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  1. Galleries
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  3. Journalism/Street
  4. » Untitled Photo

 
Untitled Photo...

La città e la sua gente

View gallery (44 photos)

Untitled Photo sent on November 29, 2019 (5:50) by Mgk. 21 comments, 1392 views. [retina]

at 17mm, 1/80 f/2.8, ISO 2500, hand held. Catania, Italy.




View High Resolution 24.0 MP  



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avatarjunior
sent on December 01, 2019 (12:23) | This comment has been automatically translated (show/hide original)

how did you get him on the a7rIV which is a goal just for apsc?
thanks

avatarjunior
sent on December 01, 2019 (22:01) | This comment has been automatically translated (show/hide original)


avatarjunior
sent on December 03, 2019 (16:33) | This comment has been automatically translated (show/hide original)

Thank you so much too nice but I'm getting closer now to Sony and I don't know everything. Very very interesting. Thank

avatarjunior
sent on December 04, 2019 (8:50) | This comment has been automatically translated (show/hide original)

even I went from a few months to sony having used as 35 mm digital the Canon

avatarsupporter
sent on December 24, 2019 (18:45) | This comment has been automatically translated (show/hide original)

Would it become a 36 123 or remains a 24 83?

avatarjunior
sent on December 24, 2019 (21:01) | This comment has been translated

24 - 82,5

avatarsupporter
sent on December 24, 2019 (21:18) | This comment has been automatically translated (show/hide original)

So through software it manages to set the same focal of the apsc ... very useful function

avatarjunior
sent on December 24, 2019 (21:34) | This comment has been automatically translated (show/hide original)

You don't have to set anything as soon as the mounts on the machine automatically switches in aps c

avatarsupporter
sent on December 25, 2019 (0:37) | This comment has been automatically translated (show/hide original)

I wrote :via software, I meant of course that the machine sets ; the thing I was interested in knowing is about the focus if it remains the same as an apsc body, the answer is yes

avatarsenior
sent on December 26, 2019 (22:03) | This comment has been automatically translated (show/hide original)

Hello Mgk, this feature only works on the A7r IV or on the entire 7 series, for example on the A7 III that I might be interested in?. Does it also work with all Sony lenses such as 18-135 and 10-18?
Congratulations for the purchase.

avatarjunior
sent on December 26, 2019 (22:38) | This comment has been automatically translated (show/hide original)

works with all the sony has a unique vent for full frame 35 mm and aps C
only that on a7r 4 you have 26
mega pixels so a super aps c also the 4 is optimized for use in aps C the other resolution losers already with the A7r III go down to about 16 mega with the Normal A7r III I don't think the crop is worth the game.

avatarsenior
sent on December 26, 2019 (22:53) | This comment has been automatically translated (show/hide original)

That's what I was afraid of, so if I want to do an Up-grade of my a6300 I should aim for the A7r IV. Thanks anyway for the information. Hello

user92328
avatar
sent on December 30, 2019 (0:34) | This comment has been automatically translated (show/hide original)

Hello Mgk, I know this wonderful little corner of Catania, so you are also from the prv of Catania....
Beautiful photo, unique precisely, a little bit the highlights could be more contained...

I also took a few pictures on this street, roughly with a pdr next to your...
raw without PP at 1600iso, with a7



avatarjunior
sent on December 30, 2019 (9:36) | This comment has been automatically translated (show/hide original)

Except L. G.
Live and work in Catania these streets of the old town I use to test the yield of the optics and sensors the lights could very well be brought to the norm I preferred to leave the exposure for the shadows. I also pushed towards the highlights to see if the Sony A7r VI had more noise as they write than the 7rIII but I didn't see more noise but more contrast and saturation than the 3. For the portrait I still prefer series 3 to 4

avatarjunior
sent on June 14, 2020 (22:40) | This comment has been automatically translated (show/hide original)

I find a counter-sense to spend 3000 euros for a machine body of more than 60 mpx and use it then castrated considering that at the same price of 16-55 you take the excellent 24-105 f4

avatarjunior
sent on June 14, 2020 (23:04) | This comment has been automatically translated (show/hide original)

I consider it un bright a lens f 2.8 a f 4 on the 35 mm format I do not consider it as optics to buy.
26 mega pixels are enough if you don't have to make big enlargements I don't see why you carry heavy optics around.

avatarjunior
sent on June 15, 2020 (23:13) | This comment has been automatically translated (show/hide original)

Because if you want to go out light take an a6000 that is used at 250 euros and optical uses to her congenial .. as if I bought the Ferrari to use it only with the first and second gears

avatarjunior
sent on June 16, 2020 (7:34) | This comment has been automatically translated (show/hide original)

I prefer micro 4/3 as small machines have many advantages one stabilizer that other formats you dream of greater depth of field that is a cure-all for reportage photographs and 20 megapixels are enough and advance. as for noise frankly since you can use much lower laying times for the above reasons you don't need to use the high iso.
last use panasonic gx9 with olympus optics. But my daughter stole it from me. true mirrorless are 4/3 micros like the GX9

avatarjunior
sent on June 16, 2020 (20:37) | This comment has been automatically translated (show/hide original)

They have always fascinated me but have a drastically lower yield on large-format prints. Of course then we can sit back and argue that maybe the big format looks at it from afar though. in short on the "light" format I opted for apsc fuji with xt30 which is really small and the optics are crazy .

avatarjunior
sent on June 17, 2020 (9:04) | This comment has been automatically translated (show/hide original)

you can't have full beating and drunk wife. usually, however, you know what death the photo shoots must die before they even do them.
even with the film I chose the 35 mm when I started mamiya 6/7 when I had to do photography for work.
Now well or bad I use the sony A7r III or A7r IV if I have to make shots that need to be printed and must have precise features and micro 4/3 intended for the use of photos of travel reportage family and similar.
this zoom I no longer own it I permuted it with the 70/200 sony G master f 2.8. which using it in aps c with the sony A7r IV becomes a 100 / 300 f 2.8


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