What do you think about this photo?Do you have questions or curiosities about this image? Do you want to ask something to the author, give him suggestions for improvement, or congratulate for a photo that you really like?
You can do it by joining JuzaPhoto, it is easy and free!
There is more: by registering you can create your personal page, publish photos, receive comments and you can use all the features of JuzaPhoto. With more than 252000 members, there is space for everyone, from the beginner to the professional.
| sent on May 28, 2018 (18:06) | This comment has been automatically translated (show/hide original)
Really nice composition, I love it very much Davvero bella la composizione, mi piace moltissimo |
| sent on May 28, 2018 (18:36) | This comment has been automatically translated (show/hide original)
Dear Andrea! Gentilissimo Andrea! |
| sent on May 28, 2018 (21:05) | This comment has been automatically translated (show/hide original)
Too many millimeters! In this genre of photos the ballerina in the foreground must be whole, so with arms, feet and head in their place, also because she is the first dancer and her position must say everything compared to the quality of what she proposes Troppi millimetri! In questo genere di foto la ballerina in primo piano deve essere intera, quindi con braccia, piedi e testa al loro posto, anche perché lei è la prima ballerina e la sua posizione deve dire tutto rispetto alla qualità di ciò che propone |
| sent on May 28, 2018 (23:40) | This comment has been automatically translated (show/hide original)
Thanks for your opinion, in reality the feet are in place are not cut (they are behind where they have to stand), instead the choice of the cut of the ballerina In the foreground (head and arm) is wanted: I was very interested in focusing the look on his expression Hieratic strengthened by the ballerina behind on the left (the only one that is seen) and that has an even more serious look, at the limit almost of hardness, leaving to the dancers on the right the whole scenography (with position and gestures). Grazie della sua opinione, In realtà i piedi sono al loro posto non sono tagliati (sono dietro dove devono stare), invece la scelta del taglio della ballerina in primo piano (testa e braccio) è voluto: m'interessava moltissimo focalizzare lo sguardo sulla sua espressione ieratica rafforzata dalla ballerina dietro a sinistra (l'unica che si vede) e che ha uno sguardo ancora più serio, al limite quasi della durezza, lasciando alle ballerine sulla destra la scenografia intera (con posizione e gestualità). |
| sent on May 29, 2018 (2:25) | This comment has been automatically translated (show/hide original)
Belissimissima Belissimissima |
| sent on May 29, 2018 (11:37) | This comment has been automatically translated (show/hide original)
Thanks Sonia! Grazie Sonia! |
|
Publish your advertisement on JuzaPhoto (info) |
![[retina]](shared_files/layout/retina_badge.jpg){kind=icon}
JuzaPhoto contains affiliate links from Amazon and Ebay and JuzaPhoto earn a commission in case of purchase through affiliate links.
19.3 MEGAPIXEL
Resize to fit window
