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sent on October 26, 2012 (21:14) | This comment has been automatically translated (show/hide original)
the composition and the recovery are good uncio the note is linked to excessive light and shadows. perhaps illuminating a panel risolvevi the shadows and then post abbassavi everything. because for me the detail there 'all right but it is only veiled. hello good flavio la compo e la ripresa sono buoni l'uncio appunto è legato alla luce troppo elevata e alle ombre. forse illuminando con un pannellino risolvevi le ombre e poi in post abbassavi il tutto. anche perchè per me il dettaglio c'e' eccome ma è solo velato. bravo ciao flavio
sent on October 27, 2012 (9:27) | This comment has been automatically translated (show/hide original)
Thanks for visiting, but above all for the advice which I always find useful to try to migliorare.Rileggendo other comments you've made to my photos I think basically I miss you more knowledge of photographic techniques, in particular in cases where you have to work on lights. I was in fact going to ask you with reference to the butterfly that I commented a few days ago, as influisse on that datail so perfect lighting during shooting and / or PP. Hello Sergio Grazie per la visita ma sopratutto per i consigli che trovo sempre utili per cercare di migliorare.Rileggendo anche altri commenti che hai fatto alle mie foto credo che fondamentalmente mi manchi una maggior conoscenza di tecnica di ripresa in particolare in casi in cui si deve lavorare sulle luci. Avevo infatti intenzione di chiederti con riferimento alla farfalla che ti ho commentato alcuni giorni fa, quanto influisse su quel dattaglio così perfetto l'illuminazione in fase di ripresa e/o la PP. Ciao Sergio
sent on October 27, 2012 (14:22) | This comment has been automatically translated (show/hide original)
Hello Sergio Well I think that the best, or at least the one I use and I use, is to place the subject in the shade and behind instead a natural background light. Use aluminum foil or white card to illuminate the subject during shooting if I see shadows and if the light comes from above takes a little 'detail mascero all veiling with a circle of iron covered with a sheer tights that diffuses light and makes the image visible. hello and good again ;-) Ciao Sergio beh penso che il sistema migliore, o per lo meno quello che uso e vedo usare, sia di posizionare il soggetto in ombra e con alle spalle invece uno sfondo naturale illuminato. uso della carta stagnola o cartoncino bianco per illuminare il soggetto se in fase di ripresa vedo delle ombre e se la luce che viene da sopra toglie un po' di dettaglio mascero il tutto velando con un cerchietto di ferro ricoperto con un collant velatissimo che diffonde luce e rende l'immagine ben visibile. ciao e bravo ancora