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| sent on February 16, 2018 (11:32) | This comment has been automatically translated (show/hide original)
Resuming the title of the gallery, I am reminded of "what women do not say" Della Mannoia. :-)
Very linear and clean as a composition Riprendendo il titolo della galleria, mi viene in mente "quello che le donne non dicono" Della Mannoia. Molto lineare e pulita come composizione |
| sent on February 16, 2018 (11:46) | This comment has been automatically translated (show/hide original)
thanks Mar-Tin, beautiful song. Among other things written by a man. ;-) grazie Mar-Tin, bellissima canzone. Tra l'altro scritta da un uomo. |
| sent on February 16, 2018 (12:31) | This comment has been automatically translated (show/hide original)
VALE ............... worth commenting :-P, very beautiful Paph, beautiful shades, grain and position of the model VALE............... la pena commentarla , molto bella Paph , bella la tonalità, la grana e la posizione della modella |
| sent on February 16, 2018 (12:46) | This comment has been automatically translated (show/hide original)
Thanks a lot, Urban Grazie molte Urban |
| sent on February 16, 2018 (13:17) | This comment has been automatically translated (show/hide original)
Very beautiful, soft shade, essential setting and curves in the right place. Umberto Molto bella, tonalità tenue, ambientazione essenziale e curve al posto giusto. Umberto |
| sent on February 16, 2018 (13:20) | This comment has been automatically translated (show/hide original)
Thanks Umb54, always careful and elegant in your comments. Grazie Umb54, sempre attento ed elegante nei tuoi commenti. |
| sent on February 16, 2018 (15:46) | This comment has been translated
Nice! |
| sent on February 16, 2018 (16:00) | This comment has been automatically translated (show/hide original)
Yes Mastro Giovanni. Beautiful. Si Mastro Giovanni. Bella. |
| sent on February 18, 2018 (8:28) | This comment has been automatically translated (show/hide original)
I took a good look at your photographs: even when extremely provocative and explicit as in this case, they never lack grace and respect for the model; I find that they are not the exhibition of an object, but a tribute admired to the sensual beauty of the woman. Really a magnificent eroticism. Ho dato un'occhiata d'insieme alle tue fotografie: anche quando estremamente provocanti ed esplicite come in questo caso, non mancano mai di grazia e rispetto per la modella; trovo che non siano l'esibizione di un oggetto, ma un omaggio ammirato alla sensuale bellezza della donna. Davvero un magnifico erotismo. |
| sent on February 19, 2018 (11:37) | This comment has been automatically translated (show/hide original)
thanks Corindone, words very welcome. On the other hand it could not be otherwise, beauty and grace are in our minds and in our eyes; everyone sees what he feels. Hello grazie Corindone, parole molto gradite. D'altronde non potrebbe essere altrimenti, la bellezza e la grazia sono nelle nostre menti e nei nostri occhi; ognuno vede quello che sente. Ciao |
user127519 | sent on March 20, 2020 (16:46) | This comment has been automatically translated (show/hide original)
Gallery to be reviewed calmly. prevails in this shot and in other photos, in my humble opinion, the constant search by the author to send to the observer a message that goes beyond the mere representation of a body (magnificent) feminile, but convey everything towards education in aesthetics, with a sculptural, neoclassical cut. it's part of your style, because that's what it's all about. The composition and softness of the tones close everything in beauty. S Galleria da rivedere con calma..prevale in questo scatto e in altre foto ,a mio modesto parere, la ricerca costante da parte dell'autore di inviare all'osservatore un messaggio che va oltre la mera rappresentazione di un corpo(magnifico) femminile,ma veicolare tutto quanto verso l'educazione all'estetica,con un taglio scultoreo,neoclassico..fa parte del tuo stile,perchè di quello si tratta. La composizione e la morbidezza dei toni chiudono il tutto in bellezza. S |
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