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sent on October 28, 2011 (14:02) | This comment has been automatically translated (show/hide original)
The ideas and the photographic eye there, now we need to perfect your technique. Often the beautiful pictures that you see in magazines are the result not only of a deep processing (absolutely necessary when working with files in raw format) also the overlap of two or more shots. In this case, eg. with the machine on the stand and only varying the timing of exposure you could take this photo good for the sky and take another for the surf. of the sea, using longer times and, thus, enhancing the riflesso.Poi the two shots caricavi them into Photoshop as separate layers and with the aid of masks did the rest. I can recommend a good book on Photoshop: Advanced Photo Editing with Adobe Photoshop, Scott Kelby. Hello and good photos! Le idee e l'occhio fotografico ci sono, adesso bisogna perfezionare la tecnica. Spesso le bellissime foto che si vedono sulle riviste sono frutto, oltre che di una profonda elaborazione (assolutamente necessaria quando si lavora con files in formato raw)anche della sovrapposizione di due e più scatti. In questo caso, ad es. con la macchina sul cavalletto e soltanto variando i tempi di esposizione avresti potuto tenere questa foto buona per il cielo e scattarne un'altra per la superf. del mare, utilizzando tempi più lunghi e, dunque, esaltando il riflesso.Poi i due scatti li caricavi in Photoshop come livelli separati e con l'ausilio delle maschere facevi il resto. Ti posso consigliare un buon testo su Photoshop: Fotoritocco avanzato con Adobe Photoshop , di Scott Kelby. Ciao e buone foto!
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