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| sent on December 10, 2015 (10:21) | This comment has been automatically translated (show/hide original)
Gorgeous. Bellissima. |
| sent on December 10, 2015 (11:00) | This comment has been automatically translated (show/hide original)
Thanks Matt !!! Grazie Matt!!! |
| sent on December 10, 2015 (17:16) | This comment has been automatically translated (show/hide original)
great, I really like.
Impactful. From really the feeling of tightness, crushing.
Compliments
Hello
Mauro notevole, mi piace molto.
Di forte impatto. Da veramente la sensazione di oppressione, schiacciamento.
Complimenti
ciao
Mauro |
| sent on December 10, 2015 (19:38) | This comment has been automatically translated (show/hide original)
very nice compliments.
Jerry :-P davvero molto bella complimenti.
Jerry |
| sent on December 10, 2015 (19:39) | This comment has been automatically translated (show/hide original)
Pure admiration. Perfect title, congratulations.
Hello :-P Pura ammirazione. Titolo perfetto, complimenti.
Ciao |
| sent on December 10, 2015 (20:20) | This comment has been automatically translated (show/hide original)
A heartfelt thanks to Mauro, Victor, and Jerry Errekappa
Un grazie di cuore a Mauro,Vittorio,Jerry e ErreKappa
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| sent on December 10, 2015 (23:00) | This comment has been automatically translated (show/hide original)
Beautiful and communicative!
I'm tempted to cut in order to have a more homogeneous: what do you think?
Hello
Marco Bella e comunicativa!
Mi verrebbe da tagliarla sotto per avere un'atmosfera più omogenea: tu che ne pensi?
ciao
marco |
| sent on December 11, 2015 (8:41) | This comment has been automatically translated (show/hide original)
Hello Mark, it did several tests with the cuts, it is true what you say homogeneity ', but the human side too walked away from the canonical rules of the focal points of attention, even though experience has taught me that you should not obey too canons prescribed. I must tell you that I had already 'posted this about ten days ago with a cut similar to what is proposed, with the cut of the sidewalk and the top even more' extended, but the image while becoming truly dramatic in his message lost side composition. Among other things in the series Street (1) there is also the same color image that is much less communicative in this b & w (in my humble opinion and debatable)
Thank you very much for your visit and the board, I do always treasure believe me! <br />
A greeting
Fabrizio Ciao Marco, avevo fatto diverse prove coi tagli, è vero quello che dici sull'omogeneita', ma la parte umana si allontanava troppo dalle canoniche regole dei punti di focalizzazione dell'attenzione , anche se l'esperienza mi insegna che è bene non sottostare troppo ai canoni prescritti. Ti devo dire che avevo gia' postato questa immagine una decina di giorni fa con un taglio simile a quanto proposto, con il taglio netto del marciapiede e la parte superiore ancora piu' estesa, ma l'immagine pur diventando davvero drammatica nel suo messaggio perdeva dal lato compositivo. Tra l'altro nelle serie street (1) c'è anche la stessa immagine a colori che è molto meno comunicativa di questa in b&w ( a mio modesto e opinabile parere)
Ti ringrazio molto della visita e del consiglio, ne faccio sempre tesoro credimi!
un saluto
Fabrizio |
| sent on December 11, 2015 (21:43) | This comment has been automatically translated (show/hide original)
Meanwhile, I thank you for the explanation, because it is always an enrichment to understand what the author thinks his step.
For the rest I saw that color and I agree, the warm tone does not help the atmosphere of the picture.
Actually I also thought the black and white of the sidewalk there was all right with that of the subject sitting.
Thanks and look your other streets!
Marco Intanto ti ringrazio per la spiegazione, perchè è sempre un arricchimento capire cosa l'autore pensa del proprio scatto.
Per il resto ho visto quella a colori e concordo, la tonalità calda non aiuta all'atmosfera della foto.
In realtà avevo anche pensato che il bianco e nero del marciapiede ci stesse bene con quello del soggetto seduto.
Grazie e aspetto altre tue streets!
marco |
| sent on September 08, 2016 (14:48) | This comment has been automatically translated (show/hide original)
Very very nice! The sense of oppression that transmits is quite clear, also for the position of man ... to the side and bottom ... small and opposite the gigantism of the wall hanging over him even with those of hue languages ??that seem to threaten him. I also saw the color version, which does not convey the same feeling. And in fact you've entitled "The Wall."
Compliments.
August Molto molto bella! Il senso di oppressione che trasmette è abbastanza netto, anche per la posizione dell'uomo...di lato e in basso...piccolo e opposto al gigantismo del muro che incombe su di lui anche con quelle lingue di tinta che sembrano minacciarlo. Ho visto anche la versione a colori, che non trasmette la medesima sensazione. Ed infatti l'hai intitolata "Il muro".
Complimenti.
Augusto |
| sent on September 08, 2016 (16:13) | This comment has been automatically translated (show/hide original)
Augusto hello, thank you so much for visiting and for reading the image
Ciao Augusto , grazie mille per la visita e per la lettura dell'immagine
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