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| sent on September 12, 2016 (23:43) | This comment has been automatically translated (show/hide original)
fantastic and pp Pdr who always manages to emerge out of the picture the fouling of the walls ;-) !!! Hello, Gaetano Pdr fantastico e pp che riesce sempre a far emergere fuori dalla foto l'incrostazione dei muri !!! Ciao, Gaetano |
| sent on September 12, 2016 (23:54) | This comment has been automatically translated (show/hide original)
Le was waiting ;-) excellent Angelo Le stavo aspettando Ottima Angelo |
| sent on September 13, 2016 (11:07) | This comment has been translated
Beautiful, congratulations! Cheers |
| sent on September 13, 2016 (11:24) | This comment has been automatically translated (show/hide original)
One of great significance photo Bravissimo Angelo
Greetings Luca Una foto di grande significato Bravissimo Angelo Saluti Luca |
| sent on September 13, 2016 (12:15) | This comment has been automatically translated (show/hide original)
Congratulations indeed dear Angel! Complimenti davvero caro Angelo ! |
| sent on September 14, 2016 (10:45) | This comment has been automatically translated (show/hide original)
@Gaetano: Thanks a lot for the changeover and positive comment. On the PDR is all about the tripod positioned approximately 20cm from the ground, while the fouling of the walls is about a job on the contrast in PS. @Roberto: Well, I hope not to let you down then :-D They will reach other, not many, but even a few; the opportunities offered by the locations were so many. @Salvatore: Thanks a lot for the changeover and positive comment. @Luca: You've got it right. Although this chair (maybe) do not date back to the darkest period of this structure, it wants to highlight a wistful desire for freedom. @Luca: Thanks to you the passage and positive comment.
Thanks again to all. TO. @Gaetano: grazie mille del passaggio e commento positivo. In merito al pdr è tutto merito del treppiede posto a circa 30cm da terra, mentre l'incrostazione dei muri è merito di un lavoro sul contrasto in PS. @Roberto: bene, spero di non averti deluso allora Ne arriveranno altre, non molte ma nemmeno poche; le opportunità offerte dalla location erano davvero tante. @Salvatore: grazie mille del passaggio e commento positivo. @Luca: hai colto nel segno. Sebbene questa sedia (forse) non risalga al periodo più buio di questa struttura, vuole evidenziare un malinconico desiderio di libertà. @Luca: grazie anche a te del passaggio e commento positivo. Ancora grazie a tutti. A. |
| sent on September 14, 2016 (15:35) | This comment has been automatically translated (show/hide original)
Remarkable, congratulations! Hello, Henry. Notevole, complimenti! Ciao, Enrico. |
| sent on September 14, 2016 (16:07) | This comment has been translated
Great shot! |
| sent on September 14, 2016 (18:19) | This comment has been automatically translated (show/hide original)
great job friend, pdr: better than that I could not, I agree with gaetano I really like the work on ' "fouling" of the walls add great job on the lights especially in highlight recovery out of the window;) level "empathetic," we will see the other, I would say one of the most charming ;-) ottimo lavoro amico, pdr : meglio di così non si poteva, concordo con gaetano mi piace tantissimo il lavoro sull'"incrostazione" dei muri aggiungo ottimo lavoro sulle luci soprattutto nel recupero delle alte luci fuori dalla finestra ;) a livello "empatico" , vedremo le altre, direi una delle più suggestive |
| sent on September 15, 2016 (11:21) | This comment has been automatically translated (show/hide original)
Ant and Marcello, through the passage. He thinks that the biggest job in post -in my workflow- is represented by the recovery of the distortion of 10-20 that depending on the combinations pdr / distance / angle etc. sometimes it is really pronounced. Not always solve 100% and almost never is appreciated, but it is something to which I hold :-) Ant e Marcello, grazie del passaggio. Pensa che il lavoro più grosso in post -nel mio workflow- è rappresentato dal recupero della distorsione del 10-20 che a seconda delle combinazioni pdr/distanza/inclinazione etc a volte è veramente pronunciata. Non sempre risolvo al 100% e quasi mai viene apprezzato, ma è una cosa alla quale tengo :-) |
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