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| sent on March 26, 2020 (17:06) | This comment has been automatically translated (show/hide original)
Still a great job Marco
Tastly the blurry lets you perceive the surrounding landscape and this I really like
Hello :-) Ancora un ottimo lavoro Marco
Stavolta lo sfocato lascia percepire il paesaggio circostante e questo mi piace molto
Ciao  |
| sent on March 26, 2020 (18:38) | This comment has been translated
Really nice, congratulations! |
| sent on March 26, 2020 (21:16) | This comment has been automatically translated (show/hide original)
Thanks to Simone and Massimo for the welcome visit.
A salute to both of us.
Marco. Grazie a Simone e a Massimo per la gradita visita.
Un saluto a entrambi.
Marco. |
| sent on March 27, 2020 (11:58) | This comment has been automatically translated (show/hide original)
Very nice the blurred background to highlight the flower in the foreground. If possible I would have opted for more ground in the foreground to eliminate the light of the sky that disturbs the view of the frame a little. Molto bello lo sfocato dello sfondo ad evidenziare il fiore in primo piano. Se possibile avrei optato per una maggior quantità di terreno in primo piano per eliminare il chiarore del cielo che disturba un po' la visione del fotogramma. |
| sent on March 27, 2020 (14:36) | This comment has been automatically translated (show/hide original)
Good afternoon Pigi,
in fact this photo is slightly cropped in the lower part precisely because there was too much lawn, at least in my opinion. I understand your observation on the part of heaven, which I share, but in this way it turns out to be more balanced and pleasant than when it had more lawn. Pulses grow in the middle of meadows, far from shrubs or various trees, and it is not always possible to exclude portions of the sky, despite using 300.
Thanks for taking the time to view my photo.
a greeting.
Marco. Buon pomeriggio Pigi,
in realtà questa foto è leggermente croppata nella parte bassa proprio perchè c'era troppo prato, almeno secondo me. Capisco la tua osservazione sulla parte di cielo, che condivido, però in questo modo risulta essere più bilanciata e gradevole rispetto a quando aveva più prato. Le pulsatille crescono in mezzo ai prati, lontane da arbusti o alberi vari, e non sempre si riesce ad escludere porzioni di cielo, nonostante usi il 300.
Grazie per aver dedicato del tempo a visionare la mia foto.
Un saluto.
Marco. |
| sent on March 28, 2020 (14:38) | This comment has been automatically translated (show/hide original)
What a beautiful specimen! I too am distracted by the sky, clear and without details... You could arrange it with a square cut, or while shooting you could stand slightly higher and point slightly down.
Apart from these subjective speeches the flower is gorgeous and well portrayed!
Hello, Alberto Che bell'esemplare! Anch'io sono distratto dal cielo, chiaro e senza dettagli... Si potrebbe sistemare con un taglio quadrato, oppure in fase di ripresa potevi stare leggermente più in alto e puntare leggermente verso il basso.
A parte questi discorsi soggettivi il fiore è stupendo e ben ritratto!
Ciao, Alberto |
| sent on March 28, 2020 (15:33) | This comment has been automatically translated (show/hide original)
Hello Alberto,
i way of seeing the flower is too big for a square cut, it would become a marked close-up of the subject, lose the contextualization and I would not like. Now I do not remember the scene well but I believe that if I had risen as a shooting point I would have lost, or reduced, the front shade on the flower, making it emerge devoid of graduality. In fact, in the process of recovery they are literally flattened to the ground. Unfortunately, as I said in Pigi, they are always in the middle of the meadows far from eventual points of "shielding" and so despite me using the 300 it is very difficult to oust the sky. Then I have it that way, but that's how it came.
Thanks for your expertise, as interesting as Pigi's.
a greeting.
Marco. Ciao Alberto,
a mio modo di vedere il fiore è troppo grande per un taglio quadrato, diventerebbe un primo piano marcato del soggetto, perderebba la contestualizzazione e non mi piacerebbe. Ora non ricordo bene la scena ma credo che se mi fossi alzato come punto di ripresa avrei perso, o ridotto, la sfumatura anteriore sul fiore, facendolo emergere privo di gradualità. Difatti in fase di ripresa sono letterlamente appiattito al terreno. Purtroppo, come dicevo a Pigi, si trovano sempre in mezzo ai prati lontani da eventali punti di "schermatura" e quindi nonostante io usi il 300 è molto difficile estromettere il cielo. Poi ne ho anche in quel modo ma questa è venuta così.
Grazie per la tua disamina, interessante come quella di Pigi.
Un saluto.
Marco. |
| sent on March 28, 2020 (16:13) | This comment has been automatically translated (show/hide original)
Very nice and well made. Beautiful gallery, hello. Molto bella e ben realizzata. Galleria bellissima, ciao. |
| sent on March 28, 2020 (17:47) | This comment has been automatically translated (show/hide original)
You're very kind To Cyriaco, I'm glad it was to your liking.
a greeting.
Marco. Sei molto gentile Ciriaco, mi fa piacere sia stata di tuo gradimento.
Un saluto.
Marco. |
| sent on May 14, 2021 (15:45) | This comment has been automatically translated (show/hide original)
wow, what delicacy! Extraordinary, congratulations. wow, che delicatezza! Straordinaria, complimenti. |
| sent on May 14, 2021 (20:14) | This comment has been automatically translated (show/hide original)
Thanks!
Greetings.
Marco. Grazie!
Un saluto.
Marco. |
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