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| sent on October 02, 2016 (16:52) | This comment has been automatically translated (show/hide original)
Gorgeous. Greetings, Marco Bellissima. Un saluto, Marco |
| sent on October 02, 2016 (16:56) | This comment has been automatically translated (show/hide original)
Thanks Marcoss, very kind! Grazie marcoss ,gentilissimo! |
user33434 | sent on October 03, 2016 (13:58) | This comment has been automatically translated (show/hide original)
I find it made evil, the left side, where they begin the bottom plants and the house above, distracted and does not add useful information to the observer. It 'a nice person that you were right to resume. The warm colors in my opinion, but we are closely to the subjective, are too exaggerated and greatly diminish the shot. Greetings La trovo composta male, la parte sinistra, dove iniziano le piante in basso e la casa sopra, distrae e non aggiunge informazioni utili all'osservatore. E' un bel soggetto che hai fatto bene a riprendere. Le tinte calde secondo me, ma siamo strettamente al soggettivo, sono troppo esasperate e sviliscono notevolmente lo scatto. Saluti |
| sent on October 03, 2016 (14:19) | This comment has been automatically translated (show/hide original)
Mauro Thanks!
you're right, the place was very nice but I could not portray him as I wanted.
I also took a picture of the same subject vertically, if you like give me some advice.
with regard to the post I realized later to have exasperated the warm tones! Grazie mauro!
hai ragione , il posto era molto bello ma non sono riuscito a ritrarlo come volevo.
ho anche fatto una foto in verticale dello stesso soggetto, se ti va dammi un tuo parere.
per quanto riguarda la post mi sono accorto tardi di avere esasperato i toni caldi! |
| sent on October 03, 2016 (15:13) | This comment has been automatically translated (show/hide original)
As tip saffron warm tones they are fine .. :-D ... no kidding!
For the composition agree with Mauro ... more ocean and less land would be beneficial to the image ... vertical cut is already better in my opinion ..
Hello Ale!
Come punta zafferano i toni caldi ci stanno benissimo.. ...non scherzo!
Per la composizione concordo con Mauro...più mare e meno terra avrebbe giovato all'immagine...taglio verticale va già meglio secondo me..
Ciao Ale!
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| sent on October 03, 2016 (15:29) | This comment has been automatically translated (show/hide original)
I think shooting is not bad.
Compositionally you can catch up on some 'cutting flush with the wall of the first house on the left, in order to eliminate cables, pylons and that part of the mountain overlooking the lighthouse; it would be better to move the frame at that point, so as to widen the view on the sea. Also would eliminate the inflatable boat to the right, but is not essential.
The dominant yellow rather annoys me a bit 'especially for the contrast with the sea and the high part of the sky.
Pregevolissimo the play of lines (road, wall and costs) that converge curving gently towards the lighthouse guiding the eye. Secondo me lo scatto non è male.
Compositivamente si può recuperare un po' tagliando a filo del muro della prima casa a sinistra, in modo da eliminare cavi, tralicci e quella parte di montagna che sovrasta il faro; sarebbe stato meglio spostare l'inquadratura in quel punto, in modo da allargare la visuale sul mare. Eliminerei anche il gommone a destra, ma non è essenziale.
La dominante gialla invece mi infastidisce un po' soprattutto per il contrasto con mare e parte alta del cielo.
Pregevolissimo il gioco di linee (strada, muretto e costa) che convergono curvando dolcemente verso il faro guidando lo sguardo. |
| sent on October 03, 2016 (15:46) | This comment has been automatically translated (show/hide original)
The warm tone in the end I do not mind, gives the pictures a very "painterly effect." However, the composition frustrates a little 'what could have been a nice picture. The left part is unnecessary and adds nothing at all! I also saw the vertical version, but even that convinces me: you have too narrow beacon, along with that kind of cube, become the main actors (the cube above). I think you'd better make a crop on this ... Il tono caldo alla fine non mi dispiace, dona alla foto un effetto molto "pittorico". Tuttavia la composizione vanifica un po' quella che poteva essere una bella foto. La parte sx è inutile e non aggiunge nulla, anzi! Ho visto anche la versione verticale ma neanche quella mi convince: hai stretto troppo sul faro che, insieme a quella specie di cubo, diventano i soggetti principali (il cubo sopratutto). Secondo me ti conviene effettuare un crop su questa... |
| sent on October 03, 2016 (15:51) | This comment has been automatically translated (show/hide original)
Excellent composition, although I would have moved more than the shot to the right, and excellent color in my opinion, the latter even if a bit 'pumped remain very enjoyable to view.
Finally I cloned away that light pole with the following wires. Ottima composizione, anche se avrei spostato di più l'inquadratura verso destra, e ottimi colori a mio avviso, quest'ultimi anche se un po' pompati rimangono molto godibili alla vista.
Per ultimo avrei clonato via quel palo della luce coi fili a seguito. |
| sent on October 03, 2016 (18:25) | This comment has been automatically translated (show/hide original)
The shot is interesting but:
I would definitely cut left by removing the pole and wires and leaving more 'sea, the colors and sharp I find them a bit forced, like other hand the wall broke in the foreground ... would not rule out cutting in 16/9 saw the sky a little 'anonymous ... Lo scatto è interessante ma :
Avrei decisamente tagliato a sx togliendo palo e fili e lasciando piu' mare, i colori e lo sharp li trovo un po forzati, mi piace invece il muretto rotto in primo piano...non escluderei il taglio in 16/9 visto il cielo un po' anonimo... |
| sent on October 03, 2016 (18:56) | This comment has been automatically translated (show/hide original)
You wanted to compose it?
In general I like, especially the colors of the sky but not the composition.
That wall seems to divide in half the scene and does not leave me a good feeling. I would have turned down on the low wall for example, giving more prominence to the sea. La volevi comporre così?
In generale mi piace, soprattutto i colori del cielo ma non la composizione.
Quel muretto sembra dividere a metà la scena e non mi lascia una bella sensazione. Mi sarei abbassato sul muretto ad esempio, dando maggior risalto al mare. |
| sent on October 03, 2016 (19:08) | This comment has been automatically translated (show/hide original)
Thanks to all for your valuable opinions!
I have just a bit 'of time I try to change the photos and post the result here on earth!
I warn you that I tried to touch up the pole, but with horrendous results! :-D I'm not capable! grazie a tutti per i vostri preziosi pareri!
appena ho un po' di tempo cerco di modificare la foto e postare un risultato quaggiù!
vi avviso che ho provato a ritoccare il palo, ma con risultati orrendi! non sono capace! |
| sent on October 03, 2016 (19:57) | This comment has been automatically translated (show/hide original)
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| sent on October 03, 2016 (20:18) | This comment has been automatically translated (show/hide original)
You're a magician !! ;-) You see that you are young :-D
Definitely better! Sei un mago!!  si vede che sei giovane
Decisamente meglio! |
| sent on October 03, 2016 (20:31) | This comment has been automatically translated (show/hide original)
even Ales!
thanks a lot: D
addirittura Ales!
grazie mille
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| sent on October 03, 2016 (22:09) | This comment has been automatically translated (show/hide original)
Also cut two fingers to the sky in nothing but to no avail, by a roof-cut and recover a bit left to right raising sea.
Straightens a left-haired lighthouse compensating distortion falling lines.
So you have a nice photo :-)
The best compo is sought and also sought It is always cropping: or to compensate for errors, as in this case, or because at that time you can not dial in the best room, but when it succeeds in the room and 'the good :-D
Taglia anche due dita di cielo in altro che non servono a nulla, dai un taglio panoramico e recupera un po a sx levando mare a dx.
Raddrizza un pelo a sx il faro compensando la distorsione delle linee cadenti.
Cosi hai una foto gradevole
La compo migliore si cerca e si e'sempre cercata anche ritagliando: o per compensare errori, come in questo caso, o perché in quel momento non si può comporre al meglio in camera, ma quando ci si riesce in camera e' l'ottimo
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| sent on October 03, 2016 (22:38) | This comment has been automatically translated (show/hide original)
arch thanks for the tip!
Good light :-D arci grazie mille per il suggerimento !
Buona luce |
| sent on October 03, 2016 (23:29) | This comment has been automatically translated (show/hide original)
It is already so much better without that yellow shot behind the lighthouse and without the post.
I would try to do as Arci says. Già così è molto meglio, senza quel giallo sparato dietro al faro e senza il palo.
Proverei a fare come dice Arci. |
| sent on October 04, 2016 (0:49) | This comment has been automatically translated (show/hide original)
Much better. I agree on the cut to heaven, not on cutting the sea. Matter of taste. Molto meglio. Concordo sul taglio al cielo, non sul taglio al mare. Questione di gusti. |
| sent on October 04, 2016 (8:40) | This comment has been automatically translated (show/hide original)
Thank you all for your suggestions :)
Good day Grazie a tutti per i suggerimenti :)
Buona giornata |
user81826 | sent on October 04, 2016 (8:48) | This comment has been automatically translated (show/hide original)
The subject is interesting but mostly I appreciate this composition which is based on the shooting division that takes place physically through the wall. The color processing is rather for me rejected. Il soggetto è interessante ma sopratutto apprezzo questa composizione che si basa sulla divisione dello scatto che avviene fisicamente tramite il muretto. L'elaborazione dei colori è invece per me bocciata. |
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