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user34391 | sent on September 11, 2015 (11:45) | This comment has been automatically translated (show/hide original)
this, since you have a tripod, I would see well with HDR that would save the readability of the parties in light of the chair ... sin, the potential was there ... :-P questa, dato che hai il treppiede, l'avrei vista bene con un hdr che salvasse la leggibilità delle parti in luce della sedia... peccato, la potenzialità c'era... |
| sent on October 12, 2015 (19:37) | This comment has been automatically translated (show/hide original)
I disagree with Damiana regard to HDR that personally I would avoid but agree on little legibility highlights, you could shorten the time and open or close a hair shadows lights in post.
I do not like the choice of a 14 mm which I think has distorted a lot (the two seem boots of different sizes), but we need to see how much space you were behind you to use longer lenses. Have you tried the trip bw? Non concordo con Damiana riguardo all hdr che personalmente eviterei ma concordo sulla poca leggibilità delle alte luci, avresti potuto accorciare i tempi e aprire un pelo le ombre o chiudere le luci in post.
Non mi piace molto la scelta di un 14 mm che credo abbia distorto parecchio (i due scarponi sembrano di misure diverse), ma bisogna vedere quanto spazio avevi dietro di te per usare ottiche più lunghe. Hai provato il viaggio in bw? |
| sent on October 13, 2015 (11:30) | This comment has been automatically translated (show/hide original)
Hello Luke through the passage.
Look, in this house I've spent a good half hour, and I guess I'll go back. I shot about 15:00 and in those conditions the sun was exactly in front of the window but various debris created those two soole light areas. It was burning lights or underexpose the very shadows, obviously my choice was not the best. In post I tried several times to recover, and failed ever, I will have groped to create masks in LR for selective adjustments.
The focus was not so much the space behind me and I was only a 50mm that did not allow me the same composition, for the measurement of the boots really do not remember if they were paired.
colorize B / N tried it, but I was not able to get a result that satisfied me like the others posted.
Thank youstill of the passage,
Andrea Ciao Luca grazie del passaggio.
Guarda, in questa casa ci ho passato mezz'ora buona e mi sa che dovrò tornare. Ho scattato alle 15:00 circa e in quelle condizioni il sole era esattamente davanti alla finestra ma vari detriti creavano quelle due soole zone di luce. Si trattava di bruciare le luci o sottoesporre di molto le ombre, evidentemente la mia scelta non è stata la migliore. In post ho provato più volte un recupero, non riuscendoci mai, dovrò tentare di creare maschere in LR per correzioni selettive.
Sulla focale lo spazio dietro non era moltissimo e con me avevo solo un 50mm che non mi permetteva la stessa composizione, per la misura degli scarponi sinceramente non ricordo se fossero appaiati.
il viraggio B/N l'ho provato, ma non ero riuscito a ottenere un risultato che mi soddisfacesse come gli altri postati.
Grazie ancora del passaggio,
Andrea |
| sent on October 13, 2015 (11:36) | This comment has been automatically translated (show/hide original)
Regarding the number of boots I wanted to say that using a 14mm've had a perspective distortion that makes them look bigger than the other one.
I'm glad you had already thought of everything that you have written, which means that the picture was adequately designed by you and that does nothing but enhance it. Bravo is nice to have something to do with someone who has come up with times, light, recoveries, toning and space (and consequent choice of focal). Keep going Riguardo al numero degli scarponi volevo dire che utilizzando un 14mm hai avuto una distorsione prospettica che li fa apparire uno più grande dell'altro.
Sono contento che avevi già pensato a tutto quello che ti ho scritto, il che vuol dire che la foto è stata adeguatamente pensata da parte tua e il che non fa altro che valorizzarla. Bravo è bello avere a che fare con qualcuno che ha pensato ad orari, luce, recuperi, viraggi e spazi (e conseguente scelta di focale). Continua così |
user81826 | sent on July 25, 2016 (19:59) | This comment has been automatically translated (show/hide original)
Excellent composition and light Ottima composizione e luce |
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