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| sent on December 30, 2018 (3:48) | This comment has been automatically translated (show/hide original)
The many photos of Cuba (never been) with these wonderful ' 50 repaired Burgls who knows how many times with means of luck. Excellently interpreted, beautiful colors, pity the sky went into scorning, but with this type of shot you play it easy. Greetings.
C.
Le tante foto di Cuba (mai stato) con questi meravigliosi scassoni anni '50 riparati chissà quante volte con mezzi di fortuna. Ottimamente interpretata, bei colori, peccato il cielo andato in bruciatura, ma con questo tipo di scatto te lo giochi facile. Un saluto.
C.
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| sent on December 30, 2018 (4:00) | This comment has been automatically translated (show/hide original)
Thanks Claudio,
I searched the blur keeping the foreground.
I did some shots with that shot at various aperture/ISO/speed. The sun was on that side... only braketing possibility with easel.
Thanks again for the feedback
Matthew
Grazie Claudio,
ho cercato la sfocatura mantenendo il primo piano.
Ho fatto qualche scatto con quell'inquadratura a vari diaframmi/iso/velocità. Ci stava il sole da quel lato...unica possibilità braketing con cavalletto.
Grazie ancora per i feedback
Matteo
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| sent on December 30, 2018 (4:04) | This comment has been automatically translated (show/hide original)
There are a couple of Raw converters (do not name them, I do not know if here you can or is considered advertising) that do true miracles, if one does not recover the burnt sky, the other usually does, and vice versa. Sometimes the recovery is pulled by the hair and you only get a celestine or a quasi-griject, but they make it... but there are those situations that just there is nothing to do, precisely the only one would be the bracketing with the tripod... but for God's sake, I detest it (the three "Immediacy" and "visual blow", I use it very rarely (rare night shots, rare lightning hunts, etc.). Anyway the shot is cool and typical, I like it.
Ci sono un paio di Raw Converter (non li nomino, non so se qui si può o è considerato pubblicità) che fanno veri miracoli, se uno non mi recupera il cielo bruciato, l'altro in genere lo fa, e viceversa. Talvolta il recupero è tirato per i capelli e si ottiene solo un celestino o un quasi-grigetto, ma ce la fanno... però ci sono quelle situazioni che proprio non c'è niente da fare, appunto l'unica sarebbe il bracketing col treppiede... ma per carità di Dio, io lo detesto (il treppiede), mi toglie "immediatezza" e "colpo visivo", lo uso rarissimamente (rare foto notturne, rare cacce ai fulmini, ecc.). Comunque lo scatto è fresco e tipico, mi piace.
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| sent on February 13, 2019 (12:18) | This comment has been automatically translated (show/hide original)
:-D I like it very much! As Claudio has already said, I think that the beauty of this photo is right in the message, this old machine that is about to be fixed the umpteenth time, in the midst of a colorful avenue and desert! Beautiful! Too bad about the burnt part, but maybe if you have so many raw things coming out of them!:) :-D  Mi piace molto! Come è già stato detto da claudio, penso che la bellezza di questa foto sia proprio nel messaggio, questa macchina vecchia che sta per essere sistemata l'ennesima volta, in mezzo ad un viale coloratissimo e deserto! Bella! Peccato per la parte bruciata, ma forse, se hai tanti raw unendoli qualcosa ne esce!:) |
| sent on February 15, 2019 (6:16) | This comment has been automatically translated (show/hide original)
Click that you do decidedly look, and congratulations on the realization. The machine attracts the look for the strong colors.
Congratulations Scatto che si fa decisamente guardare, e complimenti per la realizzazione. La macchina attira lo sguardo per la forte cromia.
Complimenti |
| sent on February 12, 2020 (21:48) | This comment has been translated
Very nice shot |
| sent on February 13, 2020 (0:06) | This comment has been automatically translated (show/hide original)
Very beautiful!
Congratulations
Molto bella!
Complimenti
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