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the Master of Campodonics

architettura e pittura

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the Master of Campodonics sent on 05 Luglio 2021 (22:11) by Francesco Sestili. 12 comments, 529 views.

Sony A9,
Sony A9
Sony FE 16-35mm f/4 ZA OSS Vario Tessar T*
Sony FE 16-35mm f/4 ZA OSS Vario Tessar T*
, 1/25 f/4.5, ISO 1000, hand held.

La pittura immortale, quella che resta, non è solo Raffaello o Caravaggio; il Maestro di Campodonico è Giotto stesso, l'immenso Giotto. Forse era un monaco, forse si chiamava Bartoluccio da Fabriano; gli viene riconosciuta una formazione presso bottega assisiate giottesca, forse non quella di Puccio Capanna come finora ritenuto ma l'altra del Maestro di Figline, che sappiamo essere stato Giovanni di Bonino, non importa. L'affresco, originariamente nell'abbazia di san Biagio in Caprile di Campodonico di Fabriano, fu notato già nel 1915 dal Venturi che riconobbe immediatamente il grande pittore, certamente tra i più grandi in Italia e quindi nel mondo del '300. Meglio sarebbe stato restaurarlo con gli altri nel contesto di un risanamento del convento, poi avvenuto dopo il 2000, piuttosto che procedere al distacco (anni '60) ma è altamento positivo l'avvenuto salvataggio. Il Maestro è possibile ammirarlo nella Pinacoteca Molajoli di Fabriano, oltre che nella Galleria Nazionale delle Marche ad Urbino. Crocifissione, il Creatore circondato da angeli, ancora angeli che raccolgono il sangue di Cristo, i dolenti, la Maddalena, san Giovanni evangelista, Longino.






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avatarsupporter
sent on 06 Luglio 2021 (13:26) | This comment has been automatically translated (show/hide original)    

Bella Francesco ;-)

avatarsenior
sent on 06 Luglio 2021 (13:28) | This comment has been automatically translated (show/hide original)    

Yes but perhaps to have an adequate audience better than looking for subjects on the Adriatic to be presented in another section :-( . dispiriting!

avatarsenior
sent on 06 Luglio 2021 (13:52) | This comment has been automatically translated (show/hide original)    

A great example of medieval art, well proposed.
The painting of the 1300s - as well as sculpture - maintains a particular charm, in its somewhat naïve forms, in gilding and applied symbolism.
I.E. as well as a cultured audience had to speak to illiterate or almost illiterate masses.
Bellissima la Maddalena with very long hair at the foot of the cross.
This we know... to the heart you are not commanding! (the Adriatic)

avatarsenior
sent on 04 Agosto 2021 (17:46) | This comment has been automatically translated (show/hide original)    

it's always nice to see well-portrayed artwork like this one.
As for the rest you should know that there are genres that have much more following and consensus but you should not care , the dissatisfaction and gratification you have to find in yourself and in your shot
I like it and I look at all genres even those very far from mine.
congratulations

avatarsenior
sent on 04 Agosto 2021 (18:57) | This comment has been automatically translated (show/hide original)    

Thank you Enrico, that's how I know :-) . Associating then a visit to the churches and convents that housed these masterpieces, whenever possible, is a huge additional experience.

avatarsupporter
sent on 08 Agosto 2021 (16:39) | This comment has been automatically translated (show/hide original)    

............. a true Master ......... photo document .........
7 hi Ray Palm-

avatarsupporter
sent on 08 Agosto 2021 (18:38) | This comment has been automatically translated (show/hide original)    

Beautiful painting, great photo and caption!

avatarsenior
sent on 08 Agosto 2021 (18:47) | This comment has been translated    

Thank you!

avatarsupporter
sent on 12 Agosto 2021 (19:55) | This comment has been translated    

Beautiful!

avatarsupporter
sent on 18 Novembre 2021 (22:49) | This comment has been translated    

Excellent work!

avatarsupporter
sent on 25 Novembre 2021 (7:14) | This comment has been translated    

Beautiful!

avatarsenior
sent on 25 Novembre 2021 (8:25) | This comment has been automatically translated (show/hide original)    

The description is missing the group beyond Longino; it is the priests of the Temple who finally realized who the crucifix was.


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