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sent on July 04, 2020 (13:18) | This comment has been automatically translated (show/hide original)
Good colors and shooting point. It was preferable to check the horizon line (hangs to dx) and then correct the drooping lines ;-) (imho) Hello, lauro Buoni i colori e il punto di ripresa. Era preferibile controllare la linea dell'orizzonte (pende a dx) e successivamente correggere le linee cadenti (imho) Ciao, lauro
sent on July 04, 2020 (19:36) | This comment has been automatically translated (show/hide original)
Hello... Absolutely... But I reasoned ... those who know the optics, the lens tends to tilt... I could correct it, but I made it on purpose too perfect gave more in the eye, and who knows!!! a priori would have thought......... "modified"... thank you anyway you're kind I appreciate. ciao...giustissimo...pero ho ragionato ...chi conosce l ottica,la lente tende ad inclinarsi...potevo correggerla,ma l ho fatto di proposito troppo perfetta dava più nell'occhio,e chi sa!!! a priori avrebbe pensato......... "modificata"...grazie comunque sei gentile apprezzo.
sent on July 04, 2020 (20:11) | This comment has been automatically translated (show/hide original)
The drooping lines depend on how many degrees we tilt the SLR up or down as in this case. We can reduce them with a smaller focal point (more super-enlargement) and have less disproportion after the slight intervention in pp to correct the slight drooping lines but believe me at the objective level our brain immediately registers the anomaly (tilt and drooping lines) only that in most situations it becomes a distracting element and/or disturbance, partly a sought-after element to give a dynamic touch. But here we already have many forward lines (dynamics) that invite us to move in the scene like the jetty and the sun's rays ;-) Always (Imho) yo, lauro Le linee cadenti dipendono da quanti gradi incliniamo la reflex verso l'alto o il basso come in questo caso. Possiamo ridurle con una focale minore (più supergrandangolare) e avere meno sproporzioni dopo il leggero intervento in pp per correggere le lievi linee cadenti ma credimi a livello oggettivo il nostro cervello registra subito l'anomalia (inclinazione e linee cadenti) solo che nella maggior parte delle situazioni diventa un elemento distraente e/o di disturbo, in parte un elemento ricercato per dare un tocco dinamico. Qui però abbiamo già molte linee prospettiche (dinamiche) che ci invitano a muoverci nella scena come il pontile e i raggi solari Quale ottica hai usato e a quale focale? sempre (Imho) ciao, lauro
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