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| sent on January 05, 2017 (15:00) | This comment has been automatically translated (show/hide original)
A good idea to frame the city between two lampposts, in any case I would have cut a little something Hello Claudio Una buona idea quella di incorniciare la città tra i due lampioni, sotto comunque avrei tagliato qualcosina Ciao Claudio |
| sent on January 05, 2017 (15:10) | This comment has been automatically translated (show/hide original)
Raffaele, good framing and good light on the seafront close to you ... ;-) I agree with Claudio on a widescreen trimming down. Happy New Year and a warm greeting Maximum Raffaele, bella inquadratura e buona luce sul lungomare a te caro... Concordo con Claudio su un formato più panoramico rifilando in basso. Buon anno e un caro saluto Massimo |
| sent on January 05, 2017 (17:30) | This comment has been automatically translated (show/hide original)
Hello and greetings to you: good '17! Ciao e auguri a voi : buon '17! |
| sent on January 06, 2017 (20:52) | This comment has been automatically translated (show/hide original)
I agree with Turibol, to me though the shot without also like to trim the flooring. It looks like a designed composition "geometrically" a priori, for me it is effective. Hello, Gian
PS: tell me the 14 ... Concordo con Turibol, a me però lo scatto piace anche senza rifilare la pavimentazione. Sembra una composizione pensata "geometricamente" a priori, per me è efficace. Ciao, Gian PS: mi dirai del 14... |
| sent on January 06, 2017 (21:43) | This comment has been automatically translated (show/hide original)
Hello Gianluca, I agree with you. In addition to the "thought" Geometric, I find no need to go to cut below since there is no element of disturbance. According to my personal opinion a closer cut would only exist at a pdr with perfectly parallel to the sensor or film / the person / s present in the frame. In this case it means sacrificing cut in an area that serves as a "base" to visually simulate a depth of perspective that is completed by the various lines of flight, and not applicable to the scene ;-) (imho).
Good night Ciao Gianluca , sono d'accordo con te. Oltre alla "pensata" geometrica , non trovo necessità di andare a tagliare sotto in quanto non è presente alcun elemento di disturbo . Secondo mia personale opinione un taglio più stretto sussisterebbe solo in occasione di un pdr con sensore o pellicola perfettamente parallelo al/ai soggetto/i presenti all'interno dell'inquadratura. In questo caso tagliare sotto significa sacrificare una zona che funge da "base" per simulare visivamente una profondità prospettica che viene completata dalle varie linee di fuga e non presenti all'interno della scena (imho). Good night |
| sent on January 06, 2017 (22:41) | This comment has been translated
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| sent on November 04, 2017 (15:34) | This comment has been automatically translated (show/hide original)
very beautiful riccardo molto bella riccardo |
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