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| sent on July 30, 2012 (12:33) | This comment has been automatically translated (show/hide original)
A bold composition but a good end result, color and light very beautiful.
hello Una composizione ardita ma un buon risultato finale, colore e luce molto belli.
ciao |
| sent on July 30, 2012 (14:13) | This comment has been automatically translated (show/hide original)
Hello Alberto.
Quoto Beppe. Unusual composition that all in all I like it.
Very good light.
I seem to notice some glow on the horizon line right at the clouds, but it is not much.
Compliments.
Hello,
Diego. Ciao Alberto.
Quoto Beppe. Composizione insolita che tutto sommato mi piace.
Gran bella luce.
Mi sembra di notare qualche alone sulla linea di orizzonte a destra in corrispondenza delle nuvole, ma è poca cosa.
Complimenti.
Ciao,
Diego. |
| sent on July 30, 2012 (14:36) | This comment has been automatically translated (show/hide original)
original composition in my opinion attractive, beautiful light and colors! :-)
hello
Fabio composizione originale a mio avviso gradevole, bella la luce e i colori!
ciao
Fabio |
| sent on July 30, 2012 (15:23) | This comment has been automatically translated (show/hide original)
You're right, Diego, what I've noticed is a point on which I have worked extensively in fusion: this picture is the result of a manual blend of three RAW. Hai ragione Diego, quello che hai notato è un punto su cui ho lavorato molto in fusione: questa foto è il risultato di un blend manuale di tre RAW. |
| sent on July 30, 2012 (22:18) | This comment has been automatically translated (show/hide original)
Always very appreciate your compositional research, also this time you managed to propose a particular image, as regards the fusion, halo apart, scurirei the lower part, true that the weight of the pile of wood but greatly increases the consistency of tones in 'I think improves picture ;-)
Congratulations, hello :-) Apprezzo sempre molto la tua ricerca compositiva, anche stavolta sei riuscito a proporre un'immagine particolare, per quanto riguarda la fusione, alone a parte, scurirei la parte bassa , vero che il peso della catasta di legna aumenta parecchio ma la coerenza di toni nell'immagine secondo me migliora
Complimenti, ciao |
| sent on July 31, 2012 (8:04) | This comment has been automatically translated (show/hide original)
Thanks Catherine, for your sincere appreciation and suggestions always constructive: I have yet to make its way to becoming as good as you are with brushes in PS! :-|
When you say you wish to darken the lower part of the grass or just a pile of wood? In fact I had a specific exposure to the stack, in order to open the shadows, as it is an element "strong" in the composition and only increasing the readability and detail, in my opinion, could not be justified in the overall landscape ... :-)
Hello, Alberto. Grazie Caterina, per i tuoi apprezzamenti sinceri ed i consigli sempre costruttivi: devo farne ancora di strada per diventare bravo come te con in pennelli si PS!
Quando dici di scurire la parte bassa intendi anche l'erba o solo la catasta di legno? In effetti ho fatto una esposizione specifica per la catasta, al fine di aprirne le ombre, visto che è un elemento "forte" nella composizione e solo aumentandone la leggibilità ed il dettaglio, a mio parere, poteva giustificarsi nel paesaggio complessivo...
Ciao, Alberto. |
| sent on July 31, 2012 (8:16) | This comment has been automatically translated (show/hide original)
All ground stack including, of course, gently burning can not become too dark you were right to dedicate one specific shot ;-)
Hello. Tutto il terreno catasta compresa, ovviamente con delicatezza la legna non può diventare troppo scura hai fatto bene a dedicargli uno scatto specifico
Ciao. |
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