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| sent on August 21, 2019 (22:05) | This comment has been automatically translated (show/hide original)
If I were one of those usual bar/keyboard little pinecons, I'd say, "You cut your legs"... but, cribbio, it's a picture in the water, it's natural that something is immersed.
Very refined pose and, if we really want to find a defect, it is the usual excess of sharpness, which you normally reproach me but which is evidently also the effect of the "compression" of Juza (see the eyelids).
For the rest great class of lights and shadows well calibrated between them. Se io fossi uno di quei soliti pignoloni da bar/tastiera, direi: "Hai tagliato le gambe"...ma, cribbio, è una foto in acqua, è naturale che qualcosa è immerso.
Posa molto raffinata e, se proprio vogliamo trovare un difetto, è il solito eccesso di nitidezza, che normalmente tu rimproveri a me ma che evidentemente è anche l'effetto della "compressione" di Juza (vedi le palpebre).
Per il resto gran classe di luci ed ombre ben calibrate tra loro. |
| sent on August 21, 2019 (22:22) | This comment has been automatically translated (show/hide original)
Thank you Ilaria :) True, in this set we had to cure (I speak in plural because clearly we were both present) not only the lighting, (filled by an octagonal softbox of 80cm) but also the details, poses and whatnot. I have to say it was a good gym despite not having much time available, but yes it learns from mistakes. At the post I experimented with some new techniques but I still have to refine several things :) Grazie Ilaria :) Vero, in questo set dovevamo curare (parlo in plurale perché chiaramente eravamo entrambi presenti) non solo l'illuminazione, (riempita da un softbox ottagonale di 80cm) ma anche i dettagli, le pose e quant'altro. Devo dire che è stata una buona palestra nonostante non avessimo molto tempo a disposizione, ma sì impara dagli errori. In fase di post ho sperimentato qualche tecnica nuova ma devo affinare ancora parecchie cose :) |
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