, 2013 (16:29) | This comment has been automatically translated (show/hide original)
Very nice I really like, hello Silvia Molto bella mi piace molto, ciao Silvia |
| sent on March 24, 2013 (19:47) | This comment has been automatically translated (show/hide original)
Very beautiful and compliments impact hello Marco. Molto bella e d'impatto complimenti ciao Marco. |
| sent on March 24, 2013 (20:14) | This comment has been automatically translated (show/hide original)
wow! complimenti.un unique image, the colors of the leaves and the reflections of the various parties make unica.l only thing I'm wondering how you managed to merge the two frames? ps.te I ask because I'm not a photoshopparo ;-)  complimenti.un immagine unica,i colori delle foglie e i riflessi dei vari soggetti la rendono unica.l unica cosa mi chiedo come sei riuscito ad unire i due fotogrammi? ps.te lo chiedo perchè non sono un photoshopparo |
| sent on March 24, 2013 (21:15) | This comment has been automatically translated (show/hide original)
fantastic! fantastica !! |
| sent on March 25, 2013 (0:41)
la composizione è incredibile! complimenti! |
| sent on March 25, 2013 (10:28) | This comment has been automatically translated (show/hide original)
Thank you very much indeed! Without exception! ;-)
I answer the question of Leonardo processes are many, mine was an overlap and delete. On other occasions I cropped the subject and "glued" on the main photo. In this picture, however, was the reflection and its original position (in line with the wood) I did not want to miss. So I superimposed the two images, reduced noise on the swan, and slowly removed the outline come off leaving the image below. She gets what you can ... if I had a car that held more noise at high ISO I would have spared this "posticciata" ... it was a shame because this photo I had imagined it and I wanted to become; -) Vi ringrazio davvero! Nessuno escluso!
Rispondo alla domanda di Leonardo: i processi sono molteplici, il mio è stato un sovrapponi ed elimina. In altre occasioni avrei scontornato il soggetto ed "incollato" sulla foto principale. In questa foto però c'era il riflesso e la sua posizione originale (in linea con i legni) che non volevo perdere. Ho così sovrapposto le due immagini, diminuito il rumore sul cigno, e pian piano eliminato il contorno lasciando venire fuori l'immagine sottostante. Si fà quel che si può...se avessi avuto una macchina che teneva meglio il rumore ad alti ISO mi sarei risparmiato questa "posticciata"...era un peccato però perchè questa foto me l'ero immaginata così e così volevo diventasse |
| sent on March 25, 2013 (11:56) | This comment has been automatically translated (show/hide original)
Congratulations indeed! snap colors are exceptional, the nitideza is something special :-) Complimenti davvero! uno scatto dai colori eccezionali, la nitideza è qualcosa di eccezionale |
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