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| sent on March 19, 2019 (0:05) | This comment has been translated
Very very nice! |
| sent on March 19, 2019 (0:19) | This comment has been automatically translated (show/hide original)
Thanks Ringhjos Grazie Ringhjos |
| sent on March 19, 2019 (9:42) | This comment has been automatically translated (show/hide original)
Hello Marcello!!! Nice This "dip" in the past ;-)! As usual composition always impeccable!!! Ciaoo and soon, Lorenzo! Ciao Marcello !!! Bella questo " tuffo " nel passato ! Come al solito composizione sempre impeccabile !!! Ciaoo e a presto, Lorenzo ! |
| sent on March 19, 2019 (10:55) | This comment has been automatically translated (show/hide original)
Thanks LoriCava, I did not clean it, I left his whole story, his signs and I imagine the memories of those who used it. Our wrinkles tell our lives and give objects a personality. Grazie LoriCava, non l'ho pulita, gli ho lasciato tutta la sua storia, i suoi segni e immagino i ricordi di chi l'ha usata. Le nostre rughe raccontano la nostra vita e danno agli oggetti una loro personalità. |
| sent on March 19, 2019 (13:43) | This comment has been automatically translated (show/hide original)
Unbelievable As with a steady light (I see it from shutter time) You can get a "light painting" effect in perfect style Harold Ross ;-) Incredibile come con una luce fissa (lo vedo dal tempo di scatto) riesci ad ottenere un effetto "light painting" in perfetto stile Harold Ross |
| sent on March 20, 2019 (11:14) | This comment has been automatically translated (show/hide original)
Thanks Ringhjos, I had: 4 reflective panels, 1 strobe 180 watts on OCTA from 90 on a boom, slightly of "Sfriso" a 680 watt strobe on a snoot with grille. It took me a little bit to calibrate the lights and click it to not shoot too much steel and do not disappear completely the dark parts. The 90 cm Octa gave the softness as the main light, following the drapery, the snoot from the right diagonal, to pull out the handle, the mark and the lens, the rest of the panels. A widespread always serves when there is metal, if not risk of burning whites. I was in teetering so I saw the Histiogram and if I was too high on the treble. Grazie Ringhjos, avevo : 4 pannelli riflettenti, 1 strobo da 180watt su octa da 90 su un boom , leggermente di "sfriso" uno strobo da 680 watt su uno snoot con griglia. Ci ho messo un pochino a tarare le luci e lo scatto affinché non sparasse troppo l'acciaio e non scomparissero del tutto le parti scure. L'octa da 90 cm ha dato la morbidezza come luce principale, seguendo il drappeggio, lo snoot dalla diagonale destra, per tirar fuori il manico, il marchio e l'obiettivo, il resto i pannelli. Un diffuso serve sempre quando c'è il metallo, se no rischi di bruciare i bianchi. Stavo in teetering quindi vedevo l'istiogramma e se stavo troppo su sui toni alti. |
| sent on March 20, 2019 (13:30) | This comment has been automatically translated (show/hide original)
Well excellent work... Pictorial and surreal effect that I see throughout the gallery!!! Continue so that you're on the right track, the effect is really special! :-o Beh eccellente lavoro...effetto pittorico e surreale che vedo in tutta la galleria!!! Continua così che sei sulla strada giusta, l'effetto ottenuto è davvero speciale!! |
| sent on March 20, 2019 (17:22) | This comment has been translated
Thank you! |
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