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| sent on January 27, 2016 (20:13) | This comment has been automatically translated (show/hide original)
Really beautiful, congratulations.
Hello, Nicholas :-) Davvero splendida, complimenti.
Ciao, Nicola  |
| sent on January 28, 2016 (17:41) | This comment has been automatically translated (show/hide original)
thank you, Nicola, very appreciated, hello, Mark. grazie, Nicola, molto apprezzato, ciao, Marco. |
user27894 | sent on April 19, 2016 (10:06) | This comment has been automatically translated (show/hide original)
Very suggestive.
A beautiful glimpse of monumment compliments.
Greetings luca Molto suggestiva.
Un bellissimo scorcio della monumment complimenti.
Un saluto luca |
| sent on April 19, 2016 (12:25) | This comment has been automatically translated (show/hide original)
If it is true that the colors represent our emotions, I must confess that the reddish sky fails to give me back the night sensations. I would try to simultaneously cooling the color temperature, virandola on blue. Se é vero che i colori rappresentano le nostre emozioni, debbo confessarti che quel cielo rossastro non riesce a restituirmi le sensazioni notturne. Proverei a raffreddarne la temperatura colore, virandola sul blu. |
| sent on April 19, 2016 (20:58) | This comment has been automatically translated (show/hide original)
Hello Beckerwins, the colors of my pictures do not want to represent the emotions of the viewer, more 'just the sky that night had warm tones.
Thanks Luke.
Hello to both, Marco. Ciao Beckerwins, i colori della mia foto non vogliono rappresentare le emozioni di chi la guarda, piu' semplicemente il cielo quella notte aveva toni caldi.
Grazie Luca.
Ciao ad entrambi, Marco. |
| sent on April 20, 2016 (0:21) | This comment has been automatically translated (show/hide original)
Hello Marco,
I will not insist, but I find that the tones are extremely hot. I understand that there may be on the horizon light pollution, but these tones seem to me also (and especially) returned by the WB sensor and its publicly known tendency to warm tones when it is in the dark. Aesthetically, the result does not convince me, but if you like .... A greeting. Lucky Ciao Marco,
non voglio insistere, ma trovo che i toni siano estremamente caldi. Capisco che possa esserci inquinamento luminoso all'orizzonte, ma questi toni mi sembrano anche (e soprattutto) restituiti dal WB del sensore e le sue risapute tendenza ai toni caldi quando si trova al buio. Esteticamente il risultato non mi convince, ma se a te piace....Un saluto. Fortunato |
| sent on April 20, 2016 (9:12) | This comment has been automatically translated (show/hide original)
Hello Lucky,
before you answer, I examined the raw. What 'you say but' it is interesting, and that means 'that does not return the raw reality', and pushes me to go into that. You have you a reliable reference that can read?
Hello and thank you, Mark. Ciao Fortunato,
prima di risponderti ho esaminato il raw. Cio' che dici pero' e' interessante, e cioe' che il raw non restituisce la realta', e mi spinge ad approfondire l'argomento. Hai forse una reference attendibile che possa leggere?
Ciao e grazie, Marco. |
| sent on April 20, 2016 (11:58) | This comment has been automatically translated (show/hide original)
Hello Marco,
you mean a book that deals with the question B / loyalty? I do not know the specific readings that discuss this topic, because I believe it is now abundantly already been discharged in the past, the diversity of approach between what you "see" our eyes and what you are "Register" (in this case) the camera's sensor. In reality there are different readings available on the web that describe precisely, the incapacity by the deciding sensor (unlike the human eye / brain), which is actually the correct tonality in "critical situations". blue shadows, night by particularly warm tones, magenta landscapes, are some of the most classic examples of what we were discussing. Have a good time. Lucky
Ciao Marco,
intendi un libro che tratti la questione raw/fedeltá? Non conosco delle letture specifiche che trattano questo argomento, anche perché credo sia ormai stato abbondantemente appurato giá in passato la diversitá di approccio tra ció che "Vede" il nostro occhio e ció che "Registra" (in questo caso) il sensore della fotocamera. In realtá ci sono diverse letture disponibili sul web che descrivono proprio l'incapacitá da parte del sensore di decidere (a differenza del nostro occhio/cervello), quale sia effettivamente la tonalitá corretta in situazioni "critiche". Ombre blu, notturni dai toni particolarmente caldi, paesaggi magenta, sono alcuni tra gli esempi piú classici di quanto discutevamo. Buona continuazione. Fortunato
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| sent on January 03, 2018 (13:33) | This comment has been automatically translated (show/hide original)
Hello Marco, beautiful this too, I confess that to see these places is rising a bit of nostalgia.
Simone Ciao Marco, bellissima anche questa, confesso che a rivedere questi luoghi mi sta salendo un po di nostalgia.
Simone |
| sent on June 10, 2020 (19:34) | This comment has been automatically translated (show/hide original)
Very nice.
Compliments
A greeting
Corrado Molto bella.
Complimenti
un saluto
Corrado |
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