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| sent on February 16, 2018 (16:19) | This comment has been automatically translated (show/hide original)
Good job
Bravo Fabio
Greetings
Luca Ottimo lavoro
Bravo Fabio
Saluti
Luca |
| sent on February 16, 2018 (16:41) | This comment has been translated
Thanks Luca... |
| sent on February 17, 2018 (0:21) | This comment has been translated
Really nice, congratulations! |
| sent on February 17, 2018 (7:46) | This comment has been translated
Thanks Alex |
| sent on February 17, 2018 (16:45) | This comment has been automatically translated (show/hide original)
Here it is .... Good job Fabio
Greetings Luca Eccola....Buon lavoro Fabio
Un saluto Luca |
| sent on February 17, 2018 (16:56) | This comment has been automatically translated (show/hide original)
Thank you so much Luca Grazie mille Luca |
| sent on February 17, 2018 (19:02) | This comment has been automatically translated (show/hide original)
the falling lines on the bottom left too obvious and annoying. without offense but I do not consider it a good job.
the post production, the colors, the sharpness and the overall yield on the lights is very balanced and pleasant.
Hello
Simone troppo evidenti e fastidiose le linee cadenti in basso a sx.senza offesa alcuna ma non lo reputo un buon lavoro.
la post produzione,i colori la nitidezza e la resa generale sulle luci invece è molto equilibrata e piacevole.
ciao
Simone |
| sent on February 17, 2018 (19:58) | This comment has been automatically translated (show/hide original)
Thanks Simone
A greeting Grazie Simone
Un saluto |
| sent on February 17, 2018 (20:03) | This comment has been automatically translated (show/hide original)
A personal opinion, with the digital must understand more than post-production than photography .... :-) Un mio parere personale,con il digitale bisogna capire piu di post-produzione che di fotografia....  |
| sent on February 17, 2018 (20:11) | This comment has been automatically translated (show/hide original)
My personal opinion, with the digital one must understand more than post-production than photography ....
I did not understand this, I hope it will not be an arrow against me because I would feel a bit sick. Let me know
Un mio parere personale,con il digitale bisogna capire piu di post-produzione che di fotografia....
Questa non l'ho capita, spero non sia una frecciata nei miei confronti perché ci rimarrei un po' male. Fammi sapere |
| sent on February 17, 2018 (20:17) | This comment has been automatically translated (show/hide original)
no Simone, is that I have so much to learn, especially in post-production, to correct the falling lines created by the lens, I have to study a lot. no Simone,è che ho tanto da imparare,soprattutto nella post-produzione,per correggere le linee cadenti create dall'obiettivo,devo studiare parecchio. |
| sent on February 17, 2018 (20:27) | This comment has been automatically translated (show/hide original)
The falling lines should be checked during shooting, avoiding to tilt "too" the SLR down in this case or up.poi, when the particular situation Nvidia and shooting does not allow the digital help us with simple Photoshop corrections to be done manually. The selection and distortion tool is quite intuitive. The important thing is to notice it and do not pretend anything because sooner or later a commissioner rompicoglio.ni passes that makes you notice. :-D
Hello Le linee cadenti vanno controllate in fase di scatto,evitando di inclinare "troppo" la reflex verso il basso in questo caso o verso l'alto.poi,quando la particolare situazione Nvidia e di scatto non lo permette il digitale ci viene in aiuto con semplici correzioni Photoshop da farsi manualmente.lo strumento selezione e distorci è piuttosto intuitivo.l'importante è accorgersene e non far finta di niente perché prima o poi passa un commissario rompicoglio.ni che te lo fa notare.
Ciao |
| sent on February 17, 2018 (20:32) | This comment has been automatically translated (show/hide original)
I love the rompicoglio.ni, who teach me something .... :-D Adoro i rompicoglio.ni,che mi insegnano qualcosa.... |
| sent on February 17, 2018 (21:06) | This comment has been automatically translated (show/hide original)
A good classic managed with delicacy, Simone has already told you rightly for the distortion, I add a couple of notes for the chromatic aberrations very evident in the high and that flagging the appropriate box in the lens correction of Acr / lr remove in a moment and for the central area of ??the burned sky, you probably had to expose half a stop in less but maybe you could get away simply by switching to 100 iso f11 in fact the 50 iso non-native setting and derivative software have as a contraindication just a more abrupt response of the sensor on the high lights with risk of burning.
A greeting! Un buon classico gestito con delicatezza, Simone ti ha già detto giustamente per la distorsione, io aggiungo un paio di appunti per le aberrazioni cromatiche molto evidenti nell'alta e che flaggando l'apposita casella nella correzione lente di Acr/lr rimuovi in un attimo e per la zona centrale del cielo bruciata, probabilmente occorreva esporre un mezzo stop in meno ma forse potevi cavartela semplicemente passando a 100 iso f11 infatti i 50 iso impostazione non nativa e derivata via software hanno come controindicazione proprio una risposta più brusca del sensore sulle alte luci con rischio bruciatura.
Un saluto |
| sent on February 17, 2018 (21:15) | This comment has been automatically translated (show/hide original)
for the central area of ??the burned sky,
Catherine I have not verified but there are white burned? I did not seem to mind. : - | per la zona centrale del cielo bruciata,
Caterina non ho verificato ma ci sono bianchi bruciati? A occhio non mi sembrava. |
| sent on February 17, 2018 (21:22) | This comment has been automatically translated (show/hide original)
Thank you so much to Caterina and Simone for all the advice Grazie mille a Caterina e Simone per tutti i consigli |
| sent on February 17, 2018 (21:27) | This comment has been automatically translated (show/hide original)
“ I have not verified but there are white burned? „
Yes, but they are situations that deceive because between light tones and contrasts reduced the burn is camouflaged. " non ho verificato ma ci sono bianchi bruciati? "
Si, ma sono situazioni che ingannano perché fra toni chiari e contrasti ridotti la bruciatura si mimetizza. |
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