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| sent on May 27, 2018 (19:03) | This comment has been automatically translated (show/hide original)
Very nice picture. Remarkable is the careful composition with the wavy line in the background and the oblique strip that divides the scene into two parts; Both the chromatic scan which, in turn, divides the frame into three, while the pale celestial closes the picture. Simple but essential and original. Congratulations.
Nicola Immagine molto bella. Notevoli sia l'accurata composizione con la linea ondulata sullo sfondo e la striscia obliqua che divide in due parti la scena; sia la scansione cromatica che, a sua volta, divide in tre il fotogramma, mentre il celeste pallido chiude il quadro. Semplice ma essenziale ed originale. Complimenti.
Nicola |
| sent on May 27, 2018 (19:21) | This comment has been automatically translated (show/hide original)
Nicola, thanks for the careful evaluation and appreciation!
Very flat sky, unfortunately, but on the ground there was a lot to look at. Little time, usual, I tried to bring out the maximum...
Hello! Nicola, grazie dell'attenta valutazione e dell'apprezzamento!
Cielo molto piatto, purtroppo, ma a terra c'era molto da guardare. Poco tempo, al solito, ho cercato di tirare fuori il massimo...
Ciao! |
| sent on May 29, 2019 (16:30) | This comment has been automatically translated (show/hide original)
... We're close, but the master doesn't beat himself. Hello Tonino. ... ci siamo vicini, ma il Maestro non si batte. Ciao Tonino. |
| sent on May 29, 2019 (17:19) | This comment has been automatically translated (show/hide original)
No no, Tonino... I followed him from far away, without great ambitions.
But that charm those places!
Hello and thanks!
David No no, Tonino... Lo in seguivo da molto lontano, senza grandi velleità.
Però che fascino quei luoghi!!
Ciao e grazie!
Davide |
| sent on May 29, 2019 (18:08) | This comment has been automatically translated (show/hide original)
When I was shooting in analogue (a century ago!) I was so fascinated by F. Fontana that I was trying to imitate him unnecessarily. I snapped in Kodacrome 25 and 64 ASA, reducing to saturate (I remember that I bought even the Nikon polarizer that cost over 60000 lire against 10 of the others), but nothing even remotely could compare my photos. There is nothing to do the class is class. Hello Tonino. Quando scattavo in analogico ( un secolo fa! ) ero talmente affascinato da F. Fontana che cercavo inutilmente di imitarlo. Scattavo in Kodacrome 25 e 64 asa, riduplicavo per saturare ( ricordo che comprai anche il polarizzatore Nikon che costava oltre 60 mila lire contro le 10 degli altri), ma niente nemmeno lontanamente si potevano comparare le mie foto. Non c' è niente da fare la classe è classe. Ciao Tonino. |
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