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| sent on March 02, 2018 (19:01) | This comment has been automatically translated (show/hide original)
beautiful shot bellissima scatto |
| sent on March 02, 2018 (19:59) | This comment has been automatically translated (show/hide original)
Very very very beautiful
Molto molto molto bella
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| sent on March 02, 2018 (21:14) | This comment has been automatically translated (show/hide original)
I'm not an expert but it seems very nice, can you tell me how having used f2.0 it is possible to focus on hair and shoes? I knew that with diaphragms very open you may have in focus the eyes and the nose out of focus and then recommended more closed diaphragms. If you can help me I would be grateful. Thank you Non sono un ' esperto ma mi sembra molto bella, potete dirmi come avendo usato f2.0 e' possibile mettere a fuoco dai capelli alle scarpe? Sapevo che con diaframmi molto aperti si rischia di avere a fuoco gli occhi e il naso fuori fuoco e quindi consigliato diaframmi piu' chiusi. Se potete aiutarmi ve ne sarei grato. Grazie |
| sent on March 02, 2018 (22:03) | This comment has been automatically translated (show/hide original)
very beautiful as always.
@Sergino, depth of field means precisely in depth, not in height :-D
this parameter is regulated by focal length, diaphragm and distance maf ... having used a 50 to a distance (I'm going to estimate) a couple of meters or so, you should have a pdc of about twenty centimeters.
To better understand the area of ??sharpness, look down into the grass
a greeting, Tiziano molto bella come sempre.
@Sergino, per profondità di campo si intende appunto in profondità, non in altezza
questo parametro è regolato da focale, diaframma e distanza di maf... avendo utilizzato un 50 ad una distanza (vado a stima) di un paio di metri o poco più, si dovrebbe avere una pdc di una ventina di centimetri.
Per capire meglio la zona di nitidezza, guarda in basso nell'erba
un saluto, Tiziano |
| sent on March 02, 2018 (22:09) | This comment has been automatically translated (show/hide original)
Titian thank you so much for the detailed explanation. Sergio Tiziano grazie infinite per la dettagliatissima spiegazione. Sergio |
| sent on March 03, 2018 (14:39) | This comment has been automatically translated (show/hide original)
Titian I apologize but I have recently approached photography and my knowledge is minimal, I have another question that for you is elementary but not for me, if it is true how true what you told me, why is it advised to put in focus near the eye of the subject if in reality the whole subject is still in focus?
Thanks in advance Sergio
Tiziano chiedo scusa ma mi sono avvicinato da poco alla fotografia e le mie conoscenze sono minime, ho un altra domanda che per voi è elementare ma non per me, se è vero come è vero quello che mi hai detto, come mai viene consigliato di mettere a fuoco in prossimità dell'occhio del soggetto se in realtà viene ugualmente tutto il soggetto a fuoco?
Grazie in anticipo Sergio
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| sent on March 03, 2018 (17:53) | This comment has been automatically translated (show/hide original)
figured Sergio, I'm at the beginning too
in portrait photography it is advisable to focus on the eye (the one closest to the camera if not in axis) because the observer focuses on the subject's gaze ... usually an eye not in focus is considered a technical error of shooting.
In order not to pollute the comments of the magnificent shot of Alan, if you have other questions write me in private message, or you can open a special thread ... there will be many people more competent than me who can help you with me ;-)
greetings, Titian figurati Sergio, sono agli inizi anche io
in fotografia di ritratto si consiglia di mettere a fuoco sull'occhio (quello più vicino alla fotocamera in caso non in asse) perché l'osservatore si concentra sullo sguardo del soggetto... di solito un occhio non a fuoco viene considerato errore tecnico di scatto.
Per non inquinare i commenti del magnifico scatto di Alan, se hai altre domande scrivimi pure in messaggio privato, oppure puoi aprire un thread apposito... ci sarà molta gente più competente di me che potrà aiutarti insieme a me
saluti, Tiziano |
| sent on March 03, 2018 (18:20) | This comment has been automatically translated (show/hide original)
Titian before thanking you I wanted to apologize to Alan for using a space dedicated to the comments of his wonderful photo to ask questions that have nothing to do with his shot.
In case you contact in pvt.
Thanks Sergio
Tiziano prima di ringraziarti volevo scusarmi con Alan per aver utilizzato uno spazio dedicato ai commenti della sua stupenda foto per fare domande che niente hanno a che fare con il suo scatto.
Nel caso ti contatto in pvt.
Grazie Sergio
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| sent on March 03, 2018 (19:01) | This comment has been automatically translated (show/hide original)
No problem we would miss. Greetings and good evening to all Nessun problema ci mancherebbe. Un saluto e buona serata a tutti |
| sent on March 03, 2018 (19:34) | This comment has been automatically translated (show/hide original)
Very nice well composed and as always great light ;-) Molto bella ben composta e come sempre gran luce |
| sent on March 06, 2018 (0:09) | This comment has been automatically translated (show/hide original)
Excellent light, especially the fall that illuminates the subject well, but leaves the brecciolina on the ground in harmony with the environment, without "spot" effect.
Unusual tone, with whites just turned to cyan to cool the light. Missing your typical "strong" note of color, but fits well in the gallery that is a pleasure to look even in the miniatures under the picture. Ottima luce, specie la caduta che illumina bene il soggetto, ma lascia la brecciolina a terra in armonia con l'ambiente, senza effetto "spot".
Tonalità insolita, con i bianchi appena virati al ciano a freddare la luce. Manca la tua tipica nota "forte" di colore, ma si inserisce bene nella galleria che è un piacere da guardare anche nelle miniature sotto la foto. |
| sent on March 06, 2018 (9:05) | This comment has been automatically translated (show/hide original)
Alan, congratulations, you have harmonized tones and colors of the environment and the model with a perfect light management.
Hello
Maurizio Alan, complimenti, hai armonizzato toni e colori dell'ambiente e della modella con una gestione della luce perfetta.
Ciao
Maurizio |
| sent on March 06, 2018 (22:41) | This comment has been translated
Thanks everyone for the comments! |
| sent on March 07, 2018 (13:32) | This comment has been automatically translated (show/hide original)
Alan, congratulations also this beautiful, especially for the wonderful light! I like it a lot, although I do not usually love crouching poses ... Alan, complimenti bellissima anche questo, soprattutto per la stupenda luce ! Mi piace molto nonostante io di solito invece non ami le pose accucciate... |
| sent on March 07, 2018 (17:27) | This comment has been automatically translated (show/hide original)
“ Excellent light, especially the fall that illuminates the subject well, but leaves the ground on the ground in harmony with the environment, without "spot" effect.
Unusual tone, with whites just turned to cyan to cool the light. Missing your typical "strong" note of color, but fits well in the gallery that is a pleasure to look even in the miniatures under the picture. „ Thanks;)
" Ottima luce, specie la caduta che illumina bene il soggetto, ma lascia la brecciolina a terra in armonia con l'ambiente, senza effetto "spot".
Tonalità insolita, con i bianchi appena virati al ciano a freddare la luce. Manca la tua tipica nota "forte" di colore, ma si inserisce bene nella galleria che è un piacere da guardare anche nelle miniature sotto la foto." Grazie ;)
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| sent on March 07, 2018 (17:29) | This comment has been automatically translated (show/hide original)
“ Alan, this beautiful compliments too, especially for the wonderful light! I really like it even though I usually do not love the poses crouching ... „ I agree Diego on the pose that does not even drive me crazy ;-) Thanks " Alan, complimenti bellissima anche questo, soprattutto per la stupenda luce ! Mi piace molto nonostante io di solito invece non ami le pose accucciate..." Sono d accordo Diego sulla posa che non fa impazzire nemmeno a me Grazie |
| sent on March 08, 2018 (12:49) | This comment has been automatically translated (show/hide original)
What beautiful colors. Perfect focus and blurred very well done.
post managed very well.
congratulations, Fabio Che belle cromie. Messa a fuoco perfetta e sfocato molto ben fatto.
post gestita molto bene.
complimenti,Fabio |
| sent on March 08, 2018 (19:01) | This comment has been automatically translated (show/hide original)
Shot of a unique beauty.
Sincere congratulations.
A big hello.
Eraldo. :-P Scatto di una bellezza unica.
Complimenti sinceri.
Un grande saluto.
Eraldo. |
| sent on March 09, 2018 (17:18) | This comment has been automatically translated (show/hide original)
Excellent management of the lights, of the model, of the frame, remarkable in all Ottima gestione delle luci, della modella, dell'inquadratura, notevole in tutto |
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