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| sent on May 05, 2018 (14:20) | This comment has been automatically translated (show/hide original)
Interesting shot for more than one reason: the intensity of the moment is combined with a good formal choice and the way to emerge of the faces in the middle of the fray takes a I do not know that of metaphysical, almost to remember certain infernal figures of Renaissance painting.
useful, both on the narrative plane and for the geometry of the image, the central shoes.
not particularly expert in sports photography, I observe it simply as a photograph, and I find it apt.
to personal taste, I like that it is cut the top and maybe I would have done the same at the bottom, compressing the scene further, taking that is that centimeter.
A hug
F Scatto interessante per più di un motivo: l'intensità del momento si coniuga con una buona scelta formale e il modo di emergere dei volti al centro della mischia prende un non so che di metafisico, quasi a ricordare certe figure infernali della pittura rinascimentale.
Utili, sia sul piano narrativo che per la geometria dell'immagine, le scarpe centrali.
Non particolarmente esperto di fotografia sportiva, la osservo semplicemente come fotografia, e la trovo azzeccata.
A gusto personale, mi piace che sia tagliata la parte alta e forse avrei fatto lo stesso in basso, comprimendo ulteriormente la scena, togliendogli cioè quel centimetrino.
Un abbraccio
F |
| sent on May 05, 2018 (15:11) | This comment has been automatically translated (show/hide original)
Wonderful analysis Francesco, thank you. I was tempted to aim at the panoramic cut to the edge of the shadow, which I use often in sports shots, pointing everything on the silhouette of the face, drawn on the oval but in the end I preferred to retain the tension of the fist that pricking the first line. I will try the proposed variant...
Hello and thanks
Max Splendida analisi Francesco, ti ringrazio. Ero tentato di puntare al taglio panoramico a filo dell'ombra, che uso spesso negli scatti sportivi, puntando tutto sulla silhouette del volto, disegnata sull'ovale ma alla fine ho preferito conservare la tensione del pugno che puntella la prima linea. Proverò la variante proposta...
Ciao e grazie
Max |
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