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| sent on December 09, 2016 (15:17) | This comment has been automatically translated (show/hide original)
The cut at the joints in my opinion is not a good cut Il taglio all'altezza delle giunture secondo me non è un buon taglio |
| sent on December 09, 2016 (15:44) | This comment has been automatically translated (show/hide original)
I agree with Darix .... is not an American and is not a full-length .... and then the rule of thirds ..... Concordo con Darix....non è un americano e non è una figura intera....e poi la regola dei terzi..... |
| sent on December 09, 2016 (16:28) | This comment has been automatically translated (show/hide original)
The shooting cuts the human figure are:
Extreme Close Up, shooting his face, until just below the chin.
Close-up, shooting his face and hair with your shoulders, the classic photograph.
medium shot, shot up at waist level, this brings into play cutting arms and their gestures.
American or film plane, the size of the subject falls to the knee, emphasizing more and more
body language in a certain setting.
Full Length, the subject is shot entirely from head to toe.
As for the rule of thirds is not a dogma when you have a clear reading direction dictated by a particular frame suitable to support secondary figures or specifi settinges that serves to highlight the main subject.
Regards Carlo. I tagli di ripresa della figura umana sono:
Primissimo piano, si riprende il volto, fino appena sotto il mento.
Primo piano, si riprende il volto e capelli con le spalle, la classica fototessera.
Piano medio, inquadratura sino all'altezza del punto vita, tale taglio mette in gioco le braccia e la loro gestualità.
Piano americano o cinematografico, l'inquadratura del soggetto scende al ginocchio, mettendo in risalto sempre più
il linguaggio del corpo in una certa ambientazione.
Figura intera, il soggetto viene ripreso interamente dalla testa ai piedi.
Per quanto riguarda la regola dei terzi non è un dogma quando non si ha un evidente direzione di lettura dettato da una inquadratura particolare atta sostenere figure secondarie o ambientazione specifica che serve a valorizzare il soggetto principale.
Saluti Carlo. |
| sent on December 09, 2016 (16:48) | This comment has been automatically translated (show/hide original)
So your cutting as "plan" belongs ...? Quindi il tuo taglio a quale "piano" appartiene...? |
| sent on December 09, 2016 (20:51) | This comment has been automatically translated (show/hide original)
The one in question is an American plan or film.
The same cut could be brought into a horizontal frame holding the subject not on the rule of thirds to place it in a readable environment.
Regards Carlo. Quello in questione è un piano americano o cinematografico.
Lo stesso taglio poteva essere portato in una inquadratura orizzontale tenendo il soggetto decentrato sulla regola dei terzi per inserirlo in una ambientazione leggibile.
Saluti Carlo. |
| sent on December 09, 2016 (22:44) | This comment has been automatically translated (show/hide original)
I know the American plan goes from mid-thigh to knee high, but perhaps your sources are different from mine. Che io sappia il piano americano va dalla mezza coscia al ginocchio alto, ma forse le tue fonti sono diverse dalle mie. |
| sent on December 16, 2016 (8:22) | This comment has been translated
Wow! |
| sent on December 16, 2016 (8:52) | This comment has been translated
Beautiful! |
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