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| sent on December 21, 2019 (9:48) | This comment has been automatically translated (show/hide original)
Looking down on your "SouthVerso" gallery, I find it really interesting. You have chosen subjects and captured absolutely important settings. The technique is excellent, even in the choice of the wide-angle that tends to rightly include the context. It is a path that I would like to follow myself, if only I can overcome my perhaps excessive respect for the privacy of the subjects. :-/
Congratulations. Riguardando con calma la tua galleria “Verso Sud”, la trovo veramente interessante. Hai scelto soggetti e colto ambientazioni assolutamente pregnanti. La tecnica è eccellente, anche nella scelta del grandangolo che tende a includere giustamente il contesto. È un percorso che vorrei seguire anch'io, se solo riuscirò a superare il mio forse eccessivo rispetto per la privacy dei soggetti.
Complimenti. |
| sent on December 21, 2019 (12:46) | This comment has been automatically translated (show/hide original)
Thank you very much for your appreciation. As for privacy, I believe that to try to make a reportage that has a minimum of depth, it is inevitable to know places, people, talk to them, understand. Only in this way can a photo aspire to tell something. So we are outside the stolen shot, indeed we are the opposite, that is, the need to approach, penetrate, know. When you get to the shot, you must have overcome their privacy for quite a while. They give something of their own to you. Ti ringrazio molto per l'apprezzamento. Quanto alla privacy, credo che per provare a realizzare un reportage che abbia un minimo di profondità, è inevitabile conoscere luoghi, persone, parlare con loro, capire. Solo in questo modo una foto può aspirare a raccontare qualcosa. Quindi siamo al di fuori dello scatto rubato, anzi siamo all'opposto, ovvero alla necessità di avvicinare, penetrare, conoscere. Quando arrivi allo scatto, devi avere superato la loro privacy da un bel pezzo. Sono loro a concedere qualcosa di proprio a te. |
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