RCE Foto

(i) On JuzaPhoto, please disable adblockers (let's see why!)






Login LogoutJoin JuzaPhoto!
JuzaPhoto uses technical cookies and third-part cookies to provide the service and to make possible login, choice of background color and other settings (click here for more info).

By continuing to browse the site you confirm that you have read your options regarding cookies and that you have read and accepted the Terms of service and Privacy.


OK, I confirm


You can change in every moment your cookies preferences from the page Cookie Preferences, that can be reached from every page of the website with the link that you find at the bottom of the page; you can also set your preferences directly here

Accept CookiesCustomizeRefuse Cookies


  1. Galleries
  2. »
  3. Astrophotography
  4. » Experiment Pelican Nebula in Bicolor False

 
Experiment Pelican Nebula in Bicolor False...

Deep Sky With Dslr, Oldest

View gallery (45 photos)



What do you think about this photo?


Do you have questions or curiosities about this image? Do you want to ask something to the author, give him suggestions for improvement, or congratulate for a photo that you really like?


You can do it by joining JuzaPhoto, it is easy and free!

There is more: by registering you can create your personal page, publish photos, receive comments and you can use all the features of JuzaPhoto. With more than 255000 members, there is space for everyone, from the beginner to the professional.




avatarsupporter
sent on June 19, 2016 (11:52)


This comment is too long to be automatically translated, so it will be shown in its original language (Italian)  

Click here to translate the comment in English [en]


Stessa rielaborazione della Nebulosa Rosetta!!!

Riprendo i concetti per chi capita su questa pagina senza aver visto la rielaborazione della Rosetta. In sostanza mi sono chiesto, cosa può accadere se applichiamo la metodologia biocolor di Steve Cannistra a due foto riprese entrambe in h-alfa, ma in tempi e con tecniche totalmente diverse.

Ovviamente per procedere servono 2 foto dello stesso oggetto con dimensioni lineari relativamente simili. Neanche farlo apposta il caso vuole che ho foto della nebulosa Pellicano fatte a 17 anni di distanza che si prestano allo scopo :-)

La prima è dell'altra sera effettuata seguendo le metodologie digitali correnti, la seconda invece è del 1999 (altra notte bellissima come non se ne vedono più purtroppo) ed è stata effettuata secondo le tecniche di quell'epoca utilizzando pellicola Kodal Technical Pan 2415 ipersensibillizata (home made) tramite cottura con idrogeno in camera a pressione e sviluppata con D19. Di seguito le caratteristiche:

Foto 1:
17/6/2016 Poggio Rusco (MN) 16mt, t=20°c, Sqm=18.83
Canon EF 400 f/2.8 L at f/2.8 with Baader 7nm H-Alpha
Canon EOS 60D CentralDS at 1600 ISO, ts=-5°c
Az-Eq5 guide with Lacerta M-Gen II on 50mm f/3.2
Integration: light 14x180”, 5 dark, 33 bias, 33 flat





Foto 2:
9/10/1999 Pampeago (TN)
Takahashi EM200
Canon F1
Takahashi FS128 a f/6
filtro Lumicon ha
pellicola ipersensibilizzata Tp2415
esposizione di 165'





Assumo che alla Foto 1 attribuisco il canale ha (prima riga dell'idrogeno), assunzione peraltro corretta secondo la metodologia classica, e quindi d'ora in avanti la chiamo pellicano-ha. Userò questo canale per la formazione del canale rosso della foto finale.

Alla Foto 2 invece attribuisco “arbitrariamente” il canale oiii (terza riga dell'ossigeno), e la chiamo pellicano-oiii. Userò questo canale per il canale blu della foto finale.

Purtroppo le due foto non sono di dimensioni ed orientamento uguali e quindi procedo (sempre grazie PixInsight) alla sovrapposizione delle due foto così da ottenere una nuova pellicano-oiii. Nel fare questa operazione purtroppo il campo inquadrato si riduce fortemente, non ho più il classico rettangolo 2x3 e questo da esteta mi dispiace un po', ce ne facciamo immediatamente una ragione :-)

Bene ora ho a disposizione pellicano-ha(canale rosso) e pellicano-oiii(canale blu).

Procedo a generare il canale verde tramite la moltiplicazione di pellicano-ha e pellicano-oiii. Ora ho anche pellicano-synthetic-green.

Il gioco è quasi fatto, ora procedo a fondere i canali in una unica foto secondo una modulazione di pesi che lascia spazio all'ispirazione soggettiva. Nel caso specifico ho preso il 100% del canale rosso, il 100% del verde e il 100% del blu. De gustibus….

Avanti con le critiche per favore!!!!!

Ciao



avatarjunior
sent on June 19, 2016 (12:51) | This comment has been automatically translated (show/hide original)

I can only learn from you .....
I stated that, saturerei a little less red.

avatarsenior
sent on June 19, 2016 (12:54) | This comment has been automatically translated (show/hide original)

Marzio, I confess that after reading I went into the flask: -o .. nothing is worth the second try because my neural state is gone permanently block: -o I could get by with a random WOW pretending to understand but I would be a dishonest .. but from the work we've done shows an enormous intellectual genius work now WOW there may also be: -o :-D Great!

avatarjunior
sent on June 19, 2016 (13:26) | This comment has been automatically translated (show/hide original)

Very nice compliments Marzio

avatarsenior
sent on June 19, 2016 (15:00) | This comment has been automatically translated (show/hide original)

I did not understand a damn what you did to get this shot, but I can only comment on it myself with a WOW !!!
Marzio Congratulations!
Hello and good week!

maximum :-)

avatarsupporter
sent on June 19, 2016 (21:16) | This comment has been automatically translated (show/hide original)

@Giovanni: Thank you ... your suggestions are always precious !!!
@Beppe Is just to play, nothing to do with the click of the head of Riccardo Witch, that yes that is a good job, well done and well developed in pp :-)
@Domenico: Thanks .... but I think it is much better your done with 50tino !!! Maybe one evening we pass along :-D
@Massimo: Always attentive !!! 1000 Thanks !!!

..... And good evening to all :-)

user44198
avatar
sent on June 20, 2016 (1:56) | This comment has been automatically translated (show/hide original)

hello Marzio meanwhile thanks for having mentioned .... for your picture I can tell you that in this branch of photography also for fun, as you say, things can take a look nice and under some interesting point of view ... regarding this tell you that the detail there is to sell maybe that's missing is a signal bit more .... I would reiterate that with this kind of recovery in Ha exposures can also be stretched to more than 10 minutes in order to enable the sensor to capture more signal possible given the tight band of the filter in use and give you a way to manage without doing somersaults PP ... ;-) ;-)

avatarsupporter
sent on June 20, 2016 (8:22) | This comment has been translated

Sorriso

avatarsenior
sent on June 20, 2016 (12:14) | This comment has been automatically translated (show/hide original)

Outside the door you had hung the sign "Genius at work"?!?! :-D

As for the play with the images you really have a nice comfortable! Not have the skills to add or give suggerimenti..ma I can congratulate you !! ;-)

avatarsupporter
sent on June 20, 2016 (13:02) | This comment has been automatically translated (show/hide original)

But no daiiiii, believe me trinkets to laugh, it's just film :-D
Thanks Leo :-)

avatarsenior
sent on June 20, 2016 (16:26) | This comment has been translated

Very nice!

avatarsupporter
sent on June 20, 2016 (21:29) | This comment has been automatically translated (show/hide original)

Thanks Giani, far away from your ... beautiful.
Thanks: D


RCE Foto

Publish your advertisement on JuzaPhoto (info)

Some comments may have been automatically translated with Microsoft Translator.  Microsoft Translator



 ^

JuzaPhoto contains affiliate links from Amazon and Ebay and JuzaPhoto earn a commission in case of purchase through affiliate links.

Mobile Version - juza.ea@gmail.com - Terms of use and Privacy - Cookie Preferences - P. IVA 01501900334 - REA 167997- PEC juzaphoto@pec.it

May Beauty Be Everywhere Around Me