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user62173
sent on October 08, 2015 (19:43) | This comment has been automatically translated (show/hide original)
Samuel You have to detach from the wall and photograph them with the widest aperture possible, to blur the rest. ;-) Samuele Devi staccarle dalla parete e fotografarle con il diaframma più aperto possibile, in modo da sfocare il resto.
sent on October 15, 2015 (15:56) | This comment has been automatically translated (show/hide original)
I do not like the lighting. You see all the grooves on the wall behind you is not beautiful white tablecloth under that does not tell me much. Maybe you had to try to photograph all about something completely white. A sheet maybe put a little 'U to form a curve that makes it a background that floor for the subject does not know what I mean? Non mi piace l'illuminazione. Si vedono tutti i solchi sulla parete dietro che non è bella bianca e la tovaglia sotto che non mi dice molto. Dovevi forse provare a fotografare il tutto su qualcosa di completamente bianco. Un lenzuolo magari messo un po' a U per formare una curva che faccia sia da sfondo che da pavimento per il soggetto non so se mi spiego
sent on October 18, 2015 (10:05) | This comment has been automatically translated (show/hide original)
hello thanks indeed are aware that the picture is not pretty .It is the first still life I do .... and I got just the DEAD but I just published for advice ..... thanks pe ri samu suggestions: - P ciao grazie in effetti sono consapevole che la foto non è bella .è la prima natura morta che faccio ....e mi è venuta proprio MORTA ma l ho pubblicata proprio per avere consigli .....grazie pe ri suggerimenti samu
sent on February 10, 2016 (15:17) | This comment has been automatically translated (show/hide original)
:-D :-D :-D :-D and I came just DIED but I've just published for advice .... great Samu! :-P :-P ;-) e mi è venuta proprio MORTA ma l'ho pubblicata proprio per avere consigli .... grande Samu!
sent on February 10, 2016 (15:31) | This comment has been automatically translated (show/hide original)
For subjects like this, first of all it has to be very accurate composition, both fruit that that fotografrica. Everything is tight and it feels claustrophobic. Then you have a lot to cure the scene ... it is important the background ... well say who advises white sfondpo U but you can also have for background stuff, the imposrante is it's cool ... then the light. ABSOLUTE prohibition to fire the flash in front ... at least you need two sources of lighting, a side and a reflection from top to bottom or right behind ... you should have at least one lamp and a flash with a parable.
I hope to be proved helpful
ps I inizato like you to 12 years in 1990 with a Yaschica FX 3 film ... this continues and never let go the picture ;-) Per soggetti del genere prima di tutto deve essere molto curata la composizione, sia della frutta che quella fotografrica. Qui è tutto stretto e si ha l'impressione di claustrofobia. Poi devi curare molto la scena...è importantissimo lo sfondo...ben detto chi ti consiglia sfondpo bianco a U ma puoi anche avere per sfondo altra roba, l'imposrante è che sia bello...poi la luce. Divieto ASSOLUTO di sparare il flash di fronte...come minimo hai bisogno di due fonti di illuminazione, una laterale e una di riflesso dall'alto verso il basso o subito dietro...dovresti avere almeno una lampada e un flash con parabola.
Spero di esserti stato di aiuto
P.s Ho inizato come te a 12 anni nel 1990 con una Yaschica FX 3 a pellicola...continua così e non mollarla mai la fotografia
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