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| sent on March 13, 2017 (21:28) | This comment has been automatically translated (show/hide original)
www.juzaphoto.com/topic2.php?l=it&t=2250584&show=1
given the already excellent pp, I tried something different ... processing low key and soft lighting (definitely jarring with the used technique), with a square cut frame (I did not know how we can enhance the river and the upper-right was totally insignificant):
www.juzaphoto.com/topic2.php?l=it&t=2250584&show=1
viste le già ottime pp, ho provato qualcosa di diverso...elaborazione low key e luci soffuse (sicuramente stridente con la tecnica utilizzata), taglio quadrato con cornice (non sapevo come riuscire a valorizzare il fiume e la parte in alto a destra era totalmente insignificante):
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| sent on March 13, 2017 (22:24) | This comment has been automatically translated (show/hide original)
Ok for cutting, the dark side under the bridge, however, does not convince me Ok per il taglio, la parte scura sotto il ponte però non mi convince |
| sent on March 14, 2017 (9:41) | This comment has been automatically translated (show/hide original)
I like the cut, to emphasize the towers, however, all the parties in the dark I "pulled" a bit of darkness to bring at least dark shadows. Mi piace il taglio, da risalto alle torri, però tutte le parti al buio avrei "tirato" un po su per portare il buio almeno a ombre scure. |
| sent on March 14, 2017 (10:39) | This comment has been automatically translated (show/hide original)
"Processing low key" precisely
dark and black parts are desired so
Then of course as I had said is an effect that contrasts with the technique of long exposure, then I really liked the dark and mysterious atmosphere of slightly warm street lights that created "elaborazione low key" per l'appunto
le parti scure e nere sono volute così
poi chiaramente come già avevo detto é un effetto che stride con la tecnica della lunga esposizione, dopodiché mi piaceva molto l'atmosfera cupa e misteriosa dei lampioni leggermente caldi che creava |
| sent on March 14, 2017 (11:38) | This comment has been automatically translated (show/hide original)
Ok explain your intent perfectly successful. My opinion as a personal taste, I like the bright pictures Ok spiegato il tuo intento perfettamente riuscito. Il mio un parere come gusto personale, mi piacciono le foto luminose |
user59947 | sent on March 14, 2017 (15:17) | This comment has been automatically translated (show/hide original)
Look you were right to make a pp different, otherwise joseb would go haywire with all versions the same :-) There is cut
Greetings Ardian Guarda hai fatto bene a fare un pp diverso, altrimenti joseb andrebbe in tilt con tutte le versioni uguali  il taglio ci sta
Un saluto Ardian |
| sent on March 15, 2017 (9:18) | This comment has been automatically translated (show/hide original)
Nujdilla hello, I love it. The low key gives a very specific mood, applied to a photo at night makes the bright spots "float" in total darkness, going to draw the surfaces that you can not see, but you imagine thanks to the guidance of the light.
The emblem are the palaces, you just can see the outline concrete, but the lights you make it unmistakable shapes and sizes.
Nice idea, shows great sensitivity. If the boats were more visible hair would be, for me, perfect.
Bravo. Ciao Nujdilla, mi piace moltissimo. Il low key dona un mood ben preciso, applicato ad una foto in notturna rende i punti luminosi come "galleggiare" nel buio totale, andando a disegnare le superfici che non si possono vedere, ma si immaginano grazie alla guida della luce.
L'emblema sono i palazzi, si intravede appena il contorno in cemento, ma le luci ne rendono inequivocabili forme e dimensioni.
Bella idea, dimostra una grande sensibilità. Se le barche fossero un pelo più visibili sarebbe, per me, perfetta.
Bravo. |
| sent on March 15, 2017 (10:54) | This comment has been automatically translated (show/hide original)
Hello, the low key that you wanted to take I think has made your interpretation to perfection though I, personally, have not yet managed to get into this perspective. I stepping stone to the opinion of Nicholas regarding the readability of the little boats ... sin.
PS @Giuseppe strange that you did not say anything on the frame .... :-P Ciao, il low key che hai voluto adottare credo che abbia reso la tua interpretazione alla perfezione però io, personalmente, non sono ancora riuscito ad entrare in questa ottica. Mi accodo all'opinione di Nicola per quanto riguarda la poco leggibilità delle barche... peccato.
PS strano che @Giuseppe non ti abbia detto nulla sulla cornice....  |
| sent on March 15, 2017 (12:00) | This comment has been automatically translated (show/hide original)
Beautiful cutting and beautiful secluded ambience you have achieved with the low key. A bit 'of clarity in more on the boats would not spoiled. Bello il taglio e bella l'atmosfera ovattata che hai ottenuto con il low key. Un po' di leggibilità in più sulle barche non avrebbe guastato. |
| sent on March 15, 2017 (12:26) | This comment has been automatically translated (show/hide original)
To me it does not really like the muffled effect, beautiful cutting ;-) A me invece l'effetto ovattato non piace molto, bello il taglio  |
| sent on March 17, 2017 (21:12) | This comment has been automatically translated (show/hide original)
A good interpretation, although penalized (according to my personal taste) from the cut that do not particularly like :-) Una buona interpretazione, anche se penalizzata (secondo il mio gusto personale) dal taglio che non amo particolarmente :-) |
| sent on March 23, 2017 (11:06) | This comment has been automatically translated (show/hide original)
Thank you all for the comments, especially to Nicola for his compliments :-D Grazie a tutti per i commenti, in particolare a Nicola per i suoi complimenti  |
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