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| sent on May 05, 2021 (20:37) | This comment has been automatically translated (show/hide original)
In this shot that is part of the series, a sign of life appears: the fire lit. The atmosphere of degradation and loneliness remains, but that burning flame, although not particularly lively, warms, warms the meal of the mysterious inhabitant of this house, warms the heart of the observer. It's all about it. Jesus on the Cross, guards us This is perhaps that of the series that I like the most, it also gives some answers to others. Congratulations Ciao Sergio In questo scatto che fa parte della serie, compare un segno di vita: il fuoco acceso. Persiste l'atmosfera di degrado e solitudine, ma quella fiammella accesa, anche se non particolarmente vivace, riscalda, riscalda il pasto del misterioso abitante di questa casa, riscalda il cuore di chi osserva. Su tutto. Gesù in croce, ci custodisce Questa forse è quella della serie che mi piace di più, dà anche alcune risposte alle altre. Complimenti Ciao Sergio |
| sent on May 05, 2021 (23:04) | This comment has been automatically translated (show/hide original)
Thank you, Sergio, for the nice performance! Grazie, Sergio, per la bella interpretazione! |
| sent on May 08, 2021 (11:37) | This comment has been automatically translated (show/hide original)
Here I would take a step back to give a little space around the subject. Usual "magnificent desolation" (Cit. Buzz Aldrin). It is true that the fuocherello creates that small and shy contrast that definitely likes it. And he's small, and he's shy, which adds a lot to the shot. 'm not sure I was going to leave the spray, it bothers a little bit. Qui avrei fatto un passo indietro per dare un pochino di spazio intorno al soggetto. Solita "magnifica desolazione" (Cit. Buzz Aldrin). E' vero che il fuocherello crea quel piccolo e timido contrasto che piace decisamente. Ed è piccolo, ed è timido il che aggiunge molto allo scatto. Non sono sicuro che avrei lasciato lo spruzzino, disturba un po'. |
| sent on May 08, 2021 (23:52) | This comment has been automatically translated (show/hide original)
I don't like to edit a scene by removing objects that "disturb": it's like erasing a mole from a face with Photoshop. I accept reality with its "imperfections". On the other hand, the spray has been there for a long time, next to Jesus crucified, and if he did not take it away From Him, who loved humility, I dare not do it myself... Non mi piace modificare una scena togliendo gli oggetti che "disturbano": è come cancellare un neo da un volto con Photoshop. Accetto la realtà con le sue "imperfezioni". D'altra parte, lo spruzzino sta lì da parecchio tempo, accanto a Gesù crocifisso, e se non lo ha tolto Lui, che amava l'umiltà, non oso certo farlo io... |
| sent on May 09, 2021 (11:40) | This comment has been automatically translated (show/hide original)
That seems to me to be an excellent answer; Mi sembra una risposta ottima |
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