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| sent on December 06, 2012 (17:04) | This comment has been automatically translated (show/hide original)
The extreme contrast you used me like a lot, even toning. Convinces me unless the shot: I put the pole to the right, leaving more space to the look of the character. David Il contrasto estremo che hai utilizzato mi piace molto, anche il viraggio. Mi convince meno l'inquadratura: avrei messo il palo completamente a destra, lasciando quindi più spazio verso lo sguardo del personaggio. David |
| sent on December 21, 2012 (20:00) | This comment has been automatically translated (show/hide original)
Hello David ... Thanks for visiting! I appreciate your opinion and try to see how it changes following your advice! The stored here as soon as I see her! Greetings ... ;-) Ciao David... Grazie per la visita! Apprezzo molto il tuo parere e provo a vedere come cambia seguendo il tuo consiglio! La riposto qui appena la rivedo! Un saluto... |
| sent on January 10, 2013 (0:18) | This comment has been automatically translated (show/hide original)
Pole part for me is beautiful, hello. Palo a parte, per me è bellissima, ciao. |
| sent on January 21, 2013 (18:24) | This comment has been automatically translated (show/hide original)
Thank you, John ... :-P Grazie mille, Giovanni... |
| sent on July 18, 2013 (8:17) | This comment has been automatically translated (show/hide original)
I prefer the first one is already posted. Because the speech of David I think it was acceptable to leave more space to the gaze of the subject-character during shooting, unfortunately not having more-this-space, it becomes irrelevant, if not counterproductive, go to cut the space behind the pole. Hello Flory ;-) Io preferisco la prima, quella già postata. Anche perché il discorso condivisibile di David penso fosse quello di lasciare più spazio allo sguardo del soggetto-personaggio durante lo scatto, purtroppo non avendolo più -questo spazio-, diventa ininfluente, se non addirittura controproducente, andare a tagliare lo spazio dietro al palo. Ciao Flory |
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