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| sent on September 08, 2011 (20:11) | This comment has been automatically translated (show/hide original)
Nice cut, compliments, unfortunately lacks a bit 'of sharpness, maybe a maf is not perfect. (I can not seem to shake despite the time 1/60) Bel taglio, complimenti, manca purtroppo un po' di nitidezza, forse per una maf non perfetta. (non mi sembra micromosso nonostante il tempo di 1/60) |
| sent on September 08, 2011 (21:17) | This comment has been automatically translated (show/hide original)
Very nice Moskardino. Original cut, I'm curious to see the next shots. Molto bello Moskardino. Taglio originale, sono curioso di vedere i prossimi scatti. |
| sent on September 09, 2011 (12:20) | This comment has been automatically translated (show/hide original)
Moskardino hello! congratulations for the shot! I love cutting and fuzzy ... also the b / w I like it! :-) seeing the data I increased the ISO to get at least one 1/160s! would have earned in sharpness! :-P ciao Moskardino ! complimenti per lo scatto! adoro il taglio e lo sfocato... anche il b/n mi piace! vedendo i dati avrei aumentato gli iso per arrivare almeno ad un 1/160s ! avresti guadagnato in nitidezza !! |
| sent on September 09, 2011 (12:50) | This comment has been automatically translated (show/hide original)
Moskardino I think the problem is due to the consolidation of the maf. Unfortunately, distances and lens as your are a razor redialing makes you unpack the maf, 'cause the point already' with a simple twist and 'out of the plane of focus. It 'a common mistake to think that the fire' because of the distance, not 'so' and 'from the Plan that is the subject. The rotation shifts the floor and makes you unpack the maf. Moskardino credo che il problema della maf sia dovuto alla ricomposizione. Purtroppo a distanze ravvicinate e con lenti come la tua che sono un rasoio la ricomposizione ti fa sballare la maf, perche' il punto gia' con una semplice rotazione e' fuori dal piano di fuoco. E' un errore comune pensare che il fuoco e' dato dalla distanza, non e' cosi' e' dato dal piano in cui si trova il soggetto. La rotazione sposta il piano e ti fa sballare la maf. |
| sent on September 10, 2011 (8:14) | This comment has been automatically translated (show/hide original)
thanks again ... :-) grazie ancora... |
| sent on October 22, 2012 (9:49) | This comment has been automatically translated (show/hide original)
A beautiful photo, Cri! Here, too, like the fox, the ritenterei PP: use an unsharp mask localized only on the eyes to recover some of the sharpness that is failed during shooting ;-) Una bellissima foto, Cri! Anche qui come per la volpe, ritenterei la PP: usa una maschera di contrasto localizzata solo sugli occhi per recuperare in parte la nitidezza che é venuta meno in fase di scatto |
| sent on October 23, 2012 (9:10) | This comment has been automatically translated (show/hide original)
thanks Gabriella. valuable suggestions. I will try! :-P grazie Gabriella. suggerimenti preziosi. tenterò! |
| sent on December 16, 2012 (11:17) | This comment has been automatically translated (show/hide original)
B & B.. beautiful and talented B&B.. bella e brava |
| sent on December 16, 2012 (14:34) | This comment has been automatically translated (show/hide original)
John, thanks for the ride! hello cri Giovanni, grazie per il passaggio! ciao cri |
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