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| sent on July 31, 2012 (20:27) | This comment has been automatically translated (show/hide original)
I love it, so dark and with that ship, good mi piace,così scura e con quella nave,bravo |
| sent on July 31, 2012 (21:05) | This comment has been automatically translated (show/hide original)
Beautiful light and good composition, but for me the cliff is too dark and cold ;-)
Hello :-) Bella luce e buona composizione ma per me la scogliera è troppo buia e fredda
Ciao |
| sent on July 31, 2012 (22:43) | This comment has been automatically translated (show/hide original)
“ Nice light and good composition, but for me the cliff is too dark and cold ;-)
CiaoSorriso „
At the end you changed destination! Nice shot
Greetings
Fox " Bella luce e buona composizione ma per me la scogliera è troppo buia e fredda;-)
CiaoSorriso"
Alla fine hai cambiato destinazione! Bello scatto
Saluti
Fox |
| sent on July 31, 2012 (23:19) | This comment has been automatically translated (show/hide original)
Without seeing the Raw in this case is hard .... Wb definitely be brought to the heat, in these cases, a good reference is the sea foam that should be white to the limit just cold in the shade, then you have to try to open up the shadows but if the histogram is cut as in this version I see hard you'll come out a lot of noise and there are still areas that are not recoverable, it took a second shot for shadows, but if the raw edge there recovers, then Ps with a mask of selective brightness of shadows forgive place tones and contrast.
This is what comes to my mind, the Jpg think we can recover quite well the cliff in the foreground while the area behind the castle is very critical.
Hello :-) Senza vedere il Raw in questo caso è dura.... sicuramente il Wb va portato verso il caldo, in questi casi un buon riferimento è la schiuma del mare che dovrebbe essere bianca al limite appena fredda in ombra , poi bisogna cercare d'aprire le ombre ma se l'istogramma è tagliato come in questa versione la vedo dura ti esce un sacco di rumore e comunque ci sono zone non recuperabili, ci voleva un secondo scatto per le ombre, se invece nel raw c'e margine recupera, poi in Ps con una maschera di luminosità selettiva sulle ombre rimetti a posto toni e contrasto.
Questo è quanto mi viene in mente, dal Jpg sembra si possa recuperare abbastanza bene la scogliera in primo piano mentre la zona alle spalle del castello è molto critica.
Ciao |
| sent on August 01, 2012 (16:12) | This comment has been automatically translated (show/hide original)
Thank you Catherine, I'll try to work a little '!! ;-) Grazie mille Caterina, proverò a lavorarci un po'!!!! |
| sent on September 16, 2012 (10:45) | This comment has been automatically translated (show/hide original)
Apart from the eventual recovery of the shadows, in my opinion (which certainly is not worth much), this is really a great shot! Beautiful depth data on the composition and optics, beautiful moment captured the sun is about to disappear and then the icing boat, maybe not planned but certainly an added value. A parte l'eventuale recupero delle ombre, a mio parere (che di certo non vale molto), questo è veramente un ottimo scatto! Bella la profondità data dalla composizione e dall'ottica, bello il momento immortalato del sole che sta per scomparire e poi la ciliegina dell'imbarcazione, magari non pianificata ma che di sicuro da valore aggiunto. |
| sent on September 16, 2012 (22:41) | This comment has been automatically translated (show/hide original)
Thank you so much for passing Garduino! :-P Grazie mille per il passaggio Garduino!!  |
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