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| sent on October 26, 2012 (22:45) | This comment has been automatically translated (show/hide original)
Wonderful! three dimensions, details, stunning colors, a stunning landscape compliments the photo managed great ;-) Meravigliosa!! tridimensionalità, dettagli , splendidi i colori,un paesaggio da favola complimenti foto gestita alla grande |
| sent on October 26, 2012 (23:29) | This comment has been automatically translated (show/hide original)
Beautiful pictures, managed wonderfully light. :-P Bellissima foto, luce gestita meravigliosamente. |
| sent on October 27, 2012 (0:16) | This comment has been automatically translated (show/hide original)
Very nice Eru.
Hello Molto bella Eru.
Ciao |
| sent on October 27, 2012 (1:07) | This comment has been automatically translated (show/hide original)
Very beautiful colors and depth with spiers in the background, congratulations! Molto bella, colori e profondità con quelle guglie in secondo piano, complimenti !!!! |
| sent on October 27, 2012 (8:54) | This comment has been automatically translated (show/hide original)
Sforni ... masterpieces of color, Eru! :-D
Beautiful colors and charming silhouettes of the rocks in the foreground, for which I "dared" more, making them a nice deep black.
Alberto. ...Sforni capolavori di colore, Eru!
Bellissimi i colori e affascinanti le silhouettes delle rocce in primo piano, per le quali avrei "osato" di più, rendendole di un bel nero profondo.
Alberto. |
| sent on October 27, 2012 (9:11) | This comment has been automatically translated (show/hide original)
Amazing atmosphere, very nice compliments. :-) Atmosfera incredibile, molto bella complimenti. |
| sent on October 27, 2012 (9:30) | This comment has been automatically translated (show/hide original)
Beautiful compliments. Bellissima complimenti. |
| sent on October 27, 2012 (9:47) | This comment has been automatically translated (show/hide original)
“ Beautiful colors and charming silhouettes of the rocks in the foreground, for which I "dared" more, making them a nice deep black. „
I agree, an interpretation "to velvia" in this case there was great but it is a matter of taste beautiful image, congratulations!
Hello. " Bellissimi i colori e affascinanti le silhouettes delle rocce in primo piano, per le quali avrei "osato" di più, rendendole di un bel nero profondo."
Concordo, un'interpretazione "alla velvia" in questo caso ci stava alla grande ma è questione di gusti bellissima immagine, complimenti!
Ciao. |
| sent on October 27, 2012 (10:36) | This comment has been automatically translated (show/hide original)
Great shot, great color ... detachment plans fantastic ... very soft ... but there is in this shot!
Congratulations! Bellissimo scatto, colori eccezionali...stacco dei piani fantastico...molto soft...ma ci sta in questo scatto!
Complimenti!! |
| sent on October 27, 2012 (11:07) | This comment has been automatically translated (show/hide original)
thanks for the comments. As for closing the precise silhouette that I did not open the blacks, there was a slight reflection of the wet beach on the rocks and did not want to lose it, also I'm not opposed to the silhouette but those Masons blacks was a little too "big blocks" not the texture of a branch or a fine fine spire. That slight detail in my opinion the best sets. grazie dei commenti. Per quanto riguarda chiudere le silouette preciso che non ho aperto i neri, c'era un leggero riflesso della spiaggia bagnata su quelle rocce e non volevo perderlo, inoltre non sono contrario alle silouette ma quei massoni neri era un pò troppo a "blocchi grandi" non le texture di un ramo o di una guglia fine fine. Quel leggerissimo dettaglio secondo me le definisce meglio. |
| sent on October 27, 2012 (11:13) | This comment has been automatically translated (show/hide original)
Gorgeous! Exceptional color and managed at the top.
Also accept my compliments, ignorant of the various techniques.
Hello Lully Splendida! Colori eccezionali e gestita al top.
Accetta anche i miei complimenti, ignorante delle varie tecniche.
Ciao Lully |
| sent on October 27, 2012 (11:19) | This comment has been automatically translated (show/hide original)
great light made perfectly, I hit the heights above the background framed between the boulders that give great depth, great choice of composition. Given my discreat INGNORANZA switching technique to explain to me the question of the filter and the sensor in color reproduction
Thanks grande luce resa perfettamente, mi colpiscono soprattutto le alture sullo sfondo incorniciate tra i massi che danno grande profondità, grande scelta compositiva. Data la mia discreat ingnoranza tenica mi spieghi la questione del filtro e del sensore nella resa dei colori
Grazie |
| sent on October 27, 2012 (11:33) | This comment has been automatically translated (show/hide original)
As a first impression, and it would seem to have to close the shades and create a picture more courageous, then you realize that the exhibition "different" for a backlight is all there and you enjoy it, congratulations!
Enzo Come prima impressione, e vero, sembrerebbe di dover chiudere le ombre e creare una immagine più coraggiosa, poi ti accorgi che l'esposizione "diversa" per un controluce ci stà tutta e te la godi, complimenti!!!
Enzo |
| sent on October 27, 2012 (11:38) | This comment has been automatically translated (show/hide original)
watch an average of the sensors in standard light conditions are very precise, in broad daylight with regular lighting usually have little to correct. I save when I keep my views in WB car because in the meantime it is impossible to adjust with the schermino then if you manually set too high, the risk of forgetting to change from shot to shot. But it is not a problem because the systems in RAW you after what you want.
The problem that I find instead in sunrises and sunsets is that with fast shutter and auto settings I made a shift of tone, Yellow cools me warm, delicate cyani me it adds to the cyan, magenta me neutralizes not so little. The B + W 10 stop which has a cast of his + magenta, combined with long lead times that help a lot more complex to capture nuances of color I think will give me a result of "in-room" & a lot more ugrave, close to the color of the moment. Since it is more difficult to reconstruct in RAW, if I'm in a hurry and do not tend to shoot with filter these lights.
Even without the result can be nice but it is not as close to the colors seen. guarda mediamente i sensori in condizioni di luce standard sono molto precisi, in pieno giorno con illuminazione regolare di solito hai poco da correggere. Io salvo quando faccio panorami tengo la WB in auto perchè intanto regolarsi con lo schermino è impossibile poi se imposto manualmente è troppo alto il rischio di dimenticarsi da cambiare da scatto a scatto. Ma comunque non è un problema perchè in RAW te la sistemi dopo come vuoi.
Il problema che invece trovo in albe e tramonti è che con scatto veloce e impostazioni auto mi effettua uno shift di toni, Gialli caldi me li raffredda, cyani delicati mi ci aggiunge ulteriore cyan, magenta me lo neutralizza non poco ecc. Il B+W 10 stop che di suo ha un cast + magenta, unito a tempi lunghi che aiutano molto a cogliere sfumature più complesse di colore ritengo mi dia un risultato "in camera" molto più vicino ai colori del momento. Visto che ricostruirli in RAW è più difficile , se posso e non ho fretta tendo a scattare con filtro queste luci.
Anche senza il risultato può essere gradevole ma è meno vicino ai colori visti. |
| sent on October 27, 2012 (11:57) | This comment has been automatically translated (show/hide original)
hello beautiful colors somehow live VHE wonder, since there ster hours!!
question: I see you've taken with Canon 24-70LII, it is a mistake made when selecting the lens on Juza here because I think you're 14-24 and 24-70 but Nikon, or just did you get that lens x d800 and the why?
excuse the question ciao stupendi colori chissà dal vivo vhe meraviglia,da ster lì ore e ore!!!!
domanda:vedo hai scattato con Canon 24-70LII,è un errore fatto al momento di selezionare la lente qua sullo Juza visto che mi sembra tu abbia 14-24 e 24-70 ma Nikon,o proprio hai preso quella lente x la d800 e perchè?
scusa la domanda |
| sent on October 27, 2012 (12:04) | This comment has been automatically translated (show/hide original)
Beautiful colors and depth, compliments another wonderful shot! Bellissime cromie e profondità, complimenti altro splendido scatto! |
| sent on October 27, 2012 (12:23) | This comment has been automatically translated (show/hide original)
Canon 24-70 L II? For me it is a classic Freudian slip:-D!
Congratulations for the photo. It's perfect. Hello. Free Canon 24-70 L II? Per me è il classico lapsus freudiano!
Complimenti per la foto. È perfetta. Ciao. Franco |
| sent on October 27, 2012 (13:30) | This comment has been automatically translated (show/hide original)
lol I made a mistake in the selection, mo correction, the only thing I could valurare is the canon Pixma Pro 1 lol ho sbagliato nelle selezione, mo correggo, l'unica cosa di canon che potrei valurare è la Pixma Pro 1 |
| sent on October 27, 2012 (14:02) | This comment has been automatically translated (show/hide original)
What colors! Superb. Che colori!! Stupenda. |
| sent on October 27, 2012 (17:36) | This comment has been automatically translated (show/hide original)
To admire and to comment. Only compliments.
Hello!
. Gil. Da ammirare e non commentare. Solo complimenti.
Ciao!
.gil. |
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