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| sent on June 11, 2013 (18:24) | This comment has been automatically translated (show/hide original)
Congratulations and welcome.
I think the lens was leaning against the white floor so you could a little more to diaphragm (f/14)
for more detail, almost like being on a tripod ..
Still great.
Try then to decentralize a little head for a better compo.
Also good post.
One question:
I see some chromatic aberration too (purple piping here and there).
You also used the additional lens?
Still welcome. Complimenti e benvenuto.
Penso la lente fosse appoggiata al piano bianco per cui potevi diaframmare un pò di più (f/14)
per avere maggior dettaglio, come essere su un cavalletto quasi..
Comunque ottimo.
Prova poi a decentrare un pochino la testa per una migliore compo.
Buona anche la postproduzione.
Una domanda:
vedo qualche aberrazione cromatica di troppo (bordini viola qua e là).
Hai usato anche la lente addizionale?
Ancora benvenuto. |
| sent on June 11, 2013 (22:13) | This comment has been automatically translated (show/hide original)
Thank you for your valuable comment! All considerations, tips are always more than welcome.
No lens. Perhaps they are the reflections of the sunlight, it was about 12 and was leaning on a wall biachissimo. Grazie per il prezioso commento!!!! Tutti le considerazioni, consigli sono sempre più che ben accetti.
Nessuna lente. Forse sono dei riflessi della luce del sole, erano le 12 circa ed era poggiata su un muretto biachissimo. |
| sent on June 12, 2013 (6:56) | This comment has been automatically translated (show/hide original)
Fine.
I read your new easel!!
From then, expect new macro.
Salutoni sincere. Benissimo.
Ho letto del tuo nuovo cavalletto!!!!
Dai allora, aspettiamo nuove macro.
Salutoni sinceri. |
| sent on June 12, 2013 (11:35) | This comment has been automatically translated (show/hide original)
oh yes, I took it because of that. After the exam session will give me a bit to do. But I have seen that you have the 180 macro ... I'd love to try it ;): D I watched also your shots, really well done. Miro to get to those levels: D. Any advice? eh si, l'ho preso proprio per quello. Dopo la sessione di esami mi darò un po da fare. Io invece ho visto che tu hai il 180 macro...quanto mi piacerebbe provarlo ;) :D. Ho guardato anche i tuo scatti, davvero complimenti. Miro ad arrivare a quei livelli :D. Qualche consiglio? |
| sent on June 12, 2013 (11:50) | This comment has been automatically translated (show/hide original)
The light.
going in the fields early in the morning are the subjects addrmentati and you can take them back calmly.
So stand, a clip to stop any stem where it rests the little insect,
and at that point of the panels with silver (the lids of the pans aluminum Cuki disposable)
trying to lighten the shadows of hidden areas, eg. butterflies against the belly of the flower.
In my site you can read more.
Hello La luce.
andando nei prati la mattina presto trovi i soggetti addrmentati e puoi riprenderli con calma.
Quindi cavalletto, una molletta per fermare l'eventuale stelo dove riposa l'insettino,
ed a quel punto con dei pannelli argentati (i coperchi delle teglie alluminio Cuki usa e getta)
cerchi di schiarire le ombre delle zone nascoste, come ad es. la pancia delle farfalle contro il fiore.
Nel mio sito puoi leggere altre info.
Ciao |
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