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user137840 | sent on July 17, 2018 (14:53) | This comment has been automatically translated (show/hide original)
The murals are always beautiful if associated and conversant with real subjects, but in this case the real subject is underlie compared to the dispersion of the mural, the intercom for example was to be avoided in the framing.
I can not fail to notice on stage one of the most famous photos made since they invented the camera. ;-)
By Buonaluce sono sempre belli i murales se associati e dialoganti coi soggetti reali, in questo caso però il soggetto reale è sottotono rispetto alla dispersione del murales, il citofono ad esempio era da evitare nell'inquadratura.
non posso non notare in scena una delle più celeberrime foto realizzate da quando hanno inventato la macchina fotografica. 
By Buonaluce |
| sent on July 17, 2018 (22:14) | This comment has been automatically translated (show/hide original)
Thanks buonaluce:)
The famous photo I noticed it when I decided to shoot, and this shot I really like because the child is underlie.
I also share about the intercom, but I always try to avoid the crop because I do not like "philosophically" speaking, when doing street:)
In This shot, then, removing the intercom meant removing a number, the 269, which I liked associated with others Numbers of the photo itself.
Thanks for the passage and the welcome and appropriate comment:) Grazie Buonaluce :)
La foto celebre l'ho notata quando ho deciso di scattare, e questo scatto mi piace in realtà proprio perché la bimba è sottotono.
Condivido anche riguardo al citofono, ma cerco sempre di evitare il crop perché non mi piace "filosoficamente" parlando, quando si fa street :)
In questo scatto, poi, togliere il citofono significava togliere un numero, il 269, che mi piaceva associato agli altri numeri della foto stessa.
Grazie del passaggio e del gradito ed appropriato commento :) |
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