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| sent on September 23, 2017 (20:32) | This comment has been translated
Excellent! |
| sent on September 23, 2017 (21:31) | This comment has been automatically translated (show/hide original)
Beautiful perspective
Good light and beautiful color
Compliments ;-) Bella prospettiva
Buona luce e bel colore
Complimenti |
| sent on September 23, 2017 (21:51) | This comment has been translated
Beautiful! |
| sent on September 24, 2017 (11:14) | This comment has been automatically translated (show/hide original)
Thank you! Spectacular place, a liberty villa in my city! Curious game of lights, as the stairs were not red, but only the walls, but there was a special light, plus a huge mirror in front of the stairs that reflected the intense red of the walls even in the stairwell. Grazie! Posto spettacolare, una villa liberty nella mia città! Curioso gioco di luci, dato che le scale non erano rosse, ma solo le pareti, ma c era una luce particolare, più un enorme specchio davanti alle scale che rifletteva il rosso intenso delle pareti anche nella tromba delle scale. |
user72446 | sent on September 25, 2017 (10:58) | This comment has been automatically translated (show/hide original)
Beautiful but I would cut the top up to keep the staircase spiral in the middle!
the colors are beautiful and beautifully handled as well as the lights and shadows! nice picture Bella ma avrei tagliato la parte in alto per far rimanere centrale la spirale delle scale!
i colori son belli e bel gestiti cosi' come le luci e ombre! bella foto |
| sent on September 25, 2017 (11:01) | This comment has been automatically translated (show/hide original)
is very beautiful, beautiful spiral and really superb colors, congratulations :-) è molto bella, bellissima spirale e colori davvero superbi, complimenti  |
| sent on September 25, 2017 (11:21) | This comment has been automatically translated (show/hide original)
Beautiful for composition and contrast between colors! Maybe I would try to lower the high lights to make the window more readable. Bella per composizione e contrasto tra i colori! Forse avrei provato ad abbassare le alte luci per rendere più leggibile la finestra. |
| sent on September 25, 2017 (11:23) | This comment has been automatically translated (show/hide original)
I'm a slap in the post! hahaha
every time I try to lower the high lights, do I have the impression that the lights go off on the gray, my feeling? sono una schiappa in post! ahahah
ogni volta che provo ad abbassare le alte luci ho l'impressione che le luci virino sul grigio, mia sensazione? |
| sent on September 25, 2017 (11:33) | This comment has been automatically translated (show/hide original)
it happens if you exaggerate with the control,
a double exposure would have given you a different result, think about it the next time you happen to be similar ;-) succede se si esagera con il controllo,
una doppia esposizione ti avrebbe dato un risultato diverso, pensaci la prossima volta che ti capitano situazioni simili |
| sent on September 25, 2017 (11:43) | This comment has been automatically translated (show/hide original)
double exposure with tripod that I never have behind (because we are anxious enemies)! this is done by hand :-D
doppia esposizione con cavalletto che non ho mai dietro (perchè siamo acerrimi nemici)! questa è fatta a mano libera 
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| sent on September 25, 2017 (11:46) | This comment has been automatically translated (show/hide original)
you can always overcome with the compensation ring, in this case by subtending and exposing it correctly ;-) puoi sempre ovviare con la ghiera di compensazione, in questo caso sottoesponendo ed esponendo correttamente |
| sent on September 25, 2017 (11:50) | This comment has been automatically translated (show/hide original)
I like it very, very good PDR, sharpness and colors. I suggest you, as this image makes its geometric perspective its strength, to make a cut at the top of the frame so as to put the lumber in the center. Mi piace molto, ottimo PDR, nitidezza e colori. Ti suggerisco, visto che questa immagine fa della prospettiva geometrica il suo forte, di fare un taglio nella parte alta del fotogramma in modo da mettere il lucernaio al centro. |
| sent on September 25, 2017 (11:53) | This comment has been automatically translated (show/hide original)
I've made several tests (and I believe it was not at all pleasant in the position I was) exhibiting at various points, even on the window. the window was perfect but the stairwell was very good.
vicevera I exposed on the railing and it was all perfectly legible but the window completely burnt.
this seemed to me the right compromise between the readability of the window (in fact, where it does not directly knock the sun you see the blue glassed liberty glass) and a just brightness of the interior.
then of course it is not perfect, but peace! :-P ne ho fatte varie di prove (e credimi non è stato per niente piacevole nella posizione in cui ero) esponendo in vari punti, anche sulla vetrata. la vetrata era venuta perfetta ma il vano scale era buissimo.
vicevera ho esposto sulla ringhiera ed era tutto perfettamente leggibile ma la finestra completamente bruciata.
questa mi sembrava il giusto compromesso tra leggebilita della finestra (infatti dove non picchia direttamente il sole si vede il vetro liberty piombato blu) e una giusta luminosità dell'interno.
poi ovviamente non è perfetta, ma pace!  |
| sent on September 25, 2017 (11:55) | This comment has been automatically translated (show/hide original)
thank you, I try to cut it as you have already recommended me in two, but at what point would you cut it?
I mean, to make it less rectangular, since cmq on the sides can not cut ...
and immediately over that triangle of sx that outlines the ceiling?
because I do not mind the geomtrails of the ceilings ... they are in contrast with the spiral, I would just leave them ... grazie, provo a tagliare visto che me l'avete già consigliato in due, ma a che punto tagliereste?
voglio dire, per farla diventare meno rettangolare, visto che cmq ai lati non posso tagliare...
e subito sopra quel triangolo a sx che delinea il soffitto?
perchè a me non dispiacciono le geomtrie dei soffitti...vanno in contrasto con la spirale, un po' le lascerei... |
| sent on September 25, 2017 (11:58) | This comment has been automatically translated (show/hide original)
Make sure that the skylight (glass-style liberty) is perfectly in the center of the image. Fai in modo che il lucernaio (vetrata stile liberty) sia perfettamente al centro dell'immagine. |
| sent on September 25, 2017 (12:00) | This comment has been automatically translated (show/hide original)
ok, but center also dx sx not just above underneath, right?
then cut cut cut like a crazy! ok, ma centro anche dx sx non solo sopra sotto, giusto?
quindi taglio taglio taglio come una pazza! |
| sent on September 25, 2017 (12:02) | This comment has been automatically translated (show/hide original)
Only above Solo sopra |
| sent on September 25, 2017 (12:05) | This comment has been automatically translated (show/hide original)
ah ok ... thank you!
ah ok... grazie!
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| sent on September 25, 2017 (12:38) | This comment has been automatically translated (show/hide original)
I agree with those who preceded me, I would have tried a double exposure to remove the high lights (or a single shot with center point exposure and recovered the shadows).
I would make a slight cutout of a finger on the top of the picture;)
David Mi trovo d'accordo con chi mi ha preceduto, avrei provato una doppia esposizione per eliminare le alte luci ( oppure un singolo scatto con esposizione sul punto centrale e recuperato le ombre).
Farei un lieve ritaglio di un dito sulla parte superiore della foto ;)
Davide |
user81257 | sent on September 25, 2017 (13:16) | This comment has been automatically translated (show/hide original)
Look, if I did not burn the part of the window it would have been an interesting picture.
Not so much for the subject as trivial as for this very strong contrast between warm tone and cold tone. Guarda, se non avessi bruciato la parte della finestra sarebbe stata una foto interessante.
Non tanto per il soggetto che è banale, quanto per questo contrasto molto forte tra tono caldo e tono freddo. |
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