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| sent on March 12, 2019 (14:33) | This comment has been automatically translated (show/hide original)
A good proposition for me is only a human presence. Very good b/w una buona proposta, per me manca solo una presenza umana. ottimo b/n |
| sent on March 12, 2019 (15:55) | This comment has been automatically translated (show/hide original)
Thanks Elizabeth, actually the human figure would have been good, maybe a silhouette in the shade (not of the photographer) with the hurdle. Greetings. Raffaele P.S. Congratulations for your photos, many are truly beautiful Grazie Elisabetta, effettivamente la figura umana ci sarebbe stata bene, forse una sagoma in ombra (non del fotografo) con la transenna. Un saluto. Raffaele P.S. Complimenti per le tue foto, molte sono veramente splendide |
| sent on March 12, 2019 (15:59) | This comment has been automatically translated (show/hide original)
Curse to all people who do not cooperate in the success of our shots, every time I wonder, what does it cost you to go where I am? maledizione a tutte le persone che non collaborano nella riuscita dei nostri scatti, ogni volta mi chiedo, cosa ti costa passare dove sono io? |
| sent on March 12, 2019 (16:05) | This comment has been automatically translated (show/hide original)
I like this approach to photography (but it could extend to life in general)... It's not me that's poor, it's the world that doesn't cooperate. In the case in question who knows how many passersby have missed the unique opportunity (mica understood there every day) to finish in the ' framing... :-) Mi piace questo approccio alla fotografia (ma si potrebbe estendere alla vita in generale)... Non sono io ad essere scarso, è il mondo che non collabora. Nel caso in questione chissà quanti passanti hanno perso l'occasione unica (mica capito lì tutti i giorni) di finire nel'inquadratura... |
| sent on March 12, 2019 (16:15) | This comment has been automatically translated (show/hide original)
True. How many times, are there standing in front of a wall to wait for a living being and when it finally arrives, moves, stops to allow you to photograph. But I say, do people have to be kind just when I'm photographing? :-P Verissimo. Quante volte, sono lì ferma di fronte a un muro ad aspettare un essere vivente e quando finalmente arriva, si sposta, si ferma per permetterti di fotografare. Ma io dico, la gente deve essere gentile proprio solo quando io sto fotografando? |
| sent on March 12, 2019 (16:33) | This comment has been translated
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| sent on March 05, 2022 (18:35) | This comment has been automatically translated (show/hide original)
High contrast correct being the shapes, here, to make the shot beautiful. Correct composition, with only one note about that lamppost on the left: either you take it all or you don't take it, cut off so it is strange. A very nice photo where it seems to me that you can best notice the nuances of the murals despite the high contrast. Have you used color filters? Contrasto elevato corretto essendo le forme, qui, a rendere bello lo scatto. Composizione corretta, con una sola nota in merito a quel lampione a sinistra: o lo prendi tutto o non lo prendi, mozzato così fa strano. Una foto molto bella dove mi pare che si notino al meglio le sfumature dei murales nonostante il contrasto alto. Hai usato dei filtri colore? |
| sent on March 05, 2022 (22:51) | This comment has been automatically translated (show/hide original)
Hello Federico, thanks for the appreciation. On the lamppost you are right. Its cut is due to my scarcity in the use of the wide angle pushed. The photo was not in a bubble and I had to straighten it in Photoshop, thus cutting it part. I did not use any filter, but the lens used is very contrasted, the rest I did in Photoshop. I liked to accentuate the cartoonish character of the murals. Greetings. Raphael Ciao Federico, grazie per l'apprezzamento. Sul lampione hai ragione. Il suo taglio è dovuto alla mia scarsezza nell'uso del grandangolo spinto. La foto non era in bolla e ho dovuto raddrizzarla in Photoshop, tagliandolo così parte. Non ho usato nessun filtro, ma l'obiettivo usato è molto contrastato, il resto l'ho fatto in Photoshop. Mi piaceva accentuare il carattere fumettistico dei murales. Un saluto. Raffaele |
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