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user81826 | sent on July 30, 2018 (14:58) | This comment has been automatically translated (show/hide original)
Beautiful, beautiful, I did not understand how you made it but I like subject and black and white soft. Bella, bella, non ho capito come l'hai fatta ma mi piacciono soggetto e bianco e nero morbido. |
| sent on July 30, 2018 (16:56) | This comment has been automatically translated (show/hide original)
Thank you, thank you!!!
I used the composer of Lensbaby with the double glass 50mm, in practice is a tilt system that allows you to have a selective focus only at one point in the frame ignoring the "normal" rules of the depth of field. For example with two objects at the same distance you can put one in focus and one no, as in this case, the wheel is in focus and the Palm No... also from a particular type of bokeh, which is radial from the center outwards...
I hope I have explained, the technique is not my forte :-D :-| grazie grazie!!!
ho usato il composer della lensbaby con il double glass 50mm, in pratica è un sistema tilt che si permette di avere una messa a fuoco selettiva solo in un punto del frame ignorando le "normali" regole della profondita di campo. Ad esempio con due oggetti alla stessa distanza puoi metterne uno a fuoco e uno no, come in questo caso, la ruota è a fuoco e la palma no... inoltre da un tipo di bokeh particolare, che è radiale dal centro verso l'esterno...
spero di essermi spiegata, la tecnica non è il mio forte   |
| sent on July 30, 2018 (16:58) | This comment has been automatically translated (show/hide original)
"The wheel is in focus" is a big word, let's say that part of the wheel is in focus, here are still the rules of the PDF, more close the diaphragm, more stuff you have in focus, Vicevera more is open less detail in focus you have (as in this case), generally is not a lens to use at F8 or F11. Here I seem to remember that I was type a f 5.6 ;-) "la ruota è a fuoco" è un parolone, diciamo che parte della ruota è a fuoco, qui valgono comunque le regole della pdf, piu chiudi il diaframma, piu robe hai a fuoco, vicevera piu è aperto meno dettagli a fuoco avrai (come in questo caso), in genere non è una lente da usare a f8 o f11. qui mi sembra di ricordare che ero tipo a f5.6  |
| sent on January 14, 2019 (19:33) | This comment has been automatically translated (show/hide original)
Right focus... great... a fuoco giusto...ottima... |
| sent on January 19, 2019 (11:53) | This comment has been automatically translated (show/hide original)
Thank you very much Sil-M!!!
This little lens (it's made from just two glasses) is AMAZING!!!
grazie mille Sil-M!!!
questa lente piccoletta (è fatta da soli due vetri) è incredibile!!!
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| sent on February 07, 2019 (14:43) | This comment has been automatically translated (show/hide original)
You are a twisted pair, sharp and so must be, it makes no sense to seek extreme sharpness and corrections of aberrations since it is fully aberrant of its own! Si è un doppino fesso, fesso e così deve essere, non ha senso ricercare nitidezza estrema e correzioni di aberrazioni visto che è pienamente aberrante di suo! |
| sent on February 07, 2019 (16:40) | This comment has been automatically translated (show/hide original)
Ahahhah but you know I was there just fine?
Now L I have retired a bit ' just because it has arrived the sweet 50 and the integrated diaphragm is much more comfortable, but it is impressive how this little contrapeggino shots out of the picture so...
talking to Craig told me it was the sharpest of all lenses with sweet spot, even sharper than the 50, and now that I have them both I think he's really right... It's just extremely uncomfortable. Too bad..
Ah The Sweet 50 has a better blur, more creamy when tilti, this is more nervous... Ahahhah ma sai che io mi ci trovavo proprio bene?
Ora l ho pensionato un po' giusto perchè è arrivato lo sweet 50 e il diaframma integrato è troppo più comodo, ma è impressionante come questo piccolo aggeggino tiri fuori foto così...
Parlando con Craig mi disse che era il più nitido di tutte le lenti con sweet spot, addirittura più nitido del 50, e ora che li ho entrambi penso che abbia davvero ragione... È solo estremamente scomodo. Peccato..
Ah lo sweet 50 ha uno sfuocato migliore, più cremoso quando tilti, questo è più nervoso... |
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