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Reverse 2...

Ritratti

View gallery (19 photos)

Reverse 2 sent on September 06, 2012 (17:10) by Mikypuntodivista. 2 comments, 780 views.

at 51mm, 1/250 f/5.0, ISO 100,


View High Resolution 11.0 MP  



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avatarmoderator
sent on September 12, 2012 (22:45)


This comment is too long to be automatically translated, so it will be shown in its original language (Italian)  

Click here to translate the comment in English [en]


Mancano i dati di scatto Confuso
Nel frattempo posso sbilancirmi nel dirti che mi piace il viraggio seppia e la composizione. Meno la maf e il viso sfocato della modella.
Ti consiglio di resettare le tue abitudini di ripresa nei ritratti optando per :
-la priorità di diaframma (sei tu che devi decidere quanta pdc e quanta nididezza vuoi)
-un solo punto di af
-af continuo e sposterei il punto di af per comporre già in macchina
oppure imposti af-singolo , lasci il punto di af centrale, mettia a fuoco sull'occhio della modella, tieni il tasto di sactto premuto ametà corsa, ricomponi e finalmente scatti.
-sfrutta la deviazione dell'esposizione - sovra e sotto
-possibilmente a tutta apertura o al massimo chiudi di uno stop
ciao e buona vita, lauro

Insufficient data Taken: fconfuso:
In the meantime, I can tell you that in sbilancirmi I like the sepia tones and composition. Unless the maf and the blurred face of the model.
I suggest you reset your shooting habits in portraits opting for:
-The aperture priority (up to you to decide how much and how nididezza want pdc)
A single-point of f
-Af continuous'd move the point f to compose already in the car
or imposed af-single, leaving the central point of f, mettia focus on the eye of the model, hold the button down with semi sactto race, redial and last shots.
-Uses the deviation exposure - over and under
-Possibly wide open or at least close to a stop
hello and good life, laurel

avatarjunior
sent on September 13, 2012 (22:36)


This comment is too long to be automatically translated, so it will be shown in its original language (Italian)  

Click here to translate the comment in English [en]


Prima di tutto mi scuso per la mancanza dei dati di scatto, purtroppo è una mia pessima abitudine. Semplicemente dimentico di inserirli.
Comunque: f:5 1/250sec ISO:100
Canon eos 550d obiettivo sigma 18/200

Purtroppo mi sono resa conto anche io in post-produzione del mancato fuoco sul viso della modella. Non è rimasta in quella posizione se non una frazione di secondo, dandomi della perfida a farla appoggiare a quel tubo di ferro sotto il sole ardente di metà luglio. E io presa dalla fretta, ecco che dimentico i dati tecnici più importanti.
Solitamente uso la modalità di af singolo con un solo punto, spostando poi per la composizione, ma probabilmente qua, ho lasciato il pulsante di scatto per una frazione di secondo, e ho scattato la foto mettendo a fuoco il tubo di ferro.
Comunque ti ringrazio tantissimo, il consiglio di usare la macchina in priorità dei diaframmi è molto utile, tendo a lasciare spesso troppo aperto il diaframma e a concentrarmi invece di più sul tempo di scatto.

A presto, Michela

First of all I apologize for the lack of shooting data, unfortunately it is my bad habit. Simply forget to enter them.
However: f: 5 1/250sec ISO: 100
Canon eos 550d lens sigma 18/200

Unfortunately, I realized I also in post-production of non-fire on the model's face. Has not been in that position if not a fraction of a second, giving me the evil in it to support the iron pipe under the blazing sun of mid-July. And I plug in a hurry, here is that I forget the most important technical data.
I usually use single AF mode with just one point, and then switched to the composition, but probably here, I left the shutter button for a split second, and I took this picture by focusing on the iron pipe.
Anyway thank you very much, The advice to use the machine in aperture priority is very useful, too often tend to leave open the iris and focus rather more on the shutter speed.

See you soon, Michela


RCE Foto

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