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| sent on November 17, 2016 (13:36) | This comment has been automatically translated (show/hide original)
Apart from the fantasy :-D congratulations for the realization.
The only thing is that I am not convinced much the proportions between the various actors. A parte la fantasia  complimenti per la realizzazione.
L'unica cosa è che non mi convincono molto le proporzioni tra i vari soggetti. |
| sent on November 17, 2016 (13:38) | This comment has been automatically translated (show/hide original)
The moon?
;-) La luna?
 |
| sent on November 17, 2016 (13:48) | This comment has been automatically translated (show/hide original)
The ship is the building below the dam, in particular ... but maybe it's just me that I did not just reading and depth. It 's my feeling. Both of them look small, but then again ... maybe just my misreading Il veliero è l'edificio sottostante la diga, in particolare...ma forse sono solo io che non ho la giusta lettura e profondità. E' la mia sensazione. Entrambi li vedo piccoli, ma ripeto...forse solo una mia sbagliata lettura |
| sent on November 17, 2016 (13:56) | This comment has been automatically translated (show/hide original)
Mine was a joke. Yes, the proportions in the cases you mentioned are arbitrary since it was set in an alien environment, then for what we know, they may be the Lilliputians. I liked making giocattoloso certain objects, like the dalek gigantic and so on. La mia era una battuta. Sì, le proporzioni nei casi da te indicati sono arbitrarie dato che è stato ambientato in un contesto alieno, quindi per quello che se ne sa, potrebbero essere dei lillipuziani. Mi piaceva rendere giocattoloso certi oggetti, come il dalek gigantesco e così via. |
| sent on November 17, 2016 (14:04) | This comment has been automatically translated (show/hide original)
Well it did seem to me ;-)
I can not understand who are the two characters / human figures that are at the bottom left center ...
beh ci sei riuscito mi pare
non riesco a capire bene chi sono i due personaggi/figure umane che ci sono in basso a centro sinistra...
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| sent on November 17, 2016 (14:28) | This comment has been automatically translated (show/hide original)
Work performed by the master, I really love, forecasting a bit 'less.
Congratulations, Raimondo Lavoro eseguito da maestro, mi piace veramente tanto, la previsione un po' meno.
Complimenti, Raimondo |
| sent on November 17, 2016 (14:50) | This comment has been automatically translated (show/hide original)
Oh my god ..
Congratulations to the imagination, I find very confusing though all (if the intent was to create confusion apologize :-)) especially in the lower half of the picture, I have to take the time to understand haha Oh my god..
Complimenti per la fantasia, trovo il tutto però molto confuso (se l'intento era quello di suscitare confusione chiedo scusa  ) soprattutto nella metà inferiore della foto, devo prendermi del tempo per capire bene haha |
| sent on November 17, 2016 (15:00) | This comment has been automatically translated (show/hide original)
But especially beautiful :-) Particolare ma bella |
user59947 | sent on November 17, 2016 (15:49) | This comment has been automatically translated (show/hide original)
Urca that show, compliments sand, you're a really genius Urca che spettacolo, complimenti sabbia, sei un genio davvero |
user59947 | sent on November 17, 2016 (15:49) | This comment has been automatically translated (show/hide original)
Urca that show, compliments sand, you're a really genius Urca che spettacolo, complimenti sabbia, sei un genio davvero |
| sent on November 17, 2016 (17:46) | This comment has been automatically translated (show/hide original)
I see bad for Dalek ;-)
Congratulations for the photo. La vedo brutta per il Dalek
Complimenti per la foto. |
| sent on November 18, 2016 (10:49) | This comment has been automatically translated (show/hide original)
Sand compliments, I always surprised :-) ... but if I can afford, the level of the composition of the red object on the right draws much attention (because of the color) and unbalanced composition ... we would see a counterweight to Sinista to balance, or mitigate or change the color of the red mass complimenti Sabbia, mi sorprendi sempre...pero se mi posso permettere, al livello della composizione l'oggetto rosso sulla destra attira molto l'attenzione (a causa del colore) e sbilancia la composizione...ci vedrei un contrapeso a sinista per equilibrare, o attenuare o cambiare il colore della massa rossa |
| sent on November 18, 2016 (11:51) | This comment has been automatically translated (show/hide original)
A question (which you can not clearly answer): How does your PP process? That is, in the sense when you see the picture, appears in the head already a certain type of work and continue in that direction, or start to work on it and see how far you can push yourself and then add the other elements? I find that the answer might be very interesting for all of us :-D Una domanda (cui puoi chiaramente non rispondere): come funziona il tuo processo di PP? Cioè nel senso quando vedi la foto, visualizzi nella testa già un determinato tipo di lavoro e prosegui in quella direzione, oppure inizi a lavorarci sopra per vedere fino a dove puoi spingerti e poi inserisci gli altri elementi? Trovo che la risposta possa essere molto interessante per tutti noi |
| sent on November 18, 2016 (13:16) | This comment has been automatically translated (show/hide original)
Because it is someone else's shot, no initial control.
First, the study and I correct him, with cc classic, I look at the strengths and the most interesting. I try to understand how it goes in the raw end points, such as exposure, selective saturation, bn, contrast and the like. Then isolate the individual elements of ps in layers to be able to handle.
Normally, I come here, I have a bit 'of ideas, try the one I most like and / or allows me to experience some technique or better to reflect and put into practice. Dato che è uno scatto altrui, senza controllo iniziale.
Per prima cosa lo studio e lo correggo, con la cc classica, guardo i punti forti e quelli più interessanti. Cerco di capire il raw come va nei punti estremi, come esposizione, saturazione selettiva, bn, contrasto e cose simili. Poi isolo i singoli elementi su ps in layer per poterli maneggiare.
Normalmente, arrivato qui, ho già un po' di idee, cerco quella che mi piace di più e/o mi permette di sperimentare qualche tecnica o rifletterci meglio e la metto in pratica. |
| sent on November 18, 2016 (13:18) | This comment has been automatically translated (show/hide original)
@Leo: And you think that I increased the red saturation just to make it stronger.
I did not want balance, but a point of attention. @Leo: e pensa che ho aumentato la saturazione rossa proprio per renderlo più forte.
Non volevo equilibrio, ma un punto d'attenzione. |
| sent on November 18, 2016 (17:18) | This comment has been automatically translated (show/hide original)
boh, I appeal to me so much that distracts me from the rest, but if you asked you your holy reasons :-) boh, a me mi attira tanto che mi distoglie dal resto, ma se l'hai voluto avrai le tue sante ragioni |
user92328 | sent on November 19, 2016 (12:47) | This comment has been automatically translated (show/hide original)
Still very creative Sand, only compliments .. !! Sempre molto creativo Sabbia, solo complimenti..!! |
| sent on November 20, 2016 (19:10) | This comment has been automatically translated (show/hide original)
: -o The first I like a lot ..  il primo mi piace un sacco.. |
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