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  1. Galleries
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  3. Landscape (wilderness)
  4. » Plougrescant Gouffre, golden light.

 
Plougrescant Gouffre, golden light....

Bretagna 2

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Plougrescant Gouffre, golden light. sent on August 01, 2012 (19:14) by Caterina Bruzzone. 85 comments, 13476 views.

, 30 sec f/16.0, ISO 100, tripod. Gouffre de Plougrescant, France.

#Seascape B+W 110, doppia esposizione. Il mio monitor aveva un piccolo problema risolto dalla calibrazione mensile, aggiunta nel primo post versione corretta. Tutte le foto contenute in queste gallerie sono copyright Caterina Bruzzone e non possono essere utilizzate in alcuna forma senza il consenso dell'autore.



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avatarsupporter
sent on August 01, 2012 (19:21) | This comment has been automatically translated (show/hide original)

One of the highlights of the evening light for me in these cases the Nd are irreplaceable.
Hello.
Here is the correct version.



avatarsenior
sent on August 01, 2012 (19:34) | This comment has been automatically translated (show/hide original)

Splendid light!
as always, well done Catherine! ;-)

avatarsupporter
sent on August 01, 2012 (20:00) | This comment has been automatically translated (show/hide original)

Thank you Teresa! :-)

avatarsenior
sent on August 01, 2012 (20:26) | This comment has been automatically translated (show/hide original)

WI FILTERS !! :-D:-D
Really a nice compo Catherine, I wonder if it was possible to rotate the camera a few inches to the right to remove a bit of the sea "uninteresting" and give more impetus to the curve of the rocks ...

user789
avatar
sent on August 01, 2012 (20:35) | This comment has been automatically translated (show/hide original)

Phenomenal!! Awesome!! :-P

avatarsenior
sent on August 01, 2012 (20:50) | This comment has been automatically translated (show/hide original)

Beautiful Catherine, great light, beautiful rendering of the B + W and good composition. In my opinion the rocks you can see that we used a very heavy post processing. You used Tonal Contrast? I noticed a similar effect on the rocks of the photos you posted of Tellaro, as the impact in my humble opinion is a little artificial. Nice shot anyway

Greetings

Fox

avatarsupporter
sent on August 01, 2012 (20:55) | This comment has been automatically translated (show/hide original)

Thanks :-) Valter, I wanted to keep to the left in the most colorful of the sky, the sun, but I also added the cliff climbed steep and would unbalanced the composition, on the right hand a little space, and in fact I still would not spoiled, I was deceived by the fact that the dust has settled to the sea was much further back, the shutter speed of 30 "is for the lights, the first floor is 121" and in those few minutes some waves arrived later than expected ;-)
Thanks Paul! :-)

avatarsupporter
sent on August 01, 2012 (21:05) | This comment has been automatically translated (show/hide original)

Hello Fox, we wrote together, the rocks detail extractor, in truth very bland on the first floor where I worked a lot on the other hand, curves and stronger, but less than the default on the rocks of the background to retrieve the veil created by the salt ;-)
Thanks for the ride, and the board, I will take it :-)
A greeting.

avatarsenior
sent on August 01, 2012 (21:29) | This comment has been automatically translated (show/hide original)

The light and reflections on the rocks are beautiful, the compo quoto Valter ...
Perhaps an over here that also includes the sun would be the top, perhaps difficult to manage with the 10stop front of the lens ...
Really nice ;-)
Hello

avatarsenior
sent on August 01, 2012 (21:33) | This comment has been automatically translated (show/hide original)

Very nice, nice composition and light, congratulations.
James and Joseph

avatarsupporter
sent on August 01, 2012 (21:49) | This comment has been automatically translated (show/hide original)

:-) Thanks Joseph, the sun with the 110 it runs well enough to be provided at a safe distance from the spray ;-), in this case it was the shape of the coastline to dissuade me from a composition that would include, I could not to find a balanced ....
Thanks James and Joseph :-)
Hello.

avatarjunior
sent on August 01, 2012 (22:10) | This comment has been automatically translated (show/hide original)

Usual skill in post production, this fascinates me now to the composition, which I think is very balanced.

avatarjunior
sent on August 01, 2012 (22:25) | This comment has been automatically translated (show/hide original)

Show!

avatarjunior
sent on August 01, 2012 (22:27) | This comment has been automatically translated (show/hide original)

Beautiful photo, composition and management of light at the top. Can I ask what technique you used in PP to merge the two shots?

avatarsenior
sent on August 01, 2012 (22:44) | This comment has been automatically translated (show/hide original)

wonderful ;-)!

user789
avatar
sent on August 01, 2012 (22:45) | This comment has been automatically translated (show/hide original)

detail extractor
Would be that of Nik?

a lot of curves and stronger, but less than the default on the rocks of the background to retrieve the veil created by the salt
I seem to be slightly Chinese! wow!

avatarsupporter
sent on August 01, 2012 (22:51) | This comment has been automatically translated (show/hide original)

Thanks Walter, Tages, Joxy :-)
The fusion in this case is simple, the darkest sky (with clouds using long time exposure is always best to get the sky from a single level to avoid any "ghost") and the rest of the lightest level, then work with the curves on two levels to bring the brightness and optimize tones also making selections very nuanced.
Hello.

avatarjunior
sent on August 01, 2012 (22:56) | This comment has been automatically translated (show/hide original)

The ND filters are not reproducible!
Maybe because I have not the 'eye for tonal Contrast of etail and extractor ... I personally see it perfect I love the light on the rocks on the first and the light source of the sun and 'well balanced .... By including the 'attention would shift towards the light source giving less importance to the cliff and the curve.
The 'single note and' perhaps did not give a hair more space to the curvature of the cliff ... For the rest of the top as always!

avatarsupporter
sent on August 01, 2012 (23:03) | This comment has been automatically translated (show/hide original)

Thanks :-) Branke
It is that of Paul Nik, I work very selecting parts of the image and copying it to level ad hoc working them, so I acted separately on the first floor by applying the filter in a rather bland and intervening in a decisive manner instead curves to obtain a histogram well extended and a good contrast, then I went to the rocks in the background that were quite problematic because in addition to being in the shade were veiled by the salt that rose from the waves, I have used the filter more firmly but always keeping the cursor d 'extraction detail slightly below that of 25 is the default setting, while I lifted decidedly that of the contrast, then usual regolatina final curves, in both cases the selections have been made by hand with the lasso then applying a strong gradient.
I hope to have clearrite at least a little ';-)
Hello. :-)

avatarsupporter
sent on August 01, 2012 (23:06) | This comment has been automatically translated (show/hide original)

Thanks Francis ... Well you've seen one of those sudden waves coming ;-) ... they were to eat the margin I had left to the right ... is not the first time I make this mistake ... but sooner or then learn! :-D
Hello :-)


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