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| sent on September 25, 2016 (20:39) | This comment has been automatically translated (show/hide original)
Fantastic!!! : -o But 285 shots at a salticide ?? How have you mesmerized ??? :-D
Really very good !!!
Marzio Fantastico!!!  ma 285 scatti ad un salticide?? Come l'hai ipnotizzato??? 
Davvero bravissimo!!!
Marzio |
| sent on September 25, 2016 (22:53) | This comment has been automatically translated (show/hide original)
spectacular as other macro gallery marsc I asked myself the same question anc'hio and the only answer I have found is that the insects are dead and placed in an optimal position for the series of shots spettacolare come le altre macro della galeria marsc mi sono posto anc'hio la stessa domanda e l'unica risposta che ho trovato è che gli insetti siano morti e messi in posizione ottimale per la serie di scatti |
| sent on September 25, 2016 (23:54) | This comment has been automatically translated (show/hide original)
Thanks for the lift and correct guess ... the specimen was dead Grazie del passaggio e supposizione corretta ... l'esemplare era morto |
| sent on September 26, 2016 (12:56) | This comment has been automatically translated (show/hide original)
Personally I dwell only on the fact that putting together all that number of shots is a business, those who have never tried it will think that this work is easy but when you compete you will realize the problems. From me a round of applause for the way you took this job at the end.
One thing I would suggest, but you already know. Had they the opportunity I would have left an air fur between subject is band at the top. Personalmente mi soffermo solo sul fatto che mettere insieme tutto quel numero di scatti è un'impresa, chi non ha mai provato potrà pensare che questo lavoro sia semplice però nel momento in cui si cimenterà si renderà conto delle problematiche. Da parte mia un applauso per come hai portato alla fine questo lavoro.
Una cosa sola mi sento di suggerirti, ma tu già lo sai. Avendone le possibilità avrei lasciato un pelo d'aria tra soggetto è bordo nella parte alta. |
| sent on October 03, 2016 (20:16) | This comment has been automatically translated (show/hide original)
Very good! I would be interested to know how you have paired the two lenses and the camera, in order to experience this fascinating technique, thanks. The microscope objective is perhaps the one place ahead of magnifying constituting a "close-up lens" high refractive power? Bravissimo! Mi interesserebbe conoscere come hai accoppiato i due obiettivi e la fotocamera, per poter sperimentare tale tecnica affascinante, grazie. L'obiettivo da microscopio è forse posto avanti a quello da ingranditore costituendo una " lente addizionale " ad alto potere diottrico ? |
| sent on November 03, 2016 (0:18) | This comment has been automatically translated (show/hide original)
Filippo42 hello ... sorry for the delay in reply
There are two types of microscope objective to fix those finished and those in infinite correction
the former can be used as the usual objectives while the latter require a lens (tube lens) to properly focus the image on the sensor.
The Mitutoyo is infinite correction so the place Gerogon immediately behind the camera acts as a lens tube ciao Filippo42 ... scusa il ritardo con cui rispondo
ci sono due tipi di obbiettivo da microscopio quelli a correzione finite e quelli a correzione infinita
i primi possono esser utilizzati come gli usuali obbiettivi mentre i secondi necessitano di una lente (lente di tubo)per focalizzare correttamente l'immagine sul sensore.
Il Mitutoyo è a correzione infinita quindi il Gerogon posto subito dietro l'obbiettivo funge da lente di tubo |
| sent on December 30, 2016 (13:39) | This comment has been automatically translated (show/hide original)
Beautiful, Andrea congratulations !! Bellissima, complimenti Andrea!! |
| sent on December 30, 2016 (14:01)
Wow! Fantastic detail!
Ann :)) |
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