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sent on October 09, 2015 (7:31) | This comment has been automatically translated (show/hide original)
Image eloquently very strong thanks to the compositional choices made: imbalance of the subject with the direction of the face upwards but with little air in front of him! As if to signify that his time is over and that it was left alone. Hard light, the few deep shadows emphasize the meaning of this story a little disconcerting though virtually static ... A cut extreme right at finger, would in my opinion, accentuated his exit from the camp and then from our world, by our age.
Max hello, good day. Immagine eloquentemente molto forte grazie alle scelte compositive effettuate: sbilanciamento del soggetto con direzione del viso verso l'alto ma con poca aria davanti a se! Quasi a significare che la sua ora è finita e che è stato lasciato solo. La luce dura, le poche ombre marcate enfatizzano il senso di questa storia un pò sconcertante anche se praticamente statica... Un taglio estremo giusto in corrispondenza delle dita, avrebbe secondo me, accentuato la sua uscita dal campo e quindi dal nostro mondo, dalla nostra epoca.
sent on October 09, 2015 (9:30) | This comment has been automatically translated (show/hide original)
Hello Raffaele, thanks to the usual, careful and thorough analysis. I was afraid of having too extreme by the subject ... you are the first (and so far the only) which has made a consistent reading without stopping its paradigms, including the reason for a choice so special. Trimming the pictures I have to admit that your advice is sensible. Hello and thanks Max Ciao Raffaele, grazie per la consueta, attenta e approfondita analisi. Avevo il timore di aver estremizzato eccessivamente il soggetto... sei il primo (e l'unico finora) che ne ha fatto una lettura coerente senza fermarsi ai propri paradigmi, comprendendo il perché di una scelta così particolare. Rifilando la foto devo ammettere che il tuo consiglio é sensato. Ciao e grazie Max
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