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| sent on June 21, 2012 (22:41) | This comment has been automatically translated (show/hide original)
perhaps the best of the three
here the opposite is not 'cut, the eyes are in sharp focus and the smile and the look of the girl are beautiful.
good forse la migliore delle tre
qui la fronte non e' tagliata, gli occhi sono perfettamente a fuoco e il sorriso e lo sguardo della ragazza sono belli.
brava |
| sent on June 21, 2012 (22:44) | This comment has been automatically translated (show/hide original)
thank you very much! I'll keep this ;-) grazie mille! terrò presente  |
| sent on June 22, 2012 (10:41) | This comment has been automatically translated (show/hide original)
I like that a lot, both for the composition and pose and selective focus. Questa mi piace molto, sia per la composizione che per posa e messa a fuoco selettiva. |
| sent on June 22, 2012 (11:22) | This comment has been automatically translated (show/hide original)
very nice .... especially as it turned its head, gives depth molto bella....soprattutto com'è ruotata la testa, dona profondità |
| sent on June 22, 2012 (11:46) | This comment has been automatically translated (show/hide original)
beautiful portrait heartfelt congratulations
good day mimmo
bel ritratto complimenti vivissimi
buona giornata mimmo
|
| sent on June 22, 2012 (12:49) | This comment has been automatically translated (show/hide original)
very nice is the model that the photo molto bella sia la modella che la foto |
| sent on June 26, 2012 (15:55) | This comment has been automatically translated (show/hide original)
really well done! running lights? veramente ben fatta! gestione luci? |
| sent on June 26, 2012 (16:29) | This comment has been automatically translated (show/hide original)
thank you! I took no panels nor flash, available light was good (about 11 in the morning on a porch where there was no or almost direct light) and then I did not have to think much to the management of the lights except the time and all ' aperture. grazie! ho scattato senza pannelli nè flash, la luce presente era buona (circa le 11 di mattina in un portico in cui non c'era o quasi luce diretta) e quindi non ho dovuto pensare molto alla gestione delle luci se non ai tempi e all'apertura diaframma. |
| sent on June 26, 2012 (23:39) | This comment has been automatically translated (show/hide original)
Very nice indeed. I love the originality of the frame (you have a lot of talent in this judging by the other shots), gradissima sharpness, carefully measured, and the light, natural, and therefore not easy to manage.
My compliments so many beautiful portrait. Hello Molto bella veramente. Mi piace moltissimo l'originalità dell'inquadratura (hai molto talento in questo a giudicare anche dagli altri scatti ), gradissima nitidezza, sapientemente dosata, e la luce, naturale e quindi non facile da gestire.
I miei complimenti quindi, gran bel ritratto. Ciao |
| sent on June 27, 2012 (8:53) | This comment has been automatically translated (show/hide original)
Thank you Sergio! When I photograph people, who are often women, I always try to figure out what is the best way to take them back and then make several attempts to find the point of recovery for each face value. When I show the shot on the screen of the machine and the models (or friends) will "see well", they automatically become more prone to natural and can, thus, also to achieve greater collaboration and poses less plastic. Grazie Sergio! Quando fotografo persone, che spesso sono donne, cerco sempre di capire qual è il modo migliore di riprenderle e quindi faccio diversi tentativi per cercare il punto di ripresa per valorizzare ciascun volto. Quando mostro lo scatto sullo schermo della macchina e le modelle (o le amiche) si "vedono bene", automaticamente diventano più inclini alla naturalezza e riesco, così, anche ad ottenere maggiore collaborazione e pose meno plastiche. |
| sent on June 27, 2012 (9:50) | This comment has been automatically translated (show/hide original)
Qoto Francoia. I really love the picture :-) Qoto Francoia. La foto mi piace veramente tanto  |
| sent on June 27, 2012 (21:47) | This comment has been automatically translated (show/hide original)
Then even more compliments! Allora ancora più complimenti! |
| sent on June 27, 2012 (22:34) | This comment has been automatically translated (show/hide original)
Excellent approach, Giusy, and the results are good.
Enter your patience and sincerely your discipline, because I'm not really capable of.
Congratulations again then. Hello Ottimo approccio, Giusy, ed i risultati si vedono.
Invio sinceramente la tua pazienza e la tua disciplina, perchè io non ne sono proprio capace.
Ancora complimenti quindi. Ciao |
| sent on June 27, 2012 (22:50) | This comment has been automatically translated (show/hide original)
ehmmm Sergio, I just had a look at your photos ... I do not think you need patience or discipline, compliments, and many others, you! ehmmm Sergio, ho appena dato uno sguardo alle tue foto ... non mi sembra che tu abbia bisogno di pazienza o disciplina, complimenti, e tanti, a te! |
| sent on June 27, 2012 (23:26) | This comment has been automatically translated (show/hide original)
Thank you, Giusy, you're very kind.
But you know what diffirenza what is between you and me? And 'that you are able to create great photos, but I have only able to resume what I see, perhaps with skill and talent (as you recognize me with great kindness), but also with a lot of luck.
It 'been a pleasure this exchange of ideas with you, Giusy.
Congratulations again for your shots. Hello Ti ringrazio, Giusy, sei molto gentile.
Ma sai qual'è qual'è la diffirenza fra me e te? E' che tu sei capace di creare ottime foto, io invece sono solo capace di riprendere quello che vedo, forse con abilità e talento (come con grande gentilezza mi riconosci tu), ma anche con tanta fortuna.
E' stato un piacere questo scambio di idee con te, Giusy.
Ancora complimenti per i tuoi scatti. Ciao |
| sent on June 27, 2012 (23:40) | This comment has been automatically translated (show/hide original)
Sergio, frankly, I find it very difficult to move through a photo, what do you know very well. I have a lot of trouble getting it in contact with the soul of the people. They are probably the two sides of the same coin, but I do not think there is one easier. Thank you for signing focused on my shots. Hello Sergio, sinceramente, trovo molto difficile emozionare attraverso una foto, cosa che tu sai fare molto bene. Io ho moltissima difficoltà ad entrare così in contatto con l'anima della gente. Probabilmente sono le due facce della stessa medaglia, ma non credo ce ne sia una più facile. Grazie mille per esserti soffermato sui miei scatti. Ciao |
| sent on June 27, 2012 (23:43) | This comment has been automatically translated (show/hide original)
BEAUTIFUL!! :-P Thank you. :-P BELLISSIMA !!!!!!  Complimenti. |
| sent on February 16, 2013 (15:26) | This comment has been automatically translated (show/hide original)
Excellent in everything: installation, quality 'and light management, sharpness, subject. Really a beautiful portrait, good!
All the best, Roberto. Ottima in tutto: posa, qualita' e gestione della luce, nitidezza, soggetto. Davvero un bellissimo ritratto, brava!
Un saluto, Roberto. |
| sent on April 15, 2013 (12:21) | This comment has been automatically translated (show/hide original)
Hello, gorgeous is the photo that the model ... I join the chorus of those who did, deserved compliments ...
A question about focal point ... how did you set the machine where you bet on?
Are at the dawn of the portraits, recent buyer of 50ino and see these results is pure inspiration!
Thanks
Max Ciao, stupenda sia la foto che la modella... Mi unisco al coro di chi ti ha fatto questi, meritati, complimenti...
Una domanda sul punto di fuoco...come hai settato la macchina e dove hai puntato??
Sono ai primordi dei ritratti, recente acquisitore del 50ino e vedere questi risultati è pura fonte di ispirazione!
Grazie
Max |
| sent on April 17, 2013 (17:40) | This comment has been automatically translated (show/hide original)
Hello Max, I must tell you in utmost sincerity that I do not remember exactly how I had set up the car at that time, I was starting out with the 7D and did many tests.
Of course I was very close to the model and I focused on the eye for the right focus. The aperture to f4 gave me the opportunity to have the eye sn almost completely in focus (perhaps closing a little more 'I still had more sharpness).
The 50cc will give you satisfaction, you can count on. It 'a nice view, not particularly expensive, which allows you to obtain satisfactory results.
Good light! Ciao Max, devo dirti in estrema sincerità che non ricordo perfettamente come avevo settato la macchina in quel momento, ero agli inizi con la 7D e facevo tante prove.
Di sicuro ero molto vicina alla modella e ho puntato sull'occhio dx per la messa a fuoco. Il diaframma aperto a f4 mi ha dato la possibilità di avere anche l'occhio sn quasi completamente a fuoco (forse chiudendo un altro po' avrei avuto ancora più nitidezza).
Il 50ino ti darà soddisfazione, ci puoi contare. E' una bella ottica, non particolarmente costosa, che ti permette di ottenere risultati soddisfacenti.
Buona luce! |
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