“ This photograph was taken in Sirmione, on the edge of Lake Garda. In its simplicity summarizes the deeper meaning inherent in their ability to think of the human intellect. The items recovered, even if the first impact may seem numerous, they are actually only three, marked by their colors: white pebbles and blacks that make up the sidewalk, the edge of an indistinct color between gray and brown of the latter and the colored stones immersed in water of the lake.
The image can be read from the lower left to the upper right, taking the metaphor ofa further two main forms of thought immortalized elements: the sensitive, the only experience of the world, symbolized by the white pebbles and blacks, and that given by reflection and reworking of the ideas of the senses, well represented in its multiplicity of ways from a variety of forms sizes and colors of colored stones, more and more deformed by the movement of water, the closer you get to the end at the top right of the photograph, as if to emphasize the ability of the imagination to abstract from reality so much a thought as to make it difficult to recognize . The reading of recording can take place also in the opposite direction, from the upper right to the lower left, since the thought can follow multiple paths, and, even if it is more difficult procedure againstor, from an abstract idea can be traced back to the concrete that made it possible.
It should be emphasized that throughout the composition, the barrier between the two types of thought is not perceived as an insurmountable obstacle because of the diagonal cut of the whole composition, which calls instead to take a step "wineskin", to be precise. A step beyond an uncertain border to escape the drabness that characterizes the first part of the composition, which also leads to a feeling of sadness and loneliness, and reach the second part of the kingdom of colors and hence also of joy and hope. „